Posted in: Disc Reviews by Gino Sassani on February 2nd, 2003
Synopsis
The setting is an exclusive college, and the action covers one school term. We move fromone party to another (very little education of any kind takes place here, what with the professorsstoned or absent), and see the intersections of doomed romantic hopes. These hopes belong toSean Bateman (brother of American Psycho Patrick), who longs for the virginal Lauren, and is inturn longed after by Paul. Lauren, meanwhile, is saving herself for Victor, who doesn’t evenknow she exis...
Posted in: Disc Reviews by Archive Authors on January 28th, 2003
Well, the era of mass market “indie” films is upon us. In spite of its manufactured artfulness, "One Hour Photo" does have appeal: Robin Williams portrays a stereotypical damaged post-modernist psychopath with a flourish of reality that does him credit as an actor, and writer/director Mark Romanek is a fresh face on the Hollywood scene. Supporting cast Paul Kim and David Moreland step out of Wal-Mart and onto the screen – spectacular characterizations. Connie Neilsen and Michael Vartan, however, give at best stilted ...
Posted in: Disc Reviews by David Annandale on January 27th, 2003
Synopsis
The Miss Daisy of the title is played by Jessica Tandy. After she wrecks her car, her son (Dan Aykroyd) hires a chauffeur (Morgan Freeman) for her. Miss Daisy is fiercely resistant to the supposed loss of independence this represents, but she eventually lets Freeman do his job. A strong friendship grradually develops between the two. In the background, we catch glimpses of the changing American South as the film moves from 1947 to 1972. Prejudice, both racial and anti-semitic, lurks just und...
Posted in: Disc Reviews by Gino Sassani on January 26th, 2003
Synopsis
Our guide to the Manchester movement 1976-1992 is Tony Wilson (a mesmerizingly goodSteve Coogan), TV personality and would-be music impresario. Blown away by an earlyperformance by The Sex Pistols, Wilson sets about forming his own music club and record label(The Factory). Central to his enterprise’s rise and fall are Joy Division/New Order and the HappyMondays. Wilson addresses the camera constantly, as if we were watching a documentary onhis life, and the result is as fun...
Posted in: Disc Reviews by Gino Sassani on January 23rd, 2003
Not since Scarface with Al Pacino has there been a film that captured the world of the drug lord as well as Blow. The style is reminiscent of Goodfellas with its character-driven narrative and snapshot photography. Taken from the real-life story of George Jung who is still serving a 30-year sentence for drug trafficking, Blow explores the evolution of cocaine as the drug of choice for the American elite. Ted Demme manages to give us an honest portrayal of Jung that does not glorify or justify his evil deeds.
Posted in: Disc Reviews by David Annandale on January 19th, 2003
Synopsis
Two young friends move from Tennessee (where one lives in dysfunctional household andthe other in a deeply conservative one) to Hollywood, where they dream of making films. Theolder of the two gets there first, and is making a film about people who have delusions aboutmaking films (got yer postmodern hall of mirrors thing happening here) and, of course, hisfunding dries up. There isn’t much here that hasn’t been done before, but the execution is nicelydone, and the performa...
Posted in: Disc Reviews by Gino Sassani on January 19th, 2003
Synopsis
Humphrey Bogart, down-on-his-luck sports writer, is recruited by crooked boxing impresarioRod Steiger. Bogart’s assignment: build up the reputation of a gigantic but incompetent fighter.A series of fixed fights leads to the gentle Goliath’s superstardom, but you know this is all goingto end in tears. Bogart descends further and further into corruption, hating himself all the way.The boxing scenes are stunning in their brutality, and the film (barring a perhaps overlyoptimis...
Posted in: Disc Reviews by Gino Sassani on January 18th, 2003
You almost expect to see Robert DeNiro and Joe Pesci at any time during State Of Grace. The influence of Martin Scorsese is everywhere, from the tight shots on character interactions to the slight angles during the more violent scenes. Even the clever use of source music more often than Ennio Morricone’s subtle score is reminiscent of Goodfellas. The prize of this feature is the cast. Ed Harris, Sean Penn, and Gary Oldman add much needed tension and realism to a mediocre and predictable script. Stereotypes and clichés abound.
Posted in: Disc Reviews by David Annandale on January 14th, 2003
Synopsis
Eerily topical, Sirocco is set in 1925 Damascus. Syria is under French occupation. Syrianpartisans and the French army are at daggers drawn. Lee J. Cobb is the head of militaryintelligence, and he is trying to broker a truce. Humphrey Bogart is a smuggler and gun runner,interested only in making a buck. Enter Cobb’s wife (or girlfriend? the film isn’t clear on thismatter) to complicate things. If Casablanca were remade with Bogart as an amoral, cowardlyprofiteer, Ingrid Ber...
Posted in: Disc Reviews by Archive Authors on January 8th, 2003
Synopsis
The black sheep of a wealthy Tulsa family comes back to a world that he had walked away from, only to return and get pulled in to a tale of blackmail with his ex-high school sweetheart’s drug dealer husband. While attempting to help the only witness to a murder he gets wrapped up in a world of revenge, deceit and redemption, starring James Spader, Eric Stultz and Deborah Kara-Unger. Cameron Diaz is billed as one of the stars of this movie and for the approximately 3 minutes she is in this mov...
