Posted in: Disc Reviews by Gino Sassani on March 16th, 2010
If any studio out there knows princesses, it has to be Disney. Uncle Walt has brought us so many memorably magical moments in the realms of fairy godmothers and the rags to riches tradition. A list of such Disney characters would serve as a rather complete roll call of such familiar animated ladies: Snow White, Cinderella, Ariel, Sleeping Beauty, Jasmine, and now you can add yet another name to the growing list. The studio that invented the animated fairy tale returns to its hand-drawn animation roots with The Princess And The Frog.
When Pixar finally landed permanently at Disney, no one was more excited than I was. It seemed somehow quite fitting that the studio that invented the animation feature should now take the lead with the company that invented the computer animated feature. It was a match made in heaven, or at least Neverland. But, I was as shocked and dismayed as many fans of the medium when Disney made a rather abrupt decision to close down its hand-drawn animation studios. There was plenty of rancor from the move and more than a few talented artists suddenly without jobs. It appeared that the Mouse House had traded one legacy in to acquire another. And so it looked as if we would never again see the wonderful marvels of a hand-drawn Walt Disney creation. Ah, but we all forgot. Disney is in the fairy tale business, after all. And like every good story, just as it looks like the villain has triumphed and all hope is gone, a white horse bearing a hero can never be far behind.
Posted in: Disc Reviews by Gino Sassani on March 16th, 2010
I'm sure that somewhere inside of Jared Hess's mind all of this makes perfect sense. I get the feeling that after he completed Gentlemen Broncos the writer/director/producer sat down to a screening with a group of his friends and the congregation rolled in the aisles with laughter. I'm equally sure that when his friends went home they were left scratching their heads. Somewhere in Hollywood a corner drugstore made a killing in aspirin or something stronger. In his own private world, where they all get the joke, Gentlemen Broncos might not be so bad. As for this reviewer, it was perhaps one of the worst films I've ever had the displeasure of watching. I'm putting in for hazard pay on this one, guys. This film will subject you to images that you'll pay good money not to have in your heads. Once again, a payday for the drugstores who likely made about as much off this movie as the film produced at its limited box office run. For anyone out there ready to accuse me of "not getting it" or some such defense of "your" movie. Look at the film's gross take of $113,000 against a $10 million budget and talk to me then.
Benjamin (Angarano) is a young awkward boy who likes to write fantasy stories. He's socially inept, helped in no small part in his problems by a neurotic mother who babies him and designs incredibly bad nightgowns. She ends up sending him to a writers’ camp where he gets to meet his idol, writer and illustrator Chevalier (Clement) who is really quite too full of himself to be believed. Chevalier is out of ideas, and he's about to get dropped by his agent if he doesn't come up with something good, and soon. When Benjamin submits his story Yeast Wars: The Bronco Years to a writing contest at the camp, Chevalier decides this is just the story he's looking for. He changes a few names and submits the story as his own. Meanwhile Benjamin has sold the film rights to his story to amateur filmmaking couple Tabitha (Feiffer) and Lonnie (Jimenez) who turn it into a gay space opera with incredibly poor filmmaking. The stuff is about to hit the fan as the two versions of the story are about to collide with Benjamin in the middle of it all.
Posted in: Disc Reviews by William O'Donnell on March 16th, 2010
In many ways Barnaby Jones was seen as the Matlock of private Detectives. The title character's age alone gave him a similar, elderly fan-base that sustained the program for eight seasons. As a spin-off from Cannon, producer Quinn Martin offered us yet another protagonist who is designed to be perpetually underestimated (Cannon because of his obesity, and Jones for his age). Buddy Ebsen (who most know best as Jed Clampett from the original Beverly Hillbillies) is Barnaby Jones, who is always accepting a cold glass of milk over a hard drink, and always asking “a lot of questions” to catch the bad guy.
Posted in: Disc Reviews by Gino Sassani on March 15th, 2010
I have to admit that I approached Old Dogs as cautiously as I'd approach a rabid junkyard dog. With a story that sounds like another retelling of Three Men And A Baby and the setup, and director, of Disney's Wild Hogs, it seemed pretty apparent that this film was not going to offer anything terribly new or exciting. When I started watching the film I discovered that I was pretty much right. This is very much Three Men And A Baby meets Wild Hogs. More importantly, I was also correct in believing the film wouldn't offer up anything all that original or new. What I didn't expect, and what will make this a film worth watching for you anyway, is that the delivery here is actually pretty special.
The story itself couldn't be any more contrived. Charlie (Travolta) and Dan (Williams) have been best friends and business partners for over 30 years. They run a sports marketing firm and have done pretty well, even if they're not the millionaires they always hoped they would be. They are the kind of Bromance couple that are always there for each other. In a story that Dan likes to tell clients to "break the ice", we learn that 7 years earlier Dan got divorced and it nearly tore him apart. Charlie pestered him into taking a carefree Florida vacation where a one night stand led to a quickie marriage and annulment as well as an embarrassing tattoo, which was supposed to shout “Free Man” across his hairy chest, but due to a mixup in translation with the tattoo artist says “Freemont” instead. Now the boys are on the verge of a $47 million deal with a huge Japanese company that will finally get them the riches they've been seeking. Feeling on a bit of a high, Dan decides to set up a meet with Vicki (Preston) to see if he can fan the old romance flames once more. He gets more than he expected, however. Vicki has twins, Zach (Rayburn) and Emily (Travolta) and, predictably, they are Dan's. Coincidentally, Vicki is about to serve 2 weeks in jail for a political activism stunt, and Dan ends up crushing the hands of her hand model friend, who just so happens to have been her babysitter for her time in stir. Dan, feeling suddenly fatherly, agrees to take the kids in an attempt to bond with his newly discovered family. The rest is pretty much what you would expect. Dan and "Uncle" Charlie try to seal the big deal and learn to care for the kids with the usual hijinks and comedic results. Because this is, after all, a Disney film, we know that the movie is going to end with one of those warm life lessons and everything is going to work out fine. Who does storybook endings better, right?
Posted in: Disc Reviews by Gino Sassani on March 15th, 2010
I’ve been a fan of South Park ever since a friend introduced me to the internet Christmas card that started it all. It was Santa versus Jesus and these short potty-mouthed kids that somehow wormed their way under your skin. Pretty soon I was downloading the episodes and watching them on my computer. For some reason I can’t quite explain, I’ve very rarely watched an episode on Comedy Central. By the time things were getting tighter and riskier downloading the shorts, the single disc, 4 episode DVDs began to arrive in stores. So my South Park viewing moved from the PC to the DVD player. In a short time season sets began to arrive, and I looked forward to them with much anticipation, still watching it infrequently on television. After all, who needs the commercials and those silly network bugs that distract you on the screen? The series itself evolved in that time. The show was once achieved through a stop motion process using construction paper cutouts. The animation was crude. After the Christmas card, the characters were significantly redesigned. They had a very evil look on that short. The first couple of episodes brought us an evolution toward the characters we know and love today. After a while the animation went to a computer process. The look remained the same, but gone were the paper cuts and stop motion photography. As the show progressed there were less and less bleeps. It’s not that the language got any tamer. Standards got a little looser. Finally the bleeps would disappear from at least the DVD releases. And now South Park has crossed another milestone. Welcome to Blu-ray and high definition, South Park.
I often have trouble believing that South Park has been around for as long as it has. It’s not just the passing of 13 years, but the sheer brilliance in the face of an increasingly politically correct society. It’s like watching old episodes of All In The Family. Who believes that Archie Bunker would have any chance of survival in the 21st Century? It’s no wonder that Norman Lear has become involved in the series. It’s the last remaining vestige of a once great freedom to be ridiculous and offend. Eric Cartman’s a lot worse than Archie ever was. We always knew that, in his heart, Archie had a soul. Cartman’s a psychopath without a conscience, and in a civilized society we would be terrified of the existence of such a demon spawn…except he’s just so dang funny. Trey Parker and Matt Stone have been walking a tightrope for over 13 years now, and it just doesn’t get old. One of the reasons the show doesn’t grow stale is their ability to make such a quick turnaround on current events. Because the show takes literally days to write and produce, they are quite often always the first to address an issue. They had an election night episode on literally the next day in last season. That means the ideas stay as fresh as the headlines. Finally, you have to credit the expanding universe of good characters. The core group of Cartman, Stan, Kyle, and Kenny were great for a lot of years. But, watching this 13th season you have to admire how much Butters has infused himself into that core. We also have such great semi-regulars as Timmy, Jimmy, and Token. These characters allow the stories to expand in ways the core group could not. I’ve honestly come to think of Butters as one of the core now.
Posted in: No Huddle Reviews by Archive Authors on March 15th, 2010
Possession is a remake of a Japanese thriller called Jungdok (or Addicted). It was also scheduled to be released a year ago, but was pushed because the original distributor went bankrupt. Eventually, after a dozen set backs and push backs of the release date, it was given a straight to DVD release here in the states. Was it worth the wait and hassles?
Posted in: Disc Reviews by Michael Durr on March 15th, 2010
Alice in Wonderland is one of my favorite books from my youth. One of my favorite birthday presents was a gorgeous copy of the book with illustrations from my aunt. So as a result, I have seen many incantations of the classic title from the famous Disney animated movie to a plethora of tv series & movies. Enter 2010, hoopla over the Alice in Wonderland remake with Johnny Depp, the way was opened for other adaptations attempting to cash in. Alice, a mini-series on SyFy premiered in late 2009 and became the 2nd most watched mini-series in SyFy’s history (first being Tin Man). But how good exactly was it?
Alice Hamilton (played by Caterina Scorsone) is teaching judo to her local students. She takes a strong interest in one of her students, Jack (played by Philip Winchester). As it turns out, these two are very taken with each other and Alice has invited Jack to meet her mom, Carol (played by Teryl Rothery). The dinner goes as planned and afterwards Carol leaves the two alone to finish the night.
Posted in: Disc Reviews by William O'Donnell on March 14th, 2010
The flesh-eating plague from the first film is still spreading and turning teens into gurgling vomitarioms of puss and blood. This film takes place a few short seconds after the first one as we see the original hero explode onto the front of a school bus right before the title sprawls across the screen, which then leads to a cute animation explaining how the tainted water has been bottled and shipped to a high school in a neighbouring town. From there we have a slight love-triangle story that is peripheral to the fountains of gore that fill the screen.
Posted in: Disc Reviews by William O'Donnell on March 13th, 2010
What good would come from me panning a series that ended over 15 years ago? Would personal satisfaction be enough? I hope so because I'm moving forward with this.
Posted in: Disc Reviews by Gino Sassani on March 12th, 2010
"Perseus and Andromeda will be happy together. Have fine sons... rule wisely... And to perpetuate the story of his courage, I command that from henceforth, he will be set among the stars and constellations. He, Perseus, the lovely Andromeda, the noble Pegasus, and even the vain Cassiopeia. Let the stars be named after then forever. As long as man shall walk the Earth and search the night sky in wonder, they will remember the courage of Perseus forever. Even if we, the gods, are abandoned or forgotten, the stars will never fade. Never. They will burn till the end of the time."
Talk about your perfect storm. You take the master of stop motion technology, Ray Harryhausen, and you combine those creature animation talents with one of the oldest stories surviving today in Perseus and Andromeda. How can the combination not be magical? The story has always been a favorite of mine, likely because I was born on the Summer Solstice, the critical moment of this story. I was preordained to love this film. The truth is that this film never got quite the recognition it so richly deserved. Now, on the cusp of a computer generated remake, it was my unmitigated privilege and joy to watch the original 1981 film in the glory of high definition.