Genre

Only two social classes existed in the tiny town of Chekian, China, circa 1858: the peasant citizenry, and those who lived in the Governor’s palace. Lawlessness was the order of the day; the streets of Chekian crawled with scum and villainy of every degree, from pickpockets to kidnappers to roving gangs of thugs and extortionists. The worst of all was none other than Governor Cheng himself, the greedy and corrupt ruler of the town (James Wong). The governor’s latest profitable but nefarious practice: to hoard the town food supply and gouge the poor and starving for every sliver of their meager livings. Fortunately for these peasants, they have one advocate with the smarts and the guts to stand up for them: the mysterious Iron Monkey (Ronggaung Yu). To the Governor, he’s a masked rogue fit to be tortured when caught, but to the people he’s a saint clad in black, the Chinese Robin Hood or Zorro, a swashbuckling super ninja who employs his skills mainly in pilfering gold from the governor’s house, oftentimes from right under his nose.

The governor doesn’t just hate Iron Monkey, he’s absolutely terrified of him (as demonstrated in typical over-the-top, grindhouse kung-fu style histrionics). He’s gone to all sorts of measures in an effort to capture this righteous and elusive bandit, from doubling his private security staff, to setting elaborate traps, to hiring powerful but corrupt Shaolin monks. Try as he might, nothing works, and the Iron Monkey always escapes with his prize. Come hell or high water, Cheng is going to stop Iron Monkey once and for all. His underhanded technique uses the son of a Shaolin monk to get the father to promise to bring down the Monkey.

He’s one of the most compelling villains of modern fiction. Disturbing, disgusting and absolutely captivating at the same time, Hannibal Lecter can really get inside your head.You may not have read the novels by Thomas Harris, or even seen all of the films, but I’m willing to bet you’re familiar with The Silence of the Lambs. One of the greatest thrillers in film history, the film in which Sir Anthony Hopkins became Dr. Lecter is the cornerstone of this three-movie set.

The Hannibal Lecter Collection brings together – in chronological order – Michael Mann’s Manhunter, Jonathan Demme’s The Silence of the Lambs and Ridley Scott’s Hannibal. Film buffs will note the absence of Brett Ratner’s Red Dragon, essentially a remake of Manhunter. Unfortunately for any completists, MGM, the studio behind this set, doesn’t have the rights to Red Dragon, which is a Universal picture. In any case, these three films make a fantastic trilogy.

Written by Adrienne Ambush

Nightmare on Elm Street it is not, but Wallace & Gromit’s: A matter of Loaf and Death is anything but a movie you should let your kids watch without parental supervision.

This film is like the Ice Storm in warmer weather. Another portrait of burgeoning suburbia in the 1970s as an island from the rest of civilization instead of an off-shoot. Two families, who are long time friends, coworkers, neighbours and sometime secret lovers, are going through major changes as the children are just about grown, and the parents are falling apart to affairs, tensions and the appearance of Lyme disease in one household.

“People give up their lives for many reasons. For friendship. For love. For an ideal. And people kill for the same reasons. Before China was one great country, it was divided into 7 warring states. In the Kingdom of Qin was a ruthless ruler. He had a vision to unite the land, to put and end once and for all to war. It was an idea soaked in the blood of his enemies.”

I have to say that Hero has to be one of the most beautifully shot films I might have ever seen. This is the first time I’ve watched a martial arts film and embraced it as a total high definition experience. The film contains many incredible fighting scenes that are brilliantly choreographed and brutal in nature. But it all takes a back seat to the incredibly breathtaking cinematography coupled with seamless and fantastical CG enhancements. The film is stylish in the extreme, and it might be easy for the story or characters to get lost in this marvelous imagery. They don’t. Fighting scenes might move from black and white to blazing color. Back and forth with incredible rapidity. Yet everything is intensely clear and is never jarring. There is a distinctive Sergio Leone influence from the music to the angles. Too often films use a frenetic pace to hide a multitude of visual sins and hope it’s accepted as brilliant artistic flair. Here you’re invited to savor each moment. The filmmakers dare you to pick apart the imagery or the fighting stunts. You’re encouraged to linger and take it all in. All of the fighting from huge battles to intimate hand to hand takes place in the most exotic and unreal of settings. The film is a study in contrasts at almost every turn. Bloody battle takes place amid stunning beauty. It’s all a rather provocative yet effective blend of traditional Asian cinematography and modern filmmaking. It’s not the kind of film you see. It’s the kind of work of art you experience.

"Space...The Final Frontier. These are the voyages of the Starship Enterprise. Its 5-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before !"

Paramount was bold indeed when they undertook the remaster project of the original series. Not only did they clean up the prints, but they took the decidedly risky option of redoing most of the f/x shots from the original prints. We all know just how cheesy the old work looked when compared to today’s computer abilities. You could see a box around spacecraft that allowed the obvious cutout to maneuver through a cardboard star field. There were often mixups where phaser shots would be used for photon torpedo commands and the opposite. The planets often utilized matte paintings that look somewhat ridiculous now. We forgave these flaws with a complete understanding of the limitations the crew had at the time. While Star Trek showed us computers that were remarkably similar to the PC’s we use today, down to the floppy drives of our own yesteryear, the use of computers to create f/x was still many years away. So Paramount decided to “fix” these “flaws” and make much of the show look like it might have had it been produced today. It was a serious risk because of the extreme possessiveness fans have for these kinds of shows. Just ask George Lucas how much fans like their sci-fi tinkered with. The project encompassed a few years, and the results are quite attractive. But how do they stand up for the fans?

I love CSI and have been an avid fan from day one. I think it brought a fresh look to the procedural crime dramas that have long ago become just a little stale and predictable. The problem is that the series has gone the Dick Wolf route of branching out so that the final product might be a little diluted. Unlike the Law & Order franchise, each version of CSI has attempted to take on a unique look and style to reflect the location without giving up those elements which are the tradition of the series. CSI: Miami is by far the inferior of these three shows. In trying to create a slick glitzy Miami feel, the show has gone the way of style over substance. While the oversaturated colors and bright locations might make for a more visually stunning series, it tends here to overshadow the meat and potatoes of CSI, the stories. I get the impression that the show wants badly to recreate the Miami Vice accomplishment of trend setting fashion and style. Those days are long gone, and CSI has an entirely contrary mission that is weakened weekly by this overboard attempt to look good. The show is also beginning to adopt the 24 style of multi frames for no other reason than they think it looks cool. The show doesn’t respect the audience enough to believe they will buy into the series without all of these high tech distractions. It’s a shame, really, because I had higher hopes for this version of CSI, as I happen to live in Florida. Unfortunately most of CSI: Miami is shot in L.A. with the exception of a few overused establishing shots. Let me tell you, L.A. doesn’t look anything like Miami. Perhaps the show should consider dropping all of the fake glitz and move to location where they can take advantage of the city in a far more realistic way.

The series follows the CSI model set forth in the original Vegas version of the franchise. The lead CSI here is Horatio Caine played by former NYPD Blue actor David Caruso. Caruso left that series because he fancied himself better as a big movie star. Several failed leading roles later he finds himself back playing virtually the same character here. It’s the same Caruso odd speaking pattern, only this time he has a lab coat to go with that gun. Adam Rodriguez plays Caine’s favorite among his lab partners, Delko. He shares a bit of history with Delko. They’ve had a few off the reservation missions together and have bonded somewhat. Delko wants to be just like Caine. Next in the pecking order is Ryan Wolfe, played by Jonathan Togo. Togo is the Greek tragedy character here. It seems that every year this guy is getting the worst of it, from losing his hearing to getting roughed up by the Russian mob. He was a cop and transferred over to the CSI unit in season 2 under Caine’s wing. Emily Procter plays Calleigh. She’s the ballistics expert and all around tough girl with a disarming southern accent. She makes a living by being underestimated. By far the most annoying character is Eva La Rue’s Natalia. Her love lives and former life baggage turn her more often than not into the helpless whimpering damsel in distress. She’s by far the most frustrating character in the entire franchise. If I have to hear her whine one more season… Rex Linn plays the crew’s uniformed cop buddy, Frank Tripp. He’s getting more and more screen time and acts as the audience’s representative on the show. He’s a good tough cop, but the science just goes over his head. New to the 7th season is Megalyn Echikunwoke, please don’t make me spell that last name again, as the new medical examiner on the series, Dr. Tara Price. She’s a huge change from the previous pathologist whom I’m sure fans are already missing. She’s got a bit of a ‘tude. She also flirts too much, while Alex always had this almost unnatural respect for the dead.

Shonda Rhimes had a big hit on her hands with Grey’s Anatomy, so after five years she did what comes naturally in her situation. You spin the success off in the hope that the fans just can’t get enough in just one night. At first it appeared to me she had chosen the wrong character to put out on her own. I mean, I never considered Kate Walsh as Addison to be one of the show’s more compelling characters. The show was presented as what the business calls an imbedded episode on Grey’s. What that means is that the situation is set up during one of the original show’s episodes. In this case a two parter called The Other Side Of Life. The idea is that you want to be sure that your existing show’s fans at least watch the pilot in the hope that they will consider it a part of their beloved series. I got to watch that episode when I was called upon to review the fifth season of Grey’s. I was new to the whole universe, so I believe I was able to approach the spin-off more objectively. To tell the truth, I didn’t like it at all. And so I considered Private Practice to be doomed even before I saw the first stand alone episode. That wasn’t boding well when I received this truncated season one set to review recently. True, I had warmed up to Grey’s by then, but I was still a bit put off by the new show. I watched it anyway.

Dr. Addison Montgomery (Walsh) is looking for a change. She’s feeling a little burned out in Seattle at Grace Memorial Hospital, where she carries a ton of baggage. She heads down to L.A. to visit a friend who has his own clinic in the sunny city. The clinic practices something called co-op medicine. Specialists from various fields come together to treat their patients in a more holistic manner. Dr. Naomi Bennett (McDonald), specializing in fertility, and her ex-husband Dr. Sam Bennett (Diggs) run the place. Dr. Violet Turner (Brennemen) is the clinic’s shrink. I guess you could call her a shrinking violet. Dr. Cooper Freedman (Adelstein) is the pediatrician. Dr. Peter Wilder (Daley) is the herbal medicine specialist. He’s also got a rep for sleeping with all of the other women and even running some out of the clinic. Dr. Charlotte King (Strickland) is a troubled soul who can’t sleep and has an apparent addiction to pills. Finally there is Dell (Lowell) the office assistant and “pretty boy”. Because of the strike there are only 9 episodes spread over 3 discs.

Girlfriends has turned out to be a very successful show. It lasted eight seasons and one hundred seventy two episodes. Despite the lack of a proper final episode, it should have a lasting place in television history. In 2006, they ran a special episode which ended up being a backdoor pilot for the series called The Game. With the 4th season of this show currently in negotiations with the BET network, it was only fitting to start releasing Season sets. But would it be as good as the show that it spun off from?

Melanie Barnett (played by Tia Mowry) is in love with Derwin Davis (played by Pooch Hall). Melanie wants to go to John Hopkins medical school but there is one problem, Derwin has been drafted to play professional football by the San Diego Sabres. Melanie decides to forgo John Hopkins against her parent’s wishes and join Derwin in San Diego.

“A hero lives but a few seconds. Ma master holds on to his life. It is more important to forgive than to fight.”

But they don’t know Jackie Chan. When Popeye gets into a jam, he rolls out a can of spinach and down the hatch it goes. Next thing you know that old sailor pipsqueak is kicking butt and taking names. When Jackie’s Wong Fei-hung gets into a jam, he looks for a bottle of sake or maybe a 5th of Jack Daniels. When Jackie drinks, his enemies get the hangover. That’s the art of drunken boxing. The idea is that the alcohol loosens up your body and allows you to fight because you are limber and flexible.