Posted in: Disc Reviews by Archive Authors on February 16th, 2005
The barometer for those interested in Robert Altman’s Short Cuts is usually whether or not they liked Paul Thomas Anderson’s Magnolia. Hell, it’s the question I posed to my fiancée when we were trying to figure out what to watch over the Thanksgiving holiday. The comparisons are pretty conventional; both are large ensemble films with intertwined plotlines set in California, both have a 3 hour runtime. Both even have Julianne Moore in predominant roles.
Based on short stories by Raymond Carver...and written by Altman, many of the characters in Short Cuts are reprehensible turds, let’s face it. You’ve got the policeman/husband and father of three Gene (Tim Robbins, The Player), who frequently cheats on his wife Sherri (Madeline Stowe, Stakeout), and even drops off the family dog hundreds of miles from home because he barks too much at Gene. Gene pulls over women at traffic stops to get phone numbers, one of whom may have been Betty (Frances MacDormand, Fargo), who is separated from her pilot husband Stormy (Peter Gallagher, The OC). Jazz singer Tess (Annie Ross, Pump Up the Volume) frequently drinks and never provides any encouraging words to her daughter Zoe (Lori Singer, Footloose). Limo driver Earl (Tom Waits) is a drinker who frequently berates his wife Doreen (Lily Tomlin, Nashville).
Posted in: Disc Reviews by David Annandale on February 16th, 2005
Synopsis
Posted in: Disc Reviews by David Annandale on February 11th, 2005
Synopsis
Posted in: Disc Reviews by Archive Authors on February 10th, 2005
Ah, the 80's. I remember slapping on the vinyl for the new Def Leppard album, "Pyromania". And what an album it was. "Photograph", "Rock of Ages", the list of singles go on. Def Leppard seemed to be poised for superstardom. Then tragedy struck. Their drummer lost his arm in a car accident. But they still rocked on. "Hysteria" was their most popular album, but a bit too sugary for me. Now we have a movie that charts the rocky road to stardom and beyond, Hysteria: The Def Leppard Story is a heavy m...tal bio pic that meets with semi-successful results.
Hysteriahas all the band movie cliches. We have the forming of the band, the first hit single, lives change, drugs take over. But what makes this story distinct is not just the music (80's hair metal has a certain kitschy charm), but the fact the drummer lost one of his arms. The movie starts with this tragic event, thus setting up the rise and fall narrative. The low budget of this movie is quite noticeable at times (a North American left steering wheel for British driving scenes ¦ c'mon), but the story is told with conviction, cliches and all. The music performances are well done, but this is a minor "band" movie. The metal saves it from becoming a retread altogether.
Posted in: Disc Reviews by David Annandale on February 8th, 2005
Synopsis
Posted in: Disc Reviews by Archive Authors on February 8th, 2005
Edges of the Lord is a movie that wasn’t released theatrically, due to some distributing difficulties. We now have it on DVD. Billed as “in the tradition of Life is Beautiful”, Edges of the Lord is an edgy little coming of age story set against the backdrop of World War II. The plot is simple enough: a 12 year old Jewish boy (Haley Joel Osment) hides with a family of Catholic peasants to escape the Nazi’s. The results are resonant and often powerful.
Everyone’s favorite child actor, Osme...t, is quite good here. But the real find is Liam Tess as Tolo. Willem Dafoe also gives a good performance (when is he not good?) as Priest. The movie tries a little too hard to be remembered as a classic in the same vein as The Diary of Anne Frank or the much darker Life is Beautiful. Edges of the Lord is, simply put, a simple story well told.
Posted in: Disc Reviews by David Annandale on February 7th, 2005
Synopsis
Posted in: Disc Reviews by Archive Authors on February 5th, 2005
Mike Leigh is one of England's most accomplished directors. His recent success, Vera Drake, shows that the man hasn't lost his touch. Leigh's films go back over 30 years. His famous "Mike Leigh" method (in short hand) involves actors improvising scenes for months; Leigh writes the scenes down and a screenplay is created. The films he's made include quirky character dramadies, Life is Sweet and down and dirty slices of life, Naked. But nowhere is this "Mike Leigh method" more successful tha... in his masterpiece Secrets & Lies.
Secrets & Lies has a few story lines. But the main narrative follows the character of Hortense Cumberbatch (great name) as she searches for her birth mother (played by Brenda Blethyn). But Hortense is a black woman and Cynthia (the birth mother) is a very working class white woman. Sounds like a vehicle for Beonce? Mike Leigh has more class than that. But there are hilarious moments; and the climax of the film is shattering. Secrets & Lies garnered many major Oscar nominations for its year, and rightly so. It's a damn fine film; a masterpiece of British cinema.
Posted in: Disc Reviews by Archive Authors on February 5th, 2005
Mike Leigh is one of England's most accomplished directors. His recent success, Vera Drake, shows that the man hasn't lost his touch. Leigh's films go back over 30 years. His famous "Mike Leigh" method (in short hand) involves actors improvising scenes for months; Leigh writes the scenes down and a screenplay is created. The films he's made include quirky character dramadies, Life is Sweet and down and dirty slices of life, Naked. But nowhere is this "Mike Leigh method" more successful tha... in his masterpiece Secrets & Lies.
Secrets & Lies has a few story lines. But the main narrative follows the character of Hortense Cumberbatch (great name) as she searches for her birth mother (played by Brenda Blethyn). But Hortense is a black woman and Cynthia (the birth mother) is a very working class white woman. Sounds like a vehicle for Beonce? Mike Leigh has more class than that. But there are hilarious moments; and the climax of the film is shattering. Secrets & Lies garnered many major Oscar nominations for its year, and rightly so. It's a damn fine film; a masterpiece of British cinema.
Posted in: Disc Reviews by Archive Authors on February 2nd, 2005
Fear of nuclear proliferation was a definite threat in the Reagan era 80's. Movies like The Day After played into those fears. Another film that deals with the consequences of nuclear fallout is 1983's Testament. Testament is a small, quiet film about the effects of nuclear fallout on a family and a community. The director, Lynne Littman, is a veteran of documentary films, and she brings a certain truth and realism to the story. There are no mushroom clouds or special effects, just human eff...cts. Jane Alexander plays the mother, and she's the rock that keeps her family together. She deserved the Oscar nomination she received that year. A very young Kevin Costner also makes a cameo.
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