Posted in: Disc Reviews by Michael Durr on March 22nd, 2010
If you know me, you probably know that I don’t exactly exhibit small town values. I grew up in the suburbs, went to a state college and have worked in major cities such as Dallas & Houston. However, for the last ten years, I have lived somewhere in Brazoria County (small town haven) and I currently reside in West Columbia, Tx which has a population of around 4,000 people. Would Good Intentions be an accurate portrayal of small town southern life or more stereotypical mayhem?
Etta Milford (played by Elaine Hendrix) lives in the small town of Myra, Georgia. She has two young boys and a husband named Chester (played by Luke Perry). Chester runs one of the local convenience stores while Etta stays at home and tends to the children. Money is very tight for the family, so naturally one would think that they would be a little more careful with their income.
Posted in: Disc Reviews by David Annandale on March 20th, 2010
Cult Epics here presents us with their second box set of films by ex-pat Spanish surrealist/'pataphysician/provocateur Fernando Arrabal. These are more recent works, and are, arguably, even more of an acquired taste than the earlier set, though not necessarily for the reasons one might think.
Car Cemetery is the 1983 TV version of his 1958 play. In a dystopian future, the punk/S&M/whatnot inhabitants of the titular setting live through a rock-n-roll version of the Passion. What would have been a hell of a taboo-buster in 1958 hasn't aged well. Quite apart from the very 1980s costume design of the film (in the most unfortunate ways), the religio-political points, clearly aimed at Franco's Spain, no longer have the same bite when re-staged in the post-Franco era, and today seem altogether precious and rather twee.
Posted in: Disc Reviews by William O'Donnell on March 19th, 2010
Wild Ocean was originally designed as a 3D IMAX experience. Though the production has been pared down to a humbler 2D widescreen, it still is effective as a well-made film that documents the Sardine Run in South Africa, where the migration of millions of Sardines makes for both feeding frenzies of ocean predators, and a wild festival of fishing for various townspeople.
Posted in: Disc Reviews by Michael Durr on March 19th, 2010
It seems like yesterday, but about a year ago; my cat of 14 years had died. Her name was Burns. She had survived through my college years and the worst period in my life during my 20’s. Sarah had come into my life at that point and I guess my cat finally realized she could let go. Burns was always a loyal companion and there to bring me up when I needed it. I never had a better pet than her, and I probably never will. Hachi, A Dog’s Tale is another story about a faithful animal, adapted from a Japanese true story.
It’s hero day at a local school. One student named Ronnie (played by Kevin DeCoste) starts to spin the tale about his hero: Hachi. Hachi is a dog that was actually owned by his grandfather, Parker (played by Richard Gere). We then start to flash back to a Japanese man shipping an Akita dog that travels cross county and ends up in Rhode Island.
Posted in: Disc Reviews by Gino Sassani on March 18th, 2010
It's back to the 1950's with its telltale alien invasion science fiction matinees. There's Doo Wop coming out of the radio. The cars have tail fins and plenty of color and chrome. That's right. This is 1950's Americana. Well ... almost. You see, the alien invaders are humaniacs. They turn the helpless population into mind-controlled zombies, and they eat brains for breakfast. Those sure are the classic cars, all right. But they're rounded, and instead of wheels they ride on a cushion of air. And then there's the "people". They're green. They have tentacles for hair. And they have only 4 fingers and toes on each hand or foot. Can anyone say, "Give me a high four"?
Meet Lem (Long). He's your typical 1950's teen. His biggest worry is how will he impress Neera (Biel), the girl of his dreams? He holds down a job proudly at the local museum and planetarium, where he teaches that the universe is nearly 500 miles across, containing 1000 stars. Wow! He doesn't have time for the fantastic movies and comics that depict humaniac invasions. His friend Skiff (Scott), on the other hand, reads and watches them all. He's quite well versed in the topic of alien invasion. He's convinced that "they" are coming, if they're not already here, that is. For these innocent and peaceful folks, the nightmare scenario that they've feared their entire lives is about to come true. An alien has invaded!
Posted in: Disc Reviews by Archive Authors on March 18th, 2010
In the realm of family sitcoms, My Two Dads is sort of ahead of its time. While sitcoms today break stereotypes with ethnic and racial diversity, this show was the first to cover same-sex parenting. Premiering the same year as the film Three Men and a Little Baby, this Michael Jacobs (Boy Meets World) creation chronicles the struggles of two single, hetero fathers (Mad About You’s Paul Reiser and B.J and the Bear’s Greg Evigan) sharing custody of their teenage daughter, Step By Step’s Staci Keanan. Financial advisor Michael (Reiser) is the more conservative of the two; Joey (Evigan) is the artistic lothario. Their conflicting ideologies present them with a few comical communication breakdowns along the way.
The show debuted in September of 1987 and lasted for three seasons on NBC. The second season continues daughter Nicole’s emergence as a young woman entering the dating world while her fathers seek advice from friends—Judge Margaret Wilbur (Florence Stanley) and football legend Dick Butkus as café owner Ed Klawicki—to help raise her along the way.
Posted in: Disc Reviews by Gino Sassani on March 17th, 2010
"There's two kinds of people in this world when you boil it all down. You've got your talkers and you've got your doers. Most people are just talkers. All they got is talk. But, when all is said and done, it's the doers who change the world. And, when they do that, they change us. And, that's why we never forget them."
And while The Boondock Saints never did bring in box office gold (heck, it didn't even bring in Box Office aluminum) like the characters in the film, they were not forgotten. There were conventions and local film festival showings that brought out untold thousands to share the movie experience. It became what we commonly call today a cult hit. But that's a term of endearment used by critics and fans to describe this kind of grass roots fan base. Unfortunately, it's a dirty word in Hollywood. No one in the studio highchairs wants to produce a cult film. Well, no one except maybe Troy Duffy.
Posted in: Disc Reviews by Archive Authors on March 17th, 2010
In 1952 pioneering animator Osamu Tezuka’s manga series ignited a cultural phenomenon in Japan that has now reached worldwide acclaim: anime. Astro is a beloved pop culture figure that is finally getting wider recognition with younger audiences thanks to 2009’s feature film Astro Boy. Set in a future where Earth has endured years of abuse and pollution, one city decided to improve their quality of life. Metro City hovers far above Earth’s surface, but shares little similarities. Robots have been designed to take over the menial, mundane jobs they can’t be bothered to do themselves.
The father of those creations is scientist Dr. Tenma, voiced by Nicolas Cage. His brilliance in the field of robotics doesn’t make up for his shortcomings as a parent to his son Toby. Despite being a mature and remarkable student, Toby never quite receives the warm encouragement from his dad he craves. When a meeting with President Stone, a no-nonsense military man desperately seeking re-election, goes horribly awry, Toby is killed, leaving nothing but a red ball cap behind. Dr. Tenma attempts to resurrect the spirit of his departed son through a new life-like robot: Astro Boy.
Posted in: Disc Reviews by Gino Sassani on March 17th, 2010
While Scarecrow And Mrs. King first aired in 1983, this show is really one of the last of the 1970's crime dramas. It was an early attempt to bring in more of the female audiences that seemed reluctant to join the popular detective shows of the era. While not really a "detective" show (they were spies), it employed a lot of the 1970's conventions. Even the film footage has that distinct style from those days and type of shows. The idea worked, and the series did bring in a sizeable female audience, but it never really caught on with the guy crowd who found it a bit too relationship-heavy. The two leads were chosen less for their character appeal than for their apparent "easy on the eyes" look. Again more fodder for the chick crowd. The show was always rather lighthearted, even if the material was somewhat serious cold war espionage. The two shared a banter that revealed a kind of love/hate relationship and the expected sexual tension that would eventually lead to the two getting hitched. And while the series only lasted four seasons, the formula would end up being tweaked to bring us the more successful Moonlighting with Bruce Willis and Cybill Shepherd, which took the idea more into the 80's with slicker production values but still a mainly female appeal.
Amanda King (Jackson) was a recent divorcée with two sons and a nosy mother (Garland) who lived with her. She has a boyfriend named Dean who works as a meteorologist at a local Washington DC television station, whom you never actually get to see. While at the train station, she suddenly finds herself embroiled in an espionage plot when a package is handed to her on the platform. Then she meets government agent Lee Stetson (Boxleitner) who works under the codename: Scarecrow. She's intrigued by Scarecrow and agrees to help him in his current case. Of course, she ends up in a more permanent role with "The Agency", taking a job at their cover corporation The International Federal Film Company. Every week we find Amanda trying to balance her new role as a spy with trying to raise her kids, have a normal dating relationship, and keep her cover safe from her particularly prying mother. The results are often quite funny. There is also Scarecrow's partner, Francine (Smith) who is somewhat jealous of Amanda and Lee.
Posted in: Disc Reviews by Archive Authors on March 17th, 2010
“In an old house in Paris that was covered in vines lived twelve little girls in two straight lines.” That simple opening rhyme has wooed children around the world for more than 70 years. Author Ludwig Bemelmans’ Madeline books have been reincarnated as Academy Award-nominated animated shorts, syndicated cartoons, soundtracks and a live-action film. Madeline: Lost in Paris celebrated its 10th anniversary in 2009 and continues the party with a Shout! Factory DVD release.
Our story begins when a letter for Madeline from a stranger named Henri Horst (Jason Alexander) arrives at the boarding school. The man claims to be her only surviving relative and announces his intention on visiting his orphaned niece. Horst is, of course, a fraud only interested in kidnapping Madeline so he and the decrepit Madame Lacroque (Lauren Bacall) can collect her inheritance. Before Madeline can figure out the truth, it’s too late—she’s whisked away onto the Metro to a sketchy neighborhood harboring a child-labor camp masquerading as a lace shop. When Miss Clavel (Louise Vallance) catches wind that something’s up, she enlists the help of the police—and all of Madeline’s friends—to find her.
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