Posted in: Disc Reviews by Gino Sassani on January 28th, 2026
“You may only see it once, but that will be enough.”
That was the marketing slogan for the first Friday The 13th film in 1980. Apparently they couldn’t have been more wrong, because most of us have seen the film countless times, and no, it was never enough. The franchise would thrive with over 10 sequels or affiliated films, taking us right up to the present remake/reboot of that very first outing at Camp Crystal Lake. No, my friends, once was never going to be enough. Add to that that this is actually the first Friday The 13th film to include Jason as the killing machine that would keep going and going and going. He became the Energizer Bunny of horror monsters. In the original film it wasn't Jason. He was pretty much considered dead since he was a boy. It was his mother, Mrs. Vorhees, played by Betsy Palmer, who did the slicin' and dicin' the first time around. She got so into killing teens that she rather lost her head. Jason was a small boy creature who gives that original film its big jump-scare finale. We're never quite sure if it was a dream. It must have been, because Jason wasn't a disfigured little boy now. He also doesn't have his iconic hockey mask yet, either. They settle for a burlap bag this first go around. Many fans believe that it was with this film that the mythology was truly created. Now Paramount has given it the upgrade to UHD Blu-ray in the glory of 4K and HDR. Blood and guts are getting real now.
Posted in: Disc Reviews by Gino Sassani on November 15th, 2025
“Now we’re playing some football.”
Let’s just start with the high marks: Marlon does his thing, which I fully expected that he would. Right when you think that we have already seen the best that he has to offer, he finds a new gear, and let it be known that he will not be typecast as just a comedian or as a writer or as producer. He is, in fact, him. Pun intended. Tyriq Withers shows some promise as a leading man, and like his character is clearly hungry to make a name for himself, with this project being his second box office horror appearance this year (the other being I Know What You Did Last Summer). Also, you can see Jordan’s Peele’s influence on the film, as there are a handful of similarities to his previous projects. However, Him, while entertaining, does not achieve the same impact as those aforementioned projects. There was plenty of intrigue, but the train somewhat comes off the track, particularly in regard to the film’s conclusion.
Posted in: Disc Reviews by Gino Sassani on October 21st, 2025
"This is a true story. It happened right here in my home town two years ago. A lot of people die in a lot of weird ways in this story. But you're not going to find it in the news or anywhere like that, because the police and the top people in this town were, like so embarrassed that they weren't able to solve it that they covered everything up. But if you come here and ask anyone, they'll tell you the same thing I'm gonna tell you now. It started in my school ... At 2:17 in the morning, every kid woke up, got out of bed, walked downstairs, and into the dark ... and they never came back."
Some people may think I’m crazy, but as a lifelong horror fan, I feel right now we are in the Golden Age of horror cinema. When you look at the box office this year and last, horror has simply been a dominant force, and I’m loving it. What’s even better is that it is new material that is raking in the money rather than seeing tired retreads of IPs that have been exhausted over and over again. Sinners, though it wasn’t my cup of tea, dominated the box office, and even though I’m not the film’s biggest fan, I still like seeing horror rake in the money. I’m loving that we’re getting all kinds of horror lately, where an indie slasher like Terrifier is going to be featured at Halloween Horror Nights, and we’re getting all sorts of experimental horror. For instance, later this year we’ll get Goodboy, a paranormal story told through the perspective of a dog. (Sure, it sounds silly, but I’m all for it.) This brings me to Barbarian. For me this has been my favorite horror film in the past five years, and that’s saying a lot, because there has been A LOT of good horror lately. From the moment I heard about Zach Cregger’s next film, Weapons, it immediately shot to the top of my list of most anticipated films. Now that the film has finally come out, is it worth the wait and the hype that surrounds it?
Posted in: Disc Reviews by Gino Sassani on October 15th, 2025
"One … two … Freddy’s coming for you, three … four … better lock the door, five … six … grab your crucifix ..."
Freddy might have been born in the mind of Wes Craven, but he grew and developed in the knife-wielding hands of Robert Englund. Granted, not all of these films are equal in quality, but the first was everything you could ask for in a horror/slasher film of the era. Freddy himself is by far the most colorful and animated of the slashers. His burned face, fedora, striped sweater, and knife-blade glove were all integral parts of the wise-cracking maniac. Now Warner Brothers has released the original seven films on UHD Blu-ray in Ultra High Definition. It's a dream come true ... well ... at least a nightmare come true.
Posted in: Disc Reviews by Gino Sassani on September 23rd, 2025
"Everybody deserves a second chance."
In some parts of the country there's a saying. If you don't like the weather, wait a few minutes. It'll change. That's exactly how I felt by the time my two hours watching M3GAN 2.0 was through. It was entertaining, to be sure, but I felt like I had been through about five movies before it was finally over. It's hard to imagine that is has been three years since we first met the robot/children's toy gone berserk, but it really has. It was my hope that everyone was just waiting until they had a great new idea before they trotted the killer doll out again. Most of the characters and actors who survived their first encounter with M3GAN returned for the sequel, with at least one of them being somewhat of a surprise appearance, and just like that first movie, you really have to be careful who you trust here, because killer dolls aren't the only things that are dangerous here. The humans can actually be a lot worse, and that just might be the point as M3GAN 2.0 gets a head start in the upcoming heated competition for the coming summer blockbuster season. We're just weeks away from a DC and Marvel one-two combination, but will M3GAN 2.0 survive the punches? Not likely, I'm afraid.
Posted in: Disc Reviews by Brent Lorentson on August 22nd, 2025
It would seem that ever since Hereditary came out in 2018, it kind of paved the way for the new sub-genre of horror, “grief-horror”, basically horror films that delve into the emotional horror of losing loved ones and the reckless attempts people may make to reach out to them in the afterlife. This isn’t subject matter most horror fans enjoy; for me I find an odd sense of comfort with these films. When Talk to Me came out, that film especially struck a nerve with me, and I absolutely loved that film from the first-time Australian filmmakers and brothers Danny and Michael Philippou. Talk To Me managed to bring something new to the supernatural genre, and the grief the main character was going through was very relatable for me, so of course I was going to be a little excited about what this duo would do next (at least before they tackled their sequel to Talk To Me). As it would turn out, I wouldn’t have to wait long for their next film, and Bring Her Back tackles the horror of grief in a manner that has stuck with me.
Bring Her Back wastes little time with setting the tone of the film as we see Andy (Billy Barratt) and his sister Piper (Sora Wong) return home to find their father dead in the shower. To further the trauma for the kids, a social worker intends to separate the siblings. Andy wants to have guardianship of his sister, but because he’s not quite 18, it isn’t allowed. After some desperate pleas by Andy, they allow him to stay at the foster parents’ home on the condition that he behaves himself. The relationship between Andy and Piper is very much the heart of this film. They are step-siblings, and because Piper is blind, Andy has played the role as her guardian for some time even before the passing of their father. The film really does a good job of establishing this bond early on, and it’s necessary, because once they get to the foster parents’ home, things definitely take a turn.
Posted in: Disc Reviews by Gino Sassani on November 21st, 2024
"You know the Butcher? That freakin' nutjob that goes around just chopping people up? Well, the feds or whatever heard that he's gonna be here today, so they set up a trap for him. This whole concert? It's a trap. They're watching all the exits, checking everyone that leaves. There's no way to get out of here. It's kinda dope, right?"
The idea is actually based on a true story, with a lot of differences. In 1985 the FBI managed to round up over 100 high-profile criminals with a ruse that involved tickets to an NFL game. There have been plenty of other scams where promises of prizes have attracted otherwise cautious wanted people. I was at a promo for some home improvement club store, and while there, a couple of folks were nervous that it was a sting because they had outstanding warrants. It wasn't, but these things can and do indeed happen. The way it's done here leaves one to stretch credibility a bit more than I'm usually willing to go.
Posted in: Disc Reviews by Gino Sassani on November 11th, 2024
"Nuns, guns and gasoline."
Mike Mendez released his first film in 1997. Killers was also just released on Blu-ray from Synapse films. The better of this Synapse double release is The Convent. For me this was the peak of Mendez's low-budget horror films. Synapse must agree with that assessment, because they decided to give The Convent a UHD Blu-ray release in 4K, and that ended up being somewhat of a trick-or-treat combination, with The Convent absolutely being the treat here. Made in 2000, the film took a long time to make it to anyone's screens. There was a distribution deal in place, and it fell through at the last minute. It's the kind of luck Mendez has dealt with his entire career. His friend and co-writer on Killers lost his house when it was mortgaged to pay for that ' creation. He debuted the film at Sundance, and he had hoped for a wider release, at least on home video, but it took 2 years to finally happen.
Posted in: Disc Reviews by Gino Sassani on November 5th, 2024
" I think their whole family's like some weird medical experiment. I think they're, like, circus people."
Be honest, who hears the theme music when anyone even mentions The Addams Family? I know I do, and then I have to resist the urge to do the finger snaps. Just in time for 31 Nights of Terror as well as the release of the animated version comes the of The Addams Family: Family Values on UHD (4K), featuring Raul Julia and Angelica Huston as Gomez and Morticia Gomez, and let’s not forget Christopher Lloyd and Christina Ricci as Fester and Wednesday Gomez respectively. Based on the wildly popular cartoons that appeared in the New Yorker that went on to find success as television series, the The Addamses are a satirical inversion of the ideal 20th-century American family: an odd, wealthy, aristocratic clan who delight in the macabre and are seemingly unaware, or do not care, that other people find them bizarre or frightening. For me, these movies were my introduction to this family, as the TV series was bit before my time, but a gothic family unaware of their difference from other people.
Posted in: Disc Reviews by Gino Sassani on October 27th, 2024
"One … two… Freddy’s coming for you, three… four… better lock the door, five… six… grab your crucifix..."
Freddy might have been born in the mind of Wes Craven, but he grew and developed in the knife-wielding hands of Robert Englund. Granted, not all of these films are equal in quality, but the first was everything you could ask for in a horror/slasher film of the era. Freddy himself is by far the most colorful and animated of the slashers. His burned face, fedora, striped sweater, and knife-blade glove were all integral parts of the wise-cracking maniac. You know the story already, so I'll stick the main idea. Freddy was a child molester and killer before the parents of Elm Street decided to burn him to the ground in a boiler room. Good homestyle justice goes wrong when Freddy reappears in the nightmares of the children of Elm Street. He has become a demon of sleep where he is able to manipulate the world into the most terrifying images possible for his victims trapped by their own slumber.
