Drama

"Why are you talking? Do you ever think about what you're gonna say or why you're speaking? Or do you just open your mouth and just blah blah blah blah blah? In about thirty seconds I'll be gone. We don't need to speak."

Die My Love is the latest film by director Lynne Ramsay whose best film is still We Need To Talk About Kevin. I say still is because Die My Love doesn't live up to the reputation. Ramsay was never quite a linear storyteller and this film is no exception. She loves to dabble in the subtle madness of a situation and here she does much more than dabble and while there are certainly attempts to be nuanced the film rages as out of control as her main character played by Jennifer Lawrence who takes a huge swing and a big chance here. It was the right idea but maybe not quite the right vehicle. Lawrence has been trying to distance herself from the Hunger Games franchise not because that wasn't good work but she appears to be trying not to get too pigeonholed in her career. as I said, it's the right call. the problem is that Die My Love is too messy of a film to show much of anything, and trust me anything worth watching about this film lands entirely on the performance of Jennifer Lawrence.

"In the year of our lord, Judea - for nearly a century - had lain under the mastery of Rome. In the seventh year of the reign of Augustus Caesar, an imperial decree ordered every Judean each to return to his place of birth to be counted and taxed. The converging ways of many of them led to the gates of their capital city, Jerusalem, the troubled heart of their land. The old city was dominated by the fortress of Antonia, the seat of Roman power, and by the great golden temple, the outward sign of an inward and imperishable faith. Even while they obeyed the will of Caesar, the people clung proudly to their ancient heritage, always remembering the promise of their prophets that one day there would be born among them a redeemer to bring them salvation and perfect freedom." 

In the war going on between Paramount and Netflix over the purchase of Warner Brothers, I must admit I am on Paramount's side totally. If Netflix wins, you can kiss goodbye seeing films on physical media, and Warner's iconic cinematic past will just be eye candy for those 3-inch screens. If you needed any proof, you merely have to look at their current actions. Netflix stood in the way of del Toro's Frankenstein, and we as critics never saw it at a screening. It took Criterion to finally give it a release. On  Paramount's side, look what they have done with many of their classic films. I've reviewed so many here. And if you want to see Warner classics like this one to continue, you need look no farther than this brand new UHD Blu-ray release of the classic film Ben-Hur. This is going to be one of the most impressive discs in your collection. What do you think you would have gotten if Netflix was pulling the strings? Yeah, that's what I thought, as well. Here's a list of the classic Warner films you can expect in the future if Netflix takes over Warner: Yep, that's all of them.

“On TV it looks so real.”

When I first walked out from the theater after watching Nightcrawler, the thing that stuck with me the most is how great Jake Gyllenhaal was in this film.  This isn’t the first performance he’s caught my attention in; he’s an actor who pretty much any time I see him in a film, he’s one of the most memorable aspects of the film.  Whether it’s his moody performance in Donnie Darko, his offbeat portrayal as a cop in Prisoners, or even him taking a risk as a gay cowboy in Brokeback Mountain, every role he does something more with the character where we can believe he is this person we see on the screen.  Nightcrawler is no exception, and in this role Gyllenhaal is simply terrifying as Lou Bloom.

"You know the results of the latest Gallup Poll? Half the country never even heard of the word Watergate. Nobody gives a shit. You guys are probably pretty tired, right? Well, you should be. Go on home, get a nice hot bath. Rest up ... 15 minutes. Then get your asses back in gear. We're under a lot of pressure, you know, and you put us there. Nothing's riding on this except the, Oh,  first amendment to the Constitution, freedom of the press, and maybe the future of the country. Not that any of that matters, but if you guys f' up again, I'm going to get mad. Goodnight."

The more things change, the more they remain the same. Most of you were not born when Richard Nixon became the first American president to resign from his office in disgrace. But the truth is that it changed our political culture forever. It's hard to believe that there was a time when most Americans put aside their own ideologies and had a respect for the office of the President of the United States. Even if you did not vote for or particularly like the man, there was a reverence and an almost sacred aura that surrounded the position. All of that has changed, and while it's easy to blame the groups we have fighting each other now, it started a long time ago when a couple of Washington Post journalists stumbled into the biggest story in our nation's political history. Carl Bernstein and Bob Woodward are the reporters who became iconic in their field as they took what appeared to be a routine break-in to an office and rode it to the resignation of a very popularly elected president. They put it in a book and then the movie of the same name. Now Warner Brothers has put All The President's Men on UHD Blu-ray in 4K, and if you haven't seen it, you need to. It's one of the most important films ever made.

"I'm not a bad guy. I just made bad choices. I have a plan." 

Derek Cianfrance doesn't have a lot of movies in the director's chair, but his 2012 The Place Beyond The Pines was a pretty solid film. Since then he's been pretty quiet, and he's finally surfaced once again with the rather off-kilter "based on a true story" crime comic drama Roofman. He's brought Channing Tatum, Kirsten Dunst, and Peter Dinklage along for the ride. It's been something of a sleeper, coming with little advanced buzz and flying under the radar. It was a pretty good hit at the box office, and now Paramount has released the film on UHD-Blu-ray in 4K.

"Two little mice fell in a bucket of cream. The first mouse quickly gave up and drowned. The second mouse wouldn't quit. He struggled so hard that eventually he churned that cream into butter and crawled out. Gentlemen, as of this moment, I am that second mouse.” 

Frank, Jr. is that second mouse ... and then some. Before his 19th birthday, Frank Abagnale Jr. posed as a pilot, doctor, lawyer, and secret service agent in an uncanny crime spree that saw him forging millions of dollars worth of fraudulent checks. This film chronicles the fantastic yet true adventure with large doses of fun injected into the two-and-a-half-hour-long chase."

"Sometimes I feel the past is a more comfortable place than the future."

I think for anything to have a grand finale, it has to have been grand to begin with. And I don't think one could argue that Downton Abbey hasn't been grand, at least at some points in its life. Downton Abbey spent six years on television and has amassed 52 episodes. In that relatively short run, the series has also managed to collect over 200 award nominations and several Golden Globes along with other prestigious awards. Let's not forget a rather loyal fan-base that has watched each episode with anticipation of the next sharp barb or character revelation and will insist on franchise authenticity. In one of its years it was the number-one binged series in the world. That's a lot of power, and it's little wonder that all of these ingredients were expected to create a little box office gold. But film franchises from television shows rarely go on to such golden heights. There are some notable exceptions, to be sure. But even here, expectations and changing caretakers often lead to both high points and flops. The Star Trek franchise is a perfect example of those kinds of ups and downs. Mission Impossible is an example of shows that have to be completely retooled to hit the high numbers. Now that the expected last film has been released, where will Downton Abbey fit in this equation?  The fans have been vocal and strong enough that a new film franchise had been anticipated to fill the void left by the series almost at once, and those fans weren't disappointed. But how will they feel now that it has all come to an end?

"Well, gentlemen, in my opinion, if we send him back to Pendleton or we send him up to Disturbed, it's just one more way of passing on our problem to somebody else. You know, we don't like to do that. So I'd like to keep him on the ward. I think we can help him." 

One Flew Over The Cuckoo's Nest was the first movie I ever saw on HBO. These were the very early days of the cable network. It was before the dawn of any real home video. It was at my Aunt Shirley's house that several members of the extended family gathered in dining room chairs around a 19-inch television to watch a movie uncut and without commercial interruption for the first time in our lives. A lot has changed since that 1970's afternoon at my aunt's house. Today we have hundreds of such choices on our television dials. I've seen a huge wave of home video technologies since that day that have included CED video discs, VHS/Beta, laserdisc, DVD, high-definition Blu-ray and now on UHD Blu-ray in glorious 4K The entire game has changed since that gathering 50 years ago. One thing has not changed a bit. One Flew Over The Cuckoo's Nest was a dynamic and compelling film that day. It remains so today.

"Yes, this is Sunset Boulevard, Los Angeles, California. It's about five o'clock in the morning. That's the Homicide Squad - complete with detectives and newspapermen. A murder has been reported from one of those great big houses in the ten thousand block. You'll read about it in the late editions, I'm sure. You'll get it over your radio and see it on television, because an old-time star is involved - one of the biggest. But before you hear it all distorted and blown out of proportion, before those Hollywood columnists get their hands on it, maybe you'd like to hear the facts, the whole truth. If so, you've come to the right party. You see, the body of a young man was found floating in the pool of her mansion - with two shots in his back and one in his stomach. Nobody important, really. Just a movie writer with a couple of 'B' pictures to his credit. The poor dope! He always wanted a pool. Well, in the end, he got himself a pool - only the price turned out to be a little high. Let's go back about six months and find the day when it all started."

The term "classic" is misused these days. I know many fellow critics who fall in love with too many films and rate them high with the idea they are going to be "classics". More times than not, in five years, let alone 50 or 75 years, no one has even heard of or remembered the movie. The truth is that kind of high-end designation can't be made for at least 20 years. I don't give out very many 5-disc ratings. Far less than anyone else on the site, and with literally thousands of more reviews to count. Sunset Blvd. is one of those films. If you're still quoting a film 75 years later? That's the very definition of a true classic, and Billy Wilder's film passes anyone's grade for that distinction. I know that IMDB presents the film as Sunset Boulevard, as do some of the film's posters. On screen and in the copyright filings for the movie it is Sunset Blvd., and that's how I will refer to it here.

"I can guarantee your safety ... more or less." 

Some things cannot be beat, and they sure as heck can't be repeated. An old vintage cola commercial used to tell us, "Ain't nothing like the real thing, baby." And Jurassic World Rebirth is going to do anything it can for 134 minutes to try and tell you that isn't true, but we know better, don't we? Anyone who has seen the original Jurassic Park has their favorite moments, but one scene has always stood out for me and so many other film fans I've spoken to. When the camera pans to that peaceful swamp pasture and you see tons of dinosaurs walking about without a care in the world. If you didn't know how to react there, Sam Neill as Dr. Grant showed you how. His expression matched ours, and it was a wonderful cinematic moment of magic and wonder. You can never repeat that ever again. No matter how many Jurassic franchise movies or any other dinosaur movies might attempt to bring you that single moment, they never will. And that's OK. There are moments in Jurassic World Rebirth were it is quite obvious that director Gareth Edwards attempts to repeat that moment. He telegraphs it particularly in a scene where we get a wide shot of dinosaurs and we hear that old John Williams theme, and Edwards is pulling hard on our heartstrings. Sorry, Gareth. It didn't happen for anyone there. It's not your fault. You did everything right. But, you see, Steven Spielberg already took us there, and we will never have it again, but truly, man, thanks so much for trying. You did deliver the best of the Jurassic World films and the best franchise film since the original. You're just going to have to settle for that.