Posted in: Disc Reviews by Michael Durr on June 17th, 2009
U2 was formed in 1976. Back then they were just teenagers figuring out how to play their instruments. But by the mid-80’s, they were one of the best bands in the world. Currently, they have sold more than 145 million albums worldwide and have won 22 Grammy awards. Rolling Stone has them listed as #22 in the greatest artists of all time. They appear frequently at the head of many human rights causes promoting social justice like Bono’s DATA (Debt, AIDS, Trade in Africa) campaign.
Posted in: Disc Reviews by Archive Authors on May 10th, 2009
Bob Dylan: Never Ending Tour Diaries outlines the five year journey of tour drummer Winston Watson. The documentary is limited to Watson’s perspective with great super 8 tour footage spliced into his interviews. Watson toured with Bob Dylan for over 400 shows and helped Dylan launch his “Never Ending Tour” which continues to this day. Winston Watson’s charisma and originality make him very likeable, which is crucial when chronicling an unheard perspective. This is not a typical rock documentary; there is very little music and no music videos at all. However, what this film lacks in typical form, it makes up with entertaining stories and great footage.
Posted in: Disc Reviews by Archive Authors on April 16th, 2009
The Kings: Anatomy of a One-Hit Wonder tells the story of a Canadian rock band's rise to fame. The documentary discusses the creation of their one hit "This Beat Goes On/Switchin' to Glide" as well as donates a significant amount of time to the aging rockers. The original band members all provide interviews throughout the film: David Diamond (lead vocals, bass), Sonny Keyes (keyboards, vocals), Max Styles (drums) and Mister Zero (guitar).
Posted in: Disc Reviews by Gino Sassani on January 15th, 2009
“On 15 December, 1977, after a hiatus of over a year, The Who assembled at Gaumont State Theater in Kilburn, North London, to record a concert for Jeff Stein’s documentary film, The Kids Are Alright. Shot before a select invited audience it would turn out to be Keith Moon’s last, but one live performance. Unusual for live rock at the time, it was shot on 35mm film by six cameras and professionally recorded on a 16 track recorder. Never seen before, the film rested in The Who’s vault for 30 years.”
What young 1970’s pup, learning to play a guitar for the first time, didn’t, at one time or another, attempt to imitate Pete Townsend’s windmill power chord strum?
Posted in: Disc Reviews by David Annandale on January 9th, 2009
Gitane Demone was one of the lead singers for seminal deathrock band Christian Death before going solo in 1989. This 2-DVD set is a record of her various solo efforts, tracking various incarnations, most notoriously (and most prominently featured in the release's packaging) being the fetish performances for the likes of the DeMask club and Skin Two magazine. Present here is a mix of television interviews, one video, and a raft of live footage.
Posted in: Disc Reviews by Archive Authors on December 18th, 2008
What ever happened to Shawn Mullins?
I often mull over this question whenever I hear him sing, “Ev-e-ry thing’s gonna be all right… Rockabye! Rockabye!” on the radio. The dude lands in the late nineties with this song that has maybe the most unimaginative chorus in the history of pop music, and then he bolts on us, leaving that small remnant to get stuck in our collective heads for the rest of our humdrum lives.
Posted in: Disc Reviews by David Annandale on August 22nd, 2008
No, this is not the movie that promised to show us men turned inside out. It is, in fact, a curious mixture of genocide documentary and concert film. The performance is by rockers System of a Down. The lead singer’s grandparents were survivors of the Armenian Genocide, and so that atrocity is the primary focus of the film, which cuts between concert footage, personal interviews, grisly documents and academic talking heads. By extension, the film also takes a stand against all forms of genocide, and is an explicit invitation to the audience to get involved in the fight for justice.
Posted in: Disc Reviews by Archive Authors on July 4th, 2008
Todd Haynes continues to dazzle and amaze with his body of work. In Velvet Goldmine, he told the story of a fictitious glam-rock band in David Bowie/Ziggy Stardust style. Far From Heaven found him taking the Douglas Sirk films of the ‘50s into a nontraditional turn. In his follow-up film I’m Not There, his first directorial effect in five years, Haynes examines the persona and essence of Bob Dylan without actually really using the name or the words together at all in the film in a film released in 2007, where features like No Country For Old Men and There Will Be Blood earned a slew of awards, I’m Not There was an understated gem, and yet summing it up is a little difficult.
Posted in: Disc Reviews by Archive Authors on June 17th, 2008
It’s nice when a movie lives up to its expectations and even surpasses them because it rarely seems to happen anymore. Such is the case with Anton Corbijn’s Ian Curtis bio-pic, Control.
I’ve been waiting to see Control for a long time. From the start, the film sounded interesting, since I am a huge fan of post-punk alternative rock music, the genre that Ian Curtis and Joy Division practically invented in the late 1970’s. But when I heard that long-time band collaborator and renowned music video director Anton Corbijn was directing the film, my anticipation rose to even higher levels.
Posted in: Disc Reviews by Archive Authors on June 9th, 2008
Honestly, I don’t know what the bigger tragedy is, the fact that John C. Reilly has been a funny performer for years, or the fact that it’s taken guys like Judd Apatow and Adam McKay a chance to show off his comedic talent. For those who don’t know, Reilly was in a hilarious ten-minute blooper reel in Boogie Nights which showed that he could improvise with the best of them. The guy also played Bigfoot in an episode of the Tenacious D show that aired on HBO in the mid ‘90s. But sure, put him in Chicago where he was nominated for an Oscar or in ensemble films directed by some of film’s greatest voices. His true love, that which gives him much joy and pleasure, appears to be when he’s goofing around, like he does in Walk Hard: The Dewey Cox Story.
