Posted in: Disc Reviews by Archive Authors on July 28th, 2006
Synopsis
For the longest time, Dennis Miller was known as the guy who could subreference unlike any other comedian, with tactical precision and timing long before anyone had heard of the Gilmore Girls. While some of the material may have been a bit redundant, he certainly put a spin to it unlike any other.
Posted in: Disc Reviews by Archive Authors on June 28th, 2006
There was a time when no major groundbreaking events were captured on film. The thing is, it's sometimes hard to know when something of historical significance is going to occur. Major events such as World War II and the fall of the Berlin wall were planned in advance (so to speak), so it was easy to set-up a camera and capture the event. Spontaneous events, however, were mostly passed over. As technology has progressed, however, it has become easier to capture important and notable moments on the fly. September 11, ...001 has taught us that fact in graphic and horrible detail.
That's part of what makes this disc so very unique. At the time, who would know how popular Otis Redding would become, or that he would die an untimely death in the weeks following his performance? What's more, who could have predicted the unbelievable phenomenon that was Jimi Hendrix? Obviously these men were talented musicians, but the kind of lasting fame they eventually garnered, especially Hendrix, could never have been predicted.
Posted in: Disc Reviews by Archive Authors on June 20th, 2006
The 60's have become something of a caricature of themselves. Take a girl with straight hair and flowers, throw in a “groovy” and a “man”, add some grainy photography, and you're all ready to go. It is sometimes hard to remember that there was a time when this was not a kitchy formula, it was just the way that it was. This film is so authentically steeped in 60's hippie culture that it almost doesn't seem real when the footage starts rolling. Once the film begins to sink in, though, the viewer is completely drawn in ...o this world than many of the modern era may only know from oldies radio, of all things.
The Monterey Pop Festival was a large music festival held in Monterey California in 1967. The bill included not only some of the top acts of the day, such as the Mammas and the Papas, Simon and Garfunkel, Jefferson Airplane and The Who, but it also launched the careers of such legends as Jimi Hendrix, Janis Joplin and Otis Redding. The weekend festival was a defining moment in the history of rock and roll, as well as of the hippie movement.
Posted in: Disc Reviews by Archive Authors on June 4th, 2006
Synopsis
Everything I know about Jim Brickman could fit into a couple hundred word review about a concert performance he put on at the Walt Disney World resort. But upon further review, Brickman has been reaching out to the older generation for a few years now, producing collaborations and appearing at high profile events to bring recognition to his work.
Posted in: Disc Reviews by Archive Authors on June 4th, 2006
Before it became a somewhat famous regional barbecue house (I kid, I kid!) red, hot and blue was another name for the Red Hot Organization, a group designed to help fight the AIDS epidemic. Back in the early and mid '90s kids, AIDS was raging on through the land, and Ronald Reagan did nothing to stop it. In fact, he was injecting homosexuals with AIDS while delivering crack into the ghetto.
Liberal accusations aside, this republican does acknowledge that AIDS is a terrible disease and we have lost a lot of people (talented or otherwise) to it, and the efforts made by various communities have been admirable. The Red Hot Organization was another in a group of musicians and artists that wanted to do something about research and awareness. The unique slant on their entertainment message was to have various artists of the time cover some old Cole Porter songs (Porter was a well-known homosexual composer whose life Kevin Kline depicted in the film De-Lovely). Not that unique you say? Well, the artists also did some videos directed by some famous (or at least recognizable) directing names, which is where we come in. The videos (and a remastered CD of the songs from the "Red Hot + Blue" album) have been released for everyone to relive again.
Posted in: Disc Reviews by Archive Authors on April 28th, 2006
Teddy Pendergrass, one of the lesser known soul rebels of the seventies, comes to DVD in this lackluster edition, which purports to be 80 minutes – but that’s only true if you factor into the running time the one bonus feature. This fact could be a detriment to fans of Teddy’s music. For me, however, it was a relief to discover the actual concert only ran about an hour. There was nothing here to justify the man’s status as some kind of legend, as his audience interactions and movements on stage were limited in scope ...nd creativity. Also, his raspy voice doesn’t translate well to the performance setting. Not that I’ve heard his studio work, but it seems that would be the most effective venue for him.
Still, he seems to enjoy performing – he just doesn’t bring anything remarkable to the table. Some of the tracks on this disc will be familiar, but it’s pretty much just Teddy conducting someone else’s orchestra – and a couple of songs, which do ring familiar, have been performed better by other artists. This disc includes the following tracks: “Life Is A Song Worth Singing,” “Only You,” “All By Myself,” “Medley: If You Don’t Know Me By Now / The Love I Lost / Bad Luck/ Wake Up Everybody,” “Easy, Easy, Got To Take It Easy,” “Close The Door,” “When Somebody Loves You Back,” and “Get Up, Get Down, Get Funky, Get Loose.”
Posted in: Disc Reviews by Archive Authors on April 13th, 2006
Synopsis
As one who is not a fan of much techno and even less a fan of Moby, it was a little surprising to see what my thoughts were on a recent live DVD that the artist has released (brief political soapbox rant commencing). Quite frankly, I’m not a fan of the man’s politics and his far-left rantings and ravings, and find his urge to help peddle Snapple-like tea beverages a little interesting. What I find even more interesting, nay a bit ironic is that among those that were thanked for the singer’s May 25,...2005 show in Belgium (in support of his album “Hotel”) are a group called Clear Channel Belgium. One would presume that this is the very same Clear Channel organization that many lefties say is run by a crony of George Bush, and if that’s the case, well, you can draw your own conclusions from that (end political soapbox rant).
Posted in: Disc Reviews by Archive Authors on March 31st, 2006
Synopsis
An item of secret desire for geeks like me was to get Spike Jonze’s videos on DVD. In the mid ‘90s, Jonze arguably was THE director to go to if you wanted your MTV submission to be memorable, talked about, and perhaps most importantly, spur record sales. If you remember the wacky video you saw on MTV that one time, chances are Spike directed it. Even after the critical success in Hollywood with an Oscar nomination for directing Being John Malkovich and before working on Adaptation, he...still managed to come back recently and direct a music video with a dancing Christopher Walken, proving he still has the touch.
Posted in: Disc Reviews by Archive Authors on March 19th, 2006
Synopsis
The world greatest rock band’s story about the rise to power, born from Satan, and ready to rock the world, may not be as accurate as one would perceive. As Jack Black and Kyle Gass (Jables and KG to those in the know), Tenacious D received a small run of episodes during the HBO series Mr. Show in 1999 that resulted in good word of mouth for the pair. It was only until last year, when the long-awaited first album finally dropped, that the world discovered just how good they were. And the alb...m is a very good indoctrination for new fans, and for longtime fans of the D, some of what they had seen was presented on the album in a surprising, but pleasant arrangement, featuring guest appearances by the Foo Fighters’ Dave Grohl and produced by The Dust Brothers.
Posted in: Disc Reviews by Archive Authors on January 11th, 2006
Synopsis
I’ve long held the somewhat chauvinistic belief that female stand up comedians are simply not funny. I’ve given people like Ellen DeGeneres, Paula Poundstone and Margaret Cho as much unbiased time as I can give, and I just don’t laugh at them. Their sense of humor is softer than any comparable male comedians, and is far more subtle. Does that make me a cro-magnon male with a large forehead? Probably.
