Posted in: Disc Reviews by Gino Sassani on September 11th, 2009
“Happy 200th, everybody. Only 75 shows in the history of television have reached 200 episodes. Only 4 other shows currently on the air have produced 200 episodes, and of those only 2 feature live actors. And, it’s worth noting that both of those shows were in the top of the Nielsen ratings before CSI came along and knocked them off of that perch.”
And, after 9 years and over 200 episodes, CSI has enjoyed an almost unprecedented near decade as the number one show in the country. It’s a rare thing to go so long and keep the core of your team intact. Up until now CSI has added characters, but has not lost a major character. But things are about to change. If you’re a fan of the original idea, this is an important season set to own. It’s all going to change quite significantly in season 9. William Petersen leaves mid-season. Dourdan is also already gone. The actor found himself in a considerable legal jam and was forced from the show. His character gets killed off in the beginning of the 9th season. Finally Jorja Fox, who had been playing a several year game of I quit/no I don’t with the series, finally opted out at the end of season 8. Petersen will remain as an executive producer.
Posted in: Disc Reviews by Archive Authors on September 8th, 2009
If someone told you there was a movie out there starring David Carradine, Bruce Dern, and Rip Torn as three retired sea captains sharing a house together, what would your expectations be? I personally would expect a raucous production with colorful characters and a whole lot of the kind of scenery-chewing that those three guys are known for. However, set it at the turn of the century, fill it with unmemorable supporting actors, and change its title from Chatham (not a great title I admit) to the far more generic The Golden Boys, and it doesn’t take a perch in the crow’s nest to see that this schooner is close-hauled and tacking into the wind. See what I did there? I cleverly used nautical terminology to illustrate the disappointing quality of a movie about sailors. Now I feel like a big-time reviewer.
The DVD cover trumpets the quotation, “A cross between Grumpy Old Men and Three Men and a Baby”. This quote is attributed to Cindy Adams of the New York Post, and I’m not sure which film she watched, but it certainly was not this one. The three lead characters are not grumpy, there isn’t a baby to be seen anywhere, and the romantic rivalry for the affections of Mariel Hemingway amounts to nothing and, in fact, is pretty much nonexistent. I looked up the source of the quote and found that it didn’t even come from a review, but from a puff piece she wrote about Rip Torn. This gives you an idea of how desperate the publishers were to find a way to market this thing.
Posted in: Disc Reviews by Archive Authors on September 6th, 2009
When we left J.D., Turk, and the rest of the staff of Sacred Heart Hospital at the end of their seventh season, there were good reasons to believe we had seen the last of Scrubs:
1) The show had suffered the lowest ratings in its history.
Posted in: Disc Reviews by William O'Donnell on September 5th, 2009
This is the story of three young girls who live in squaller with their strung-out, prostitute mother and a lineup of pimps, hookers, and johns parading through their home and lives. They attempt to maintain some sense of normality in their day-to-day but are ultimately seeking escape.
Posted in: Disc Reviews by Gino Sassani on September 2nd, 2009
Scooby Doo has spanned generations and over 40 years. Since the 1960’s the name and conventions have become a part of the pop culture. The original cartoon series had a series of conventions. The Scooby Gang would drive around in their green Mystery Machine van and solve ghostly mysteries. Fans of the show quickly grew to learn that these spirits and goblins were usually just normal people using scare tactics to get revenge or make a profit. The cartoon classic spawned music albums, live action movies, and several new shows and animated features.
This single disc release is pretty much just a collection of 4 episodes, 5 if you include the “bonus” episode of the television show, Scooby Doo Where Are You. The episodes are:
Posted in: No Huddle Reviews by Gino Sassani on September 2nd, 2009
“The following is based on a true story: There are currently over 200 boot camps similar to the tough love facilities in the world, housing tens of thousands of children. They operate with virtually no government regulation or oversight. Since the beginning of the tough love rehabilitation movement in the 1970’s hundreds of thousands of kids have gone through these or similar programs. There have been over 40 deaths in the camps. There are no statistics on how many lives have been irreparably damaged.”
The following review is based on a true viewing. Well… not exactly a true viewing at all. You see, Fox has seen fit to send us a non-final product screener of Boot Camp. That means a DVD-R in a sleeve. That also means plenty of compression artifact to go along with the 2.8 mbps bit rate we’re provided. Then there’s the wonderfully entertaining 20th Century Fox Home Entertainment logo that pops up from time to time to remind us who sent the dang thing. I guess you could call it boot camp for DVD reviewers. So, I should say that the following review is based on an almost true viewing.
Posted in: Disc Reviews by Archive Authors on September 1st, 2009
Already languishing in the $6.99 bin at my local Blockbuster, and with dismal reviews on its release, my hopes for The Haunting of Molly Hartley were not high. However, after viewing the DVD I can safely report that the movie falls firmly into the ‘not anywhere as awful as I thought it was going to be’ category.
This is not an endorsement. The movie is by no means good, but nowhere near as wretched as I’d been set up to believe.
Posted in: Disc Reviews by Gino Sassani on September 1st, 2009
To the point, Criminal Minds is very compelling television. Ever since The Silence Of The Lambs and perhaps long before, we have been fascinated by serial killers and the profilers who try to get inside their heads. To see evidence of the continuing trend, one needs only look toward the success of films like Zodiac and shows like Dexter. Of course, serial killers are not the only prey this FBI team pursues, but they are certainly the marquee item on the agenda. To be sure, there are equally disturbing subjects such as arsonists, bombers, kidnappers, and rapists to give the show a touch of variety, but let’s face it, it’s the killers that keep us tuned so attentively to Criminal Minds.
Let’s not take anything away from the show’s true force here. This is an excellent cast being fed brilliant scripts playing to an awesome crew. Everything just clicks on this series, and it only got better in the second year. I am truly impressed with how much these characters are fleshed out and how much we learn about them without the need of office romance. No precious show time is squandered on excessive personal life stories. We’re given just enough to bring the characters alive beyond their team dynamic, which is quite strong. Each character is constructed through the subtle nuances the actors infuse their performance with. From the moment you watch your first episode, you will find this team believable enough to care about them and their work. Surprisingly, the show often gets muddled in a ton of exposition, but somehow it’s carried off by the cast so that you never find yourself going numb with clinical information overload. Granted, the material itself is attention-worthy, but these guys pull it off no matter how interesting the information might be. Add to the stellar portrayals a writing team second to none in the industry. The support teams do everything they need to make sure these talents are never wasted.
Posted in: Disc Reviews by Gino Sassani on September 1st, 2009
Ken Olin is truly a great talent that I’ve followed back when he played the snotty detective Garibaldi on Hill Street Blues. Since then he’s done some wonderful work behind the camera, and Brothers & Sisters certainly shows his influence; however, this is not some of his best work. The show often leans on clichés and gets awfully lazy in moving forward at times. I do see the great family of characters they created here, but fail to find them interesting beyond the life breathed into them by their performers. This is a case of ego getting in the way of great potential. The writers and producers are trying way too hard to do something special. True greatness often requires the least effort. My advice to Olin and company is, play to the strengths of this great cast, and then get out of their way as often as possible.
Sally Field plays Nora Walker. Her husband has just died and left her with a lot of unanswered questions in her life. She soon discovers a twenty year affair and some even more serious hanky panky with the books of the company the family owns. Her emotional ups and downs can be about as compelling as television can get. Callista Flockhart plays the best opposite Fields as the errant, and of course, conservative, black sheep of the family. The moments they share have given me a greater respect for Flockhart than her previous roles have. It is a little much watching her call someone else skinny. Ron Rifkin steals every scene he’s in as the old fashioned Uncle Saul, proving that Alias was no fluke for this accomplished actor. Rachel Griffiths again hides her English accent to show that if nothing else, she does a good job of crying. The remaining cast of Dave Annable, Balthazar Getty, and Matthew Rys are often just as nice as the three brother siblings on the show.
Posted in: Disc Reviews by Gino Sassani on September 1st, 2009
The residents of Wisteria Lane have become household staples in the last four years. Even after watching the show, I’m still not sure I understand what it’s about, but I’ll try and give my take on it anyway. It would appear to this reviewer that the show owes at least part of its genesis to the HBO hit Sex And The City. There is the same narrative angle, this time by a deceased member of the group. Still, that narrative contains many of the same kinds of observations as the HBO show and appears to imitate it as often as not. The show also deals with the exploits, often sexual, of a group of women. This time they are married, but that doesn’t seem to stop the flings, or at least the fantasies any. Finally, the best correlation between the two shows is how much both depended almost entirely on the personalities of the women themselves instead of any particular element of story or concept. Here the women are the concept. In the first season it appears young housewife Mary Alice (Strong) commits suicide. She now looks down (or up, I guess) on her neighbors, offering the commentary that is the show’s narration. At the end of each episode she offers some tidy little wrap-up, adding comments on how the lives of these women are evolving.
The plot is pretty much standard soap opera fare. There are love triangles, diseases, and the typical complications you can find on any given weekday during the networks’ afternoon programs. Of course, here we have prime time production values and a decidedly A cast of actors. It’s very likely that Desperate Housewives might have actually benefited from the writer’s strike, which reduced the run of episodes down to 17. The writers spent more time dealing with the characters and less trying to pretend they were creating compelling drama. Where the show works is in these quirky, almost black comedy moments between the characters. Since there is no “story” to really speak of, I guess it’s more important that you meet the residents of Wisteria Lane. Susan (Hatcher) is married to Mike (Denton). She’s kind of an airhead and is the housewife most likely to be on the outside of a joke or reference. Her husband might or might not be a murderer. Perhaps denizens of the show have a better grasp of the 411 on that situation than I got. Susan was raising her daughter Julie (Bowen) on her own before she married Mike. Julie shows far more maturity and intelligence than her mom. Lynette (Huffman) was once a big time corporate executive who is now raising four kids and is married to Tom (Savant) who also left corporate America and runs a pizza shop. They are also raising Tom’s daughter from a previous affair, who absolutely hates Lynette. Katherine (Delany) is the local “perfect housewife”; she’s a cooking champion and is a bit of a snob, refusing to share her lemon meringue pie recipe with anyone. She and gynecologist husband Adam (Fillion) are the newest residents of Wisteria Lane. Bree (Cross) is a rival to Katherine in all of this homemaking stuff, but it appears they learn to work together before the season ends. Bree is married to Orson (MacLachlan), who has had more than one ex-wife turn up dead. Unfortunately for Orson, it is the husbands that are expendable in this show. Last but certainly not least is Gabrielle (Parker). She’s obviously the best looking of the group and acts like she knows it. Her husband is the town’s mayor, but she spends far more time with lover Carlos (Chavira). She has expensive tastes and wants to be pampered. Together these ladies go through guys and catfights like they were pitches at the All Star Game.
![CSI: Crime Scene Investigation - The Ninth Season [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/csi-crime-scene-investigation-th-large.jpg)
