Posted in: Disc Reviews by Gino Sassani on November 11th, 2011
"The 1920's in America: jazz music, girls who smoke, and the wing walkers. Like a giant party, only without the booze. Change was in the air. Skyscrapers displaced family farms, and revolutionary ideas challenged time-honored traditions."
Of course, one of those "revolutionary ideas" was the theories of Charles Darwin with the publication of his book On The Origin Of Species. The book had been out since 1859 and Darwin was long dead, but some of the ideas presented in his theories were about to cause a maelstrom across the United States when John Scopes was arrested for violating a new Tennessee law that prohibited the teaching of evolution in public schools. The resultant Scopes, or Monkey Trial, would be the first court procedure carried live by radio and would put the ideas of religion and science on a collision course.
Posted in: Disc Reviews by William O'Donnell on November 9th, 2011
Here is a forgotten 80s, romantic dromedy that may have been forgotten for a reason. Various love triangles arise around the setting of a Demolition Derby. Jamie Lee Curtis and Patrick Swayze star in a tale packed with the usual 80s comedy tent poles such as weird dreams, screwball scenarios, and youths having to stand up for the little guy.
Cody (Curtis) might lose her Derby site until a recent high school graduate stumble into her life to help, and perhaps steal her heart. Meanwhile a derby rider (Swayze) is pulling his life together after his long time girlfriend starts having an affair. The story runs through the sort of formula we've all seen before, with those aforementioned signifiers of its place in the American 1980s along with familiar 80s actors appearing. Heck, they even have cameos by John and Joan Cusack and Michael Winslow (yes, the guy who does the sound effects from Police Academy) sneak in. The performances are acceptable, the gags are not the freshest, and the romance is jammed with heartache and conflict.
Posted in: Disc Reviews by William O'Donnell on November 9th, 2011
The king of the parodies has been consistent in the studio, in videos and on stage for nearly 3 decades. This DVD allows him to prove the latter. Though various costume changes and instrument shifts, Al and his longtime band mates delight a packed Massey Hall in Toronto.
The lion's share of the set list is dedicated to Al's latest release Alpocalypse. Of course, a few of his staples, such as “Smells Like Nirvana,” “Amish Paradise” and “Fat” have to be present. There is also a lot of fan service made during a medley of 11 songs, new and old, played at the halfway point of the concert. During this set of songs, when it seems appropriate, Al will assume the lead character of the song . This sometimes means he's adopting the persona of the performer he is parodying, such as donning a blonde wig and thrashing about the stage ala Kurt Cobain, becoming the cartoonish version of an artust that has appeared in one of his music videos, such as Al's infamous fat suit for the “Fat” parody of Michael Jackson, or something completely original, such as his unnerving but amusingly lecherous lounge singer character for “Wanna B Ur Lovr,” who prowls through the audience seeking female targets to leer at while he croons sexual innuendos at them.
Posted in: Disc Reviews by William O'Donnell on November 9th, 2011
The Cartwright boys continue to do right on the Ponderosa Ranch in the state of Nevada. Having lasted 14 seasons, the series was relatively young in Season 2 but had already established Ben Cartwright and his three boys (from three different mothers) as household names on American television.
Plot wise, a good chunk of the stories revolve around the importance of having land. The Cartwrights hold the most lucrative plot in the area, and many a villain tries to find devious methods of taking it from them. Unlike fellow Old West programs like Gunsmoke, Bonanza took a sometimes comical approach to the resolving these conflicts, and guns were hardly ever drawn.
Posted in: Disc Reviews by Gino Sassani on November 9th, 2011
"All things are intrinsically connected, no matter how different they may appear. Hi. You know me -- Robert Axle. As a fabricator, I bring existing, often different, items together, maximizing their atomic and molecular potential. Making ordinary inventions infinitely more prolific."
Kevin Spacey has been quite prolific himself in the last couple of years. It seems no matter where I go these days, I see him in another movie I'm reviewing. In just the last 6 months I've seen him in Horrible Bosses, Margin Call, Casino Jack and now Father Of Invention. In fact just since 2009 he's appeared in 10 films. One might expect the energy to be a bit sapped in that much production. But he continues to provide wonderful performances. At times he carries the entire burden on his own shoulders and makes a moderately average film just a little bit better. And while there is a pretty good supporting cast here, that's exactly what happens in Father Of Invention.
Posted in: Disc Reviews by Gino Sassani on November 8th, 2011
"Soldiers, Sailors and Airmen of the Allied Expeditionary Force: You are about to embark upon the Great Crusade, toward which we have striven these many months. The eyes of the world are upon you. Good Luck! And let us all beseech the blessing of Almighty God upon this great and noble undertaking." - General Dwight D. Eisenhower, Supreme Commander of the Allied Forces."
World War II was a turning point in American history unlike any other in the 20th century. America went from being an industrial power to becoming a world superpower. It came at great sacrifice, and we lost almost half a million people in the effort. The war to end all wars didn't quite live up to its promise, but the sacrifices of the men and women who served shaped the world for the decades that would follow. There have been many films about the war. They run from the patriotic to the bravado. Steven Spielberg perhaps gave us the closest thing to actual combat with Saving Private Ryan. It shouldn't come as any surprise that he would team up with his Ryan star and develop what is perhaps the most important mini-series in television history ... twice.
Posted in: Disc Reviews by Gino Sassani on November 8th, 2011
"We skipped the light fandango, turned cartwheels 'cross the floor. I was feeling kinda seasick but the crowd called out for more. The room was humming harder as the ceiling flew away. When we called out for another drink the waiter brought a tray."
The lyrics are about as familiar as any that have been written in the last 60 years of rock music. Whiter Shade Of Pale is one of the most covered songs in history. From The Box Tops to Joe Cocker. The list includes such bands as ASA, The Dells, Willie Nelson and reggae artist Marlene Webber. But the lyrics belong to Keith Reid, and the original version belongs to the band Procol Harum.
Posted in: Disc Reviews by David Annandale on November 8th, 2011
Greg (Ryan Scott Self) lost his fiancée when he couldn’t match her religious faith. Now he’s written a script based on the relationship, and is going to direct the movie. But the path of indie filmmaking is paved with thorns, as he is plagued by demands from the backers for inappropriate casting, more sex, edgier language, and so on. His ex isn’t too happy about the movie being made in the first place, too.
The film takes the form of a mockumentary. We are supposedly watching the behind-the-scenes doc shot by a camera crew following Greg around as he struggles to get his vision up on the screen. There doesn’t seem to have been a compelling need to adopt this fiction in this case, and the stylistic attempts at realism wind up underlining the improbabilities of the story. An indie film director worrying about landing a PG-13 rating? A scene with a hack script doctor is amusing, but would make more sense if the unfortunate Greg were working on a mainstream release. Furthermore, the plot is too meandering and pedestrian. That the movie industry is a difficult place is hardly a revelation, and so Cinema Salvation is ultimate a very nice, but also rather anodyne, film. Still, Self is a pleasant screen presence, one who engages the audience’s sympathy. We root for him, even if the material fails fully to engage us.
Posted in: Disc Reviews by David Annandale on November 8th, 2011
This is the DVD release of the film whose Blu-ray incarnation was reviewed by Gino, so I’m going to let him take it away for the review of the film itself. I’ll check back in for the specs.
"It’s back to the 1950?s with its telltale alien invasion science fiction matinees. There’s Doo Wop coming out of the radio. The cars have tail fins and plenty of color and chrome. That’s right. This is 1950?s Americana. Well … almost. You see, the alien invaders are humaniacs. They turn the helpless population into mind-controlled zombies, and they eat brains for breakfast. Those sure are the classic cars, all right. But they’re rounded, and instead of wheels they ride on a cushion of air. And then there’s the “people”. They’re green. They have tentacles for hair. And they have only 4 fingers and toes on each hand or foot. Can anyone say, “Give me a high four”?
Posted in: Disc Reviews by M. W. Phillips on November 7th, 2011
“The mind is like a labyrinth in which anyone can get lost.”
The debut film from Mexican director Fernando Barredo Luna, Atrocious is yet another entry into the “found footage” genre. This is a niche where you either enjoy the handheld bouncy ride or you don’t (or if you have motion sickness, you can’t). I, for one, quite like this style of horror. With video cameras in our phones, tablets, computers, cars, and appliances as well as security cameras recording our every move 24 hours a day; the media sources for these stories are endless. The “found footage” genre really captures the YouTube viral zeitgeist. If done right, these films can easily suspend your disbelief, tricking your brain into believing what it is seeing is real and the horror we witness feels more real and immediate.