Horror

Dracula II drops all the characters from Dracula 2000, fudges the ending of that film, but retains the central idea of Dracula in fact being Judas Iscariot, cursed with eternal life. This time around, his sunlight-burned body is recovered by a group of grad students and their crippled professor with the hope of finding a miracle cure from the regenerative qualities of vampire blood. Meanwhile, a vampire-hunting priest named Uffizi (Jason Scott Lee, no more improbable as Italian than he was as Irish in Tale of the Mummy) is on the trail of Dracula (with minor help from Roy Scheider, putting in a few seconds of screen time). Within the limited budget, the story has admirable ambitions, and it skips along at a good pace. Character motivation is a bit hazy at times, however. As well, you’re much better off renting this and Dracula III at the same time,because the story here is very incomplete, leaving viewers hanging in much the same way (all proportions retained) as The Two Towers and The Matrix Reloaded.

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The film opens with Gary Busey (playing a blind man with the world’s biggest cane)investigating a vampire killing. An elaborate flashback then begins, telling us how a vampire came to be among us. Among American mercenaries in Afghanistan back in 1989 are Jack Frost and Nat McKenzie. The latter is bitten by a Russian vampire, and gradually begins to change,going over to the dark side. Frost eventually realizes him must hunt his best friend down. I’ll say this for the film: it is very ambitious on a very small budget, globe-hopping from Afghanistanto Mexico to the States, and is filled with combat and vampire CGI. The script is painful, though,loaded with ungainly exposition, and the action scenes are curiously static. Neat opening credits,though.

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Synopsis

Red Dragon is not only the prequel to The Silence of the Lambs and Hannibal, but it is also a remake of a film called Manhunter. The story fits nicely into the Hannibal Lector trilogy, and the story holds true to Manhunter.

Synopsis

To be fair, The Ring is not the most original horror film to come along recently. It is not only based on the cult classic Japanese film Ringu, but at times mimics the script word for word. There are also enough similarities to the recent Fear Dot Com to make one take pause. It is one of the scariest and most atmospheric films to appear in quite a few years. Since the 1980’s the state of the American horror film has been in a steady decline. Yes, special effects have advanced light years since the days of Karloff and Lugosi, but the end result has more often been to gross out rather than engross. The Ring delivers solid acting, a competent plot, and wonderfully eerie cinematography.

Synopsis