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Most people who know me know that I adore Scooby Doo.  Some of my favorite episodes of Scooby Doo are those where they have famous guest stars solving mysteries.  Addams Family, Harlem Globetrotters, Batman, etc.  Classic Scooby goodness with characters that I enjoy and always wondered how they would work in another universe.  Today, I have the benefit of seeing how Superman, Batman, Wonder Woman, and other Justice League members will look and react in the RWBY world of Remnant.  Let's take a look.

Superman (voiced by Chandler Riggs) is breathing heavy and struggles to open his eyes.  When he does, he sees a strange world, and he's suddenly become a teenager.  In front of him are two young teenage girls named Ruby (voiced by Lindsay Jones) and Yang (voiced by Barbara Dunkleman), who are taking on demons simply known as the Grimm.  However, these Grimm are strange to Ruby and Yang as well, since they can shoot lasers.  Superman gets up to help the two ladies when he realizes that his powers are completely different from what they were.

Most people who know me know that I adore Scooby Doo.  Some of my favorite episodes of Scooby Doo are those where they have famous guest stars solving mysteries.  Addams Family, Harlem Globetrotters, Batman, etc.  Classic Scooby goodness with characters that I enjoy and always wondered how they would work in another universe.  Today, I have the benefit of seeing how Superman, Batman, Wonder Woman, and other Justice League members will look and react in the RWBY world of Remnant.  Let's take a look.

Superman (voiced by Chandler Riggs) is breathing heavy and struggles to open his eyes.  When he does, he sees a strange world, and he's suddenly become a teenager.  In front of him are two young teenage girls named Ruby (voiced by Lindsay Jones) and Yang (voiced by Barbara Dunkleman), who are taking on demons simply known as the Grimm.  However, these Grimm are strange to Ruby and Yang as well, since they can shoot lasers.  Superman gets up to help the two ladies when he realizes that his powers are completely different from what they were.

"Superman's journal, final entry. My cells are breaking down at an alarming rate.  I'm running out of time. I have few regrets. My life has been a wonder. I've traveled across space and time, seen and done things beyond imagination. I had parents who loved me. Good friends like Pete, Lana, and Jimmy. I got to help people while living an incredible adventure. I loved a good woman, and she loved me back. I'm tired, but I still have one more job to do ..." 

We all know the story and its many incarnations. All-Star Superman is one of the more unique stories to be told through Warner Brothers Animation's DC feature films. It's not the latest. It was released in 2011 before Warner Brothers started to release their films on UHD. Of course, there was no UHD Blu-ray in 2011. In addition to the recent and upcoming animated features, Warner Brothers is going back to those earlier films, and All-Star Superman is as good a place as any to start.

If someone were to read my biography below, one would probably learn one of two things, I have an unhealthy obsession with Alyssa Milano movies, and I deeply appreciate Basil Rathbone, the man who popularized Sherlock Holmes films.  While many would argue who the best Holmes would be (Downey, Brett, Cumberbatch, etc), my heart will always go to Basil.  So naturally, when I saw the movie Rio with him in the starring role had come to Blu-ray, I jumped at the opportunity to review it.  Let's take a look.

We get a tight close-up of a sign that reads Paul Reynard & Associates Investment, Paris Branch.  Here the board of directors are meeting and waiting for a phone call from the one and only Paul Reynard (played by Basil Rathbone).  Where is Mr. Reynard?  Why, he's in London securing a loan.  We soon see Paul's friend, Dirk (played by Victor McLaglen) telling the board of directors to hold, Paul should be in soon.

"If I had one day when I didn't have to be all confused and I didn't have to feel that I was ashamed of everything. If I felt that I belonged someplace. You know?"

There are a handful of films in Hollywood history that have stories as compelling if not more so than the story the film itself tells. I don't know if there has ever been a film about the making of Rebel Without A Cause. There have certainly been several books, but this is one of those classic films which is surrounded by so many legends, some of them urban myths, but so many of them were true that I find it rather difficult to watch the film on its own terms. With Warner's 100th anniversary celebration of 100 classic films, I had a nice chance to revisit the classic motion picture, and this time I tried my best to watch it without all of the noise that goes along with it. That wasn't easy, but I think I've now seen the film for itself more now than I ever did before. It was a groundbreaking film with an incredible cast that broke so many taboos of the time that you get the idea someone wasn't really paying attention to what was going on on the screen. It's as compelling today as it was then, and maybe more so with all of the baggage. The truth is I've never been able to watch Rebel Without A Cause the same way twice. Now I can try as often as I like with a nearly flawless print finally in UHD Blu-ray and in 4K. Warner Brothers is having a birthday, and I've been unwrapping all of the presents.

"Space ... the final frontier. These are the voyages of the starship Enterprise. Its continuing mission, to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before."

From 1978 through 2002, 10 Star Trek films were released at the box office. The franchise almost ended with the first, but it was followed up by what I consider the best of the 10. The films are a collection of ups and downs, but you know you want the complete collection up there on your shelf. You already have the first six, starring the original crew. Now your wait for completion is over. The Next Generation films are out from Paramount Home Entertainment, and here they are ...

Even though I consider myself to be well-rounded when it comes to films, I admit my personal viewing history of French film to be a little lacking.  Go Google any top 20 list of French films, and I've probably seen maybe two or three of the films.  This is very contradictory to say Chinese, Japanese, English (UK), Australian, etc. where I've seen hundreds of films.  But I'm always willing to expand my repertoire, so I jumped when I saw there was a French crime thriller named L'Homme Du Train or The Man on the Train available for review.  Let's see how it plays out.

As we start, A train runs along the tracks and whips by various locales.  We see a man named Milan (played by Johnny Hallyday) who tries to relax, but obviously he can't.  The train finally comes to a stop, and he is only one to get off.  He walks through the town, which is somewhat desolate, and finally ends up at a pharmacy.  There he asks for some aspirin, which he finally receives.  (Unfortunately it's water-soluble, so he also requires a glass of water).

"Them clothes got laundry numbers on them. You remember your number and always wear the ones that has your number. Any man forgets his number spends a night in the box. These here spoons you keep with you. Any man loses his spoon spends a night in the box. There's no playing grab-ass or fighting in the building. You got a grudge against another man, you fight him Saturday afternoon. Any man playing grab-ass or fighting in the building spends a night in the box. First bell's at five minutes of eight when you will get in your bunk. Last bell is at eight. Any man not in his bunk at eight spends the night in the box. There is no smoking in the prone position in bed. To smoke you must have both legs over the side of your bunk. Any man caught smoking in the prone position in bed ... spends a night in the box. You get two sheets. Every Saturday, you put the clean sheet on the top ... the top sheet on the bottom ... and the bottom sheet you turn in to the laundry boy. Any man turns in the wrong sheet spends a night in the box. No one'll sit in the bunks with dirty pants on. Any man with dirty pants on sitting on the bunks spends a night in the box. Any man don't bring back his empty pop bottle spends a night in the box. Any man loud talking spends a night in the box. You got questions, you come to me. I'm Carr, the floor walker. I'm responsible for order in here. Any man don't keep order spends a night in..." 

You guessed it ... the box. Enter our anti-hero, Luke. The anti-hero has become somewhat cliche today. What was once an artistic expression of the gray line between good and bad guys has morphed to the glorification of the just plain bad guy. We end up loving and rooting for such vicious characters like Vic Mackey, Tony Soprano, and Dexter Morgan. These are killers with nary a pang of conscience. Their deeds are always self-serving no matter what they pretend they might be. But if you go back far enough -- most credit Marlon Brando's coda performance in The Wild One -- you'll find there was once a far more nuanced kind of anti-hero. One of the industries best examples of this was Paul Newman's troubled teenager, Luke. Luke wins us over with a charm and an honest belief that he's a good guy. The archetype would later be pruned to perfection by Jack Nicholson in One Flew Over The Cuckoo's nest several years later. McNulty and Luke have a lot in common, and their environments and motivations aren't all that different. In the end they're both "broken" by the establishment, conforming to a code that did not allow guys like this to live happily ever after. Times and sensibilities have certainly changed, but performances like Paul Newman's Luke remain to remind of us of a time when audiences just wouldn't have been ready for the likes of Hill Street's Detective Buntz. Ironically, it would be Marlon Brando again who would be the first to make us root for a cold-hearted killer named Vito Corleone.

Most anime fans, particularly those in the west, would probably consider Cowboy Bebop one of the greatest series of all time.  Before it got bastardized in a clueless live-action remake, it was a wonderful story of a bounty hunter crew down on their luck who never made any money but always had one hell of an adventure.  Set to some wonderful jazz numbers.  So naturally, when I heard about a new anime movie about an once powerful god who is now down on his luck as a penniless bounty hunter, my curiosity was certainly piqued.  Let's check out New Gods: Yang Jian.

Oh boy, we start off with some narration.  Let's see ... a long long time ago, a calamity (wait, I have to look this one up; OK, got it) broke out between Heaven and Earth.  Life hung in the balance (woah, heavy), and there was violence and destruction.  Forces of Shang and Zhou fought for supremacy.  Humans and Gods united in order to stand tall against opposing forces.  After the battles ended, they went back to their respective realms.  And the world was at peace.  (Awwww.)

"In 1539 The Knight Templars of Malta paid tribute to Charles V of Spain by sending him a Golden Falcon encrusted from beak to claw with rarest jewels --- but pirates seized the galley carrying this priceless token, and the fate of the Maltese Falcon remains a mystery to this day."

What is not a mystery today is the significant role that The Maltese Falcon has played in cinema history. The film itself was a remake. In fact, it was actually Warner's third attempt to film the Dashiell Hammett novel in a single decade. The first version came in 1931 and starred Ricardo Cortez as Sam Spade. That film also featured Dwight Frye as Wilmer Cook. The film was a moderate success but never really delivered on the potential of the source material. Five years later Warner would attempt a comedy version of the story in Satan Met A Lady. It was a total flop. It would only take another five years before the studio took its third crack at the material. In this case, the third time certainly was a charm.