Drama

It seems like there have been quite a few dramatic films over the past three years or so that have fallen into this trap of bad marketing. Curiously enough, they all seem to have the same narrative feel, from Heist to Confidence to Spy Games… and now Spartan. I sometimes have a hard time figuring out why some films become hits, and some don’t. (Of course, if I were a master at that, I would be the highest paid man in Hollywood.) I don’t understand how mindless films like Men in Black II.../i> can make their money back, but taught dramas like Spartan do mediocre work at the box office.

Regardless, this is a film that deserves to be seen by a wider audience. This picture is an exciting mix of dramatic sub-genres; part of the action seems to be drawn from CBS’ hit television show Without a Trace, part from Nicholas Cage’s 8mm, and part from any number of Tom Clancy novels. The result is a sharp film that is more concerned with the urgency of the story than it is explaining every little detail to the viewing audience. Names and faces aren’t important, just the mission at hand.

I usually meet discs that contain a movie that I have never previously heard of with a groan. I figure the chances are that if I missed it in theaters, and I have never seen a preview for it, or seen it mentioned on a chat board, there’s probably a good reason. These were my exact feelings on the day that 3-Way arrived on my doorstep. These feelings were further confirmed upon insertion of the disc, when I was greeted by trailers for such classic films as Cruel intentions 2 and 3, and Wild Thi...gs 2.

It was with an apprehensive heart that I finally pushed the “play” button on my remote. “At least it’s only 88 minutes long,” I told myself. Imagine my utter shock when the film actually tuned out to be entertaining! Now, it’s certainly not a great film by any stretch of the imagination, but it sure is a load of fun. In fact, it is fun in very much the same way that the original Wild Things was fun. There is lots of sex, lots of crime, and everybody double-crosses everybody else; all of which is portrayed by a cast of semi-popular actors.

Synopsis

May 1968. Paris is about to explode. Moving at the periphery of events that made whathappened at the same time in the States look like a mild-mannered debate are our threecharacters. American student Michael Pitt is a film buff, religiously attending the screenings atthe Cinémathèque Française. When that institution is closed (an event that helps ignite thepolitical powderkeg), Pitt falls in with two fellow buffs: twin siblings Eva Green and LouisGarrel. When the twins’ parents lea...e the apartment for a month, Pitt is invited to stay, and whatfollows is a claustrophobic series of sex games. The trio rarely venture outside, are only vaguelyconscious of what is going on out there, but sooner or later the real world will come crashingthrough into their retreat.