Posted in: Disc Reviews by David Annandale on March 14th, 2005
Synopsis
Posted in: Disc Reviews by Archive Authors on January 11th, 2005
De-Lovely is a musical bio-pic based on the life of Cole Porter. Now, Porter was an American genius, responsible for writing such song classics as “Love for Sale” and “Anything Goes”. Porter’s personal life was also legendary. He had a wife, but also had affairs with men. Porter also suffered a horse riding accident in the late 1930’s that debilitated him for the rest of his life (to his death in 1964). Sounds like the great makings of a movie, right? Well….
Kevin Kline plays Cole Porter, and h... has the necessary panache to pull off the role. Ashley Judd also has a nice turn as Linda, Porter’s wife. The problem with the film is the presentation. The film tries for a musical within a musical idea, as an older Porter oversees a musical based on his life. Sometimes the technique works, sometimes it misfires. Modern music stars are also peppered throughout the film (like Elvis Costello, Alanis Morissette, and Sheryl Crow) singing Porter tunes. Some of these songs do not work very well (Miss Morissette – guilty as charged!). The director, Irwin Winkler, is an old Hollywood vet, so he does show reverence for the material. The result is a charming, if not entirely successful, musical bio-pic.
Posted in: Disc Reviews by David Annandale on October 25th, 2004
Synopsis
There’s nothing really to summarize about these films. Their reason for being, after all, is simply to present clips from classic MGM musicals. The first film, released to huge success in 1974, set the pattern, with various big stars (Frank Sinatra, Elizabeth Taylor, Gene Kelly and so on) narrating different segments of a potted history of the MGM musical. That’s Entertainment, Part 2 (1976) broadened its scope to include comedy and romance scenes as well. The third film didn’t arrive...until1994, and dug deeper into the vaults to feature many scenes that were previously unseen because they were cut from the original releases. There’s something a little bit dubious about watching just the big numbers from famous films and stripping them of context (and the clips are very frequently not presented in their entirety anyway), and anyone looking for a serious documentary about MGM is better off looking elsewhere. There is still an enormous amount of material here, much of it now rare or hard to find. Simply bear in mind that the effect of watching these films is not unlike viewing a multi-hour marathon of Oscar night tribute compilations.
Posted in: Disc Reviews by David Annandale on August 20th, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on May 5th, 2004
As a music lover, the phrase, “written by Paul McCartney” almost always signifies excellence in the performance to come. For a movie lover, this is not necessarily the case. Sure, A Hard Day’s Night is a great film, Help! is better than average, and Yellow Submarine is a fun departure from mainstream animation. Heck, even Magical Mystery Tour has a campy sort of charm to it.
Apparently, the same rule that applies to music also applies to cinema; without the rest of The Beatles, P...ul McCartney’s talent is just not the same. Sure, he can act fairly well, and the music is way above average, but taken as a whole, this film just plain stinks. The plot here is extremely thin. I have seen many _ hour sitcoms with more plot lines than this film. If you were to take out all of the musical numbers, you would probably have about 40 minutes of actual dialog. The rest of the film is filled with musical breaks.
Posted in: Disc Reviews by Archive Authors on May 2nd, 2004
Quite possibly my favorite part of this job is checking the post on the day that my new box of DVD screeners are scheduled to come in. Sometimes, I know what is coming to me, and the new box means that it is time to get down to business. Other times, however, there is a surprise inside, much like the new box of cereal that made its way home with the groceries when I was a child. Upon reviewing the parcel’s contents, I will either be greatly pleased with my employer, or I will be filled with immediate dread, knowing t...at many nights of misery lie in my future.
This is one of those titles that, unfortunately, falls into the latter category. Now, I’m not anti-musical, and I am most certainly not anti-classic film. I am very much unlike most men on that point. Having said that, I do like a little plot in my three-hour films. This is a picture that has so many stage-performed musical numbers, it actually opens to an overture. I am a fan of the theater, but I am of the opinion that a film should be a film, and the theater, the theater. I don’t want to watch a play captured on film any more that I wish to go to a play and watch a movie.
Posted in: Disc Reviews by David Annandale on April 9th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on April 1st, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on October 5th, 2003
Synopsis
Posted in: Disc Reviews by David Annandale on October 5th, 2003
Synopsis
