Posted in: Disc Reviews by David Annandale on February 27th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on February 27th, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on February 27th, 2004
If you’re passing through the video store and see a movie on a shelf that looks like the cover of Motley Crue’s album “Too Fast for Love”…you’ll be disappointed…or relieved (depending on how you feel about the Crue). The movie is James Cox’s Wonderland. Wonderland is a film about the porn star John C. Holmes (Val Kilmer) at the end of his tether. Towards the end of his life, Holmes, famously, got involved in a series of crimes known as the Wonderland Murders, which are dramatized in this movie. I wo...’t spoil how it turns out. But the movie is part love story, part biography, and part murder mystery. Sounds like there’s a lot of meat here (pardon the pun), but that’s what’s most problematic about the film. It tries to be too many things, and like Holmes’ life, spins out of control.
The director James Cox throws a lot of “style” into the soup. We got your split screens, freeze frames, fast motion, long takes, jump cuts, animation, and even a little bit of Steadicam tracking. Pretty much all the “modern” innovations in shot technique are tossed in here. Is it all for show? I don’t really think so. In a way…all the pizzazz puts the audience in the mind of the strung out John C. Holmes. Cox does a commendable job of juggling a lot of balls in air (no pun intended)…but has trouble maintaining focus.
Posted in: Disc Reviews by David Annandale on February 26th, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on February 22nd, 2004
In 1967, a top secret document was commissioned by the government, tracing the United States’ history with the Vietnam war. This history went as far back as the 1940’s. The result was a 7,000 page document. In 1971, a defense department official and former Rand corporation employee, Daniel Ellsberg, secretly photocopied these “Pentagon Papers” and released them to the New York Times. Then President, Richard Nixon, called Ellsberg’s act “treasonable”. FX and Paramount’s television production of The Pentagon Pa...ers details this period in Ellsberg’s life and times.
The opening credit sequence (with its shadowy images and sounds) sets up the expectation that this movie will be a taut political thriller. Perhaps in the style of The Parallax View or Winter Kills (which are must sees, by the way). Unfortunately, the sequence belies the film’s true events. It’s really a carefully crafted character piece; at least, it tries to be. James Spader plays Ellsberg with a kind of indirect integrity. In any given performance, you’re never quite sure where Spader is coming from. And you probably think he’s into something kinky. In The Pentagon Papers, Spader’s indirect and unconventional qualities are a good match for Ellsberg.
Posted in: Disc Reviews by Archive Authors on February 22nd, 2004
Synopsis
On the outside, Rivervale High seems like a typical suburban school, filled with a largely white, middle-class population. New student Jenny Dahlquist (Jane McGregor) quickly discovers the divisive cliques that polarize the campus when she tries to find a seat in the cafeteria. Cheerleaders, jocks, druggies, preppies, skateboarders, nerds—they've all staked their territory in the lunchroom, and don't tolerate outsiders. At an empty table sits Trevor, the ultimate loner/outcast. Dubbed "The M...d Bomber," Trevor targeted the football team with an unwired explosive device the previous year, after enduring continual abuse and humiliation at the hands of the school's swaggering athletes. As a result, Rivervale now resembles a maximum security prison, complete with metal detectors, guards, and a zero tolerance policy.
Posted in: Disc Reviews by David Annandale on February 21st, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on February 20th, 2004
MGM keeps rolling out the Best Picture award winners. A few weeks ago it was Mutiny on the Bounty, this time it’s The Great Ziegfeld . I think Ziegfeld belongs in the category of those Best Picture winners that aren’t necessarily the best films for that year (Driving Miss Daisy?? C’mon). I actually prefer Frank Capra’s Mr. Deeds Goes to Town and Gregory La Cava’s seminal screwball comedy My Man Godfrey (starring Ziegfeld’s own William Powell). The Great Ziegfeld al...o picked up Best Actress for Luise Rainer. She has excellent presence, some nice moments (the phone call scene, most famously), and those eyes. But for my money, I would’ve given it to Carole Lombard for My Man Godfrey. The Academy has always been a sucker for Big Emotion, and Rainer gives the audience spoonfuls of it. But then there are the well deserved Oscar Winning dance sequences by Seymour Felix.
The story follows the rise and fall of Flo Ziegfeld, broadway producer extraordinaire. We see the highs of lows of Ziegfeld’s life in “biz” and in love. It’s a Hollywood bio-pic, so you know some events will be glossed over. And the clichéd ending is, of course, completely ridiculous. But Powell’s portrayal of Ziggy tries to reflect some of the flaws in this “diamond” of a man. It’s a nice well rounded performance. If you enjoy his work, check out Criterion’s excellent DVD presentation of My Man Godfrey. And there are the Thin Man films, of course.
Posted in: Disc Reviews by Archive Authors on February 18th, 2004
MTV is getting used to productions about provocative love affairs. Just look at Justin Timberlake and Janet Jackson at this year’s MTV produced Super Bowl. So in their production of a modern updating of Emily Bronte’s novel “Wuthering Heights”, MTV throws in everything but the nipple.
“Wuthering Heights” is a benchmark of Gothic Romantic literature. It tells the tale of a doomed and frenzied love between the two protagonists, Heathcliff and Cathy. “Wuthering Heights” has been adapted for film and tel...vision umpteen times, in different styles and different languages. The most notable adaptation is probably the first in 1939, with Larry Olivier and Merle Oberon in the title roles.
Posted in: Disc Reviews by David Annandale on February 18th, 2004
Synopsis
