Posted in: Disc Reviews by Gino Sassani on September 22nd, 2002
We find out early in the film that the term Last Orders is an English tradition along the lines of a last will and testament. There’s really nothing very complicated about this film. There are some wonderful moments of acting particularly by Bob Hoskins. The major complaint is that there are actually four stories being told from four different timelines making it extremely confusing at times.
Synopsis
Posted in: Disc Reviews by Gino Sassani on September 7th, 2002
Synopsis
Stockard Channing is top-flight executive, and has been in the game long enough to become a hardened, battle-scarred veteran. When Julia Stiles arrives late, screwing up a presentation, Channing initially comes down on her like a ton of bricks. Later she apologizes, and the two, becoming friends, plot revenge on a mutual acquaintance who has apparently done them both wrong. But there are plenty of twists ahead (some easier to swallow than others).
Posted in: Disc Reviews by Gino Sassani on September 2nd, 2002
In the Bedroom carries with it some very powerful acting performances. The story is good, but not as great as it was hyped up to be around the Academy Awards. If you like a very powerful drama, you will enjoy this film.
“Frank Folwer is a young man home from college. He develops a special relationship with an older woman and their love blossoms in their small New England town. Natalie is the older woman (Tomei) and has two children from her marriage to an abusive husband. When this abusive ex...continues to meddle in this budding relationship, Frank’s parents (Spacek and Wilkinson) warn him to stay away. Following his heart, Frank stands by his woman, only to be shot and killed during a confrontation with her ex. Caught up in legalities, Frank’s father takes the law into his own hands and brings justice for his grieving wife.†– Buena Vista
Posted in: Disc Reviews by David Annandale on August 31st, 2002
Pam Grier, in a superb performance that sadly did not revitalize her career to the same degree as happened with co-star Robert Forster (and with John Travolta in Pulp Fiction), plays a flight attendant who is being used as a pawn by both bad guy Samuel L. Jackson and FBI guy Michael Keaton. Grier, with the help of bail bondsman Forster, sets up an elaborate counterattack. While Jackie Brown lacks the propulsive intensity of Reservoir Dogs, and Tarantino's reliance on 70s-dominated soundtracks is getting annoying, the...writing is still very strong, Tarantino gets ace performances out of his cast, and the climax is a rather striking piece of bravura filmmaking.
Audio
Posted in: Disc Reviews by Gino Sassani on August 16th, 2002
What happens when you take a writer/producer known primarily for music videos and documentaries, give him a modest budget, and a script of vignettes? You get a very artsy David Lynch imitation that I like to call Lynch-Lite. Jon Reiss wants so much to be David Lynch that there are even moments of the Twin Peaks theme in the score. I don’t mind struggling through a piece of film noir if I can eventually find my way to a payoff. Not that there aren’t bright spots and even flashes of cinematic genius here, just not enough.
Synopsis
Posted in: Disc Reviews by Gino Sassani on August 16th, 2002
Anyone who watched all the tobacco CEO’s testify before a congressional committee might have thought they were watching a Hollywood comedy. They all stood there with straight faces and denied their products were addictive. It felt a little bit like watching Ted Bundy saying, “What girls are you talking about?” The Insider is actually a brave film. Hollywood has for years depended upon tobacco for revenue. Product placement was, until recently, a tree of money for many productions. Russell Crowe shows a preview of the talent that would blossom fully in Gladiator. Pacino, as always, approaches his role of 60 Minutes producer with blinding passion. Surprisingly, Christopher Plummer nails Mike Wallace without really bearing much of a physical resemblance.
Synopsis
Posted in: Disc Reviews by Gino Sassani on August 13th, 2002
Synopsis
Minerva Mirabal (Salma Hayek) is an independent spirit in a society where that can get you killed. Her spiritedness, present from childhood, gradually evolves into outright rebellion against the brutal regime of General Trujillo (Edward James Olmos). The personal cost is heavy.
