Genre

It's not often that a review starts with the final score, but I'm going to break that rule. Go out and buy this DVD set. Stop reading this review, leave your residence, and go directly to your nearest DVD retailer for a copy of the 3-disc version of Hot Fuzz. When I first watched Shaun of the Dead, I was absolutely blown away at how deftly creators Simon Pegg and Edgar Wright were able to mix the comedy, spoof and horror genres into one of the most entertaining and original films of the decade. While I had high hopes for the follow up project, deep down I was expecting to find a case of the sophomore slump; a good film that manages to fall short of the success of the debut. Not only was my gut feeling dead wrong, but I am of the opinion that the two have actually been able to surpass their previous success. Shaun of the Dead was not a fluke, but merely a warm-up to the amazing success of Hot Fuzz.

This time around, the pair (along with hilarious stalwart Nick Frost) cover the action film genre. Pegg plays a London cop so outstanding that he makes the rest of the department look bad, so he is shipped off to a sleepy countryside hamlet to hand out tickets to speeders and the occasional noisy pub patron. What he finds, however, is something more sinister than anything he had ever come in contact with on the streets of London.

Honestly, is adding a cinematic volume onto a series when one film seemed to have addressed it is beyond me. You've got Carlito's Way, a film whose main character (played by Al Pacino) died at the end, yet in Carlito's Way - Rise to Power, we're getting a prequel? I think that all that could have been answered was done so in the Pacino film, but we're seeing a film about how Carlito, pardon the word choice, has "rose to power"? What's the point? Needless to say, I'm still popping the hood and looking what's underneath.

So Rise to Power was written by Edwin Torres, who also wrote the novel about Carlito's later years. Michael Bregman, son of Martin, who's produced several Pacino movies through the years, adapted the novel and directed this straight to video project. Carlito is now played by Jay Hernandez (Hostel), and his true beginnings are in jail with the Italian Rocco (Michael Kelly, Unbreakable) and the African American Earl (Mario Van Peebles, Baadasss!!!!). When they get out, their friendship forms into a business partnership of heroin trafficking. They do pretty well, in fact Earl manages to leave the business and move to the Caribbean, however he asks Carlito to look after his younger brother, who is long on bluster and short on any real business or personal sense, causing friction among the bigger crime bosses like Hollywood Nicky (Puff Daddy himself, Sean Combs), and Artie (Burt Young, Rocky).

Imagine a world where William Shakespeare is being controlled by creatures akin to witches, a place where Santa is a deadly menace, and a rather eccentric fellow travels about in a police call box with a rather deceptively spacious interior. To Dr. Who fans of all ages, this is all very familiar territory. I fell in love with Dr. Who as played by Tom Baker from 1974 – 1981. He was the fourth actor to portray the Doctor and arguably the most popular. With a pocket full of jelly babies and a trusty sonic screwdriver, The Doctor rather muddled his way about with a massive wool scarf around his neck, all the while solving the mysteries of the universe. It was through PBS stations in the late 70’s that Americans were first introduced to these adventures on a regular basis. Before long The Doctor would develop a cult following of sorts, particularly at college campuses. The Doctor was an alien from the planet Gallefrey. A time lord, he traveled through space and time in his TARDIS, disguised as a police call box by a chameleon device. He was accompanied by a line of companions that would serve as the representative of the audience. These women provided a place for The Doctor to bounce his ideas off of, and from time to time they would more often than not require a bit of rescuing. The show was noted for its low budget f/x and over the top villains. The cardboard sets often appeared as if they would collapse at any moment. All of this created more than a little bit of campy cheese. But for some reason there was a charm to the entire play that was oddly compelling. To ensure longevity, the character was able to regenerate when faced with death. The new Doctor would not only look different, but he would sport an entire new range of mannerisms. This way the series would continue through several changes in the actor playing him. It all worked, and Dr. Who became the longest running scripted science fiction show ever in the world. Of course all good things do come to an end, and so did Dr. Who, in spite of an American television film attempt to bring the character back. But what started with Peter Cushing in a couple of films finally ended for good…

 

So from time to time, I get television shows to review that frankly I don't really follow. However, my wife does, so she grabbed the tenth season of Frasier from me quicker than a crackhead getting a fix at the methadone clinic. I encourage you to peruse and enjoy her literary stylings.

For about 20 years, the character of psychiatrist Frasier Crane gave us awkward humor, taught us about Freud, and was the only character on television who tried to get sherry promoted from cooking liquor to a regular drink.

What we've got here is a nasty case of the Sequels. Rush Hour, the original Jackie Chan/Chris Tucker vehicle, was a fun action-comedy with an amusing twist on the buddy-cop genre. Rush Hour 2 was a re-hash, bigger but not better, but still worth a rent. Six years later, Rush Hour 3 proves the third time is definitely not the charm, with 121 minutes of recycled gags, bad acting and uninspiring action.

This two-disc release may be a top-notch DVD, but I certainly hope you don't get suckered by a nice transfer, good audio and a whole whack of extras. No matter how well you dress it up, this film's a walking, talking turd.

Gunsmoke is the longest running scripted live action television show in history. The series ran from 1955 to 1975. At first it was a half hour black and white show that evolved into a color hour by 1967. It actually started before the days of television, premiering on radio in 1952. Then it was William Conrad as the tough as nails Marshall Matt Dillon. When television came into its own, Gunsmoke made the jump to the bright living room box and made history. Westerns would ride across our small square screens for the next 3 decades, making it the most successful genre of that time, and it was Gunsmoke that started it all. The television version of Gunsmoke was originally conceived as a vehicle for John Wayne, who opted to remain in movies. Yet, it was Wayne himself who suggested James Arness, and it turned out to be a career for the once “carrot” monster from The Thing. Gunsmoke started before all of the big westerns and was around when most of them had departed.

Two of my favorite comedies are Dodgeball: A True Underdog Story and the first Mortal Kombat(well perhaps it wasn't meant to be a comedy). Films that have slapstick humor with a good sporting event of where the underdog wins in the end over their lavishly dressed opponents. Balls of Fury was to take that one step further by going into the dangerous underworld of Ping Pong and parody old kungfu tournament stories in the process. With an array of famous character actors including Christopher Walken; how could one not enjoy the game the Chinese call "Peing Poong"?

Randy Daytona (played by Dan Fogler) used to be a famous ping pong player. He lost in 1988 Olympics after losing his composure to Karl Wolfschtagg (played by Thomas Lennon ) and got a nasty bump on the head in the process. Nearly twenty years pass when Daytona, now a Reno side show act is recruited by Agent Ernie Rodriquez (played by George Lopez) to compete in arch-criminal Feng's (played by Christopher Walken)ping pong tournament. However, it's invitation only. So in order to get recognized, he is taught by Master Wong (played by James Hong ) and his niece Maggie (played by Maggie Q).

Political humor has been around since the dawn of time. Just go look at History of the World Part One. Of course, these days, comedians aren't getting fed to the lions. In fact, on some occasions they are even invited to the White House. Bill Maher has been doing leftist political comedy for quite some time. I had not watched him on standup in nearly 20 years (One Night Stands) prior to receiving this dvd but I have enjoyed his show Politically Incorrect fairly recently. I honestly hoped that it wouldn't be all political humor but we shall soon see.

This stand up special was filmed on July 21st, 2007 at the Berklee Performance Center in Boston, Massachusetts. "The Decider" as a title is a play on one of the nicknames that George Bush has accumulated over the years. Bill Maher starts a strong set of material. His topics range from the Iraq War to sexuality to the current presidential race to double standards to his favorite subject of choice: our current president George Bush. Maher has the crowd firmly behind him as he delivers a near full hour of side splitting comedy.

The trailer trash Myers family (inexplicably living in a pretty big house) is a powder keg waiting to go off, what with the rampaging abuse and a young Michael (the admittedly creepy Daeg Faerch) butchering small animals and looking like he’s mad as hell and soon not going to take it anymore. Snap he does, going on a killing spree, before he is captured and locked up for years, while eccetric shrink Dr. Loomis (a shameless Malcolm McDowell) making a career out of trying to learn what makes him tick. Growing to Godzilla proportions, Michael makes his escape, and proceeds to pick up his spree where he left off in his home town of Haddonfield.

I trashed this fiasco in a Brain Blasters column back in September, and the unrated version of the film does nothing to change my opinion. Zombie misses the fact that restraint of the original film was a large part of its success, stupidly gives Michael a backstory and thus nixes his fearsome aspect as supernatural boogeyman, distractingly fills small roles with Look Who It Is cameos (Udo Kier, Richard Lynch, Brad Dourif), and, after expanding the original movie’s single shot prologue to an entire act, compresses the actual rampage to the point that there is no time for character development, and so we care not a whit for the victims. An idiotic, crashing bore.

When Close Encounters of the Third Kind came out in 1977, a young Steven Spielberg was coming off of the unexpectedly phenomenal success of Jaws. This was the director's chance to solidify his career as a well-respected filmmaker, and build a lifelong career. While most directors would have either gone the route of making Jaws II or picking up a no-brainer script from a proven scriptwriter, Spielberg wagered his success on the odd tale of a possibly mentally deranged individual's belief in extra-terrestrial life. What he came away with was a film that won an Academy Award for Best Cinematography, was nominated for four Golden Globes (including Best Picture and Best Director), and has become synonymous with the legacy of the famed director.

Normally I would take this opportunity to go over the basic plot of the film, but this is a classic. Most film buffs are already well versed in the plot of this film, and those who are not should be ashamed of themselves. The real story here is not the fact that this film has been released yet again. The story is the manner in which it has been released. In addition to Spielberg's original version of the film, he also re-cut the film into a Special Edition in 1980. In 1998, the film was re-cut yet again, in a version that the Director considers to be his definitive cut. All three versions are included on this three-disc set, so there is plenty here to warrant a purchase for any Close Encounters fan. All versions have been completely remastered, and the set is packaged in a box that reminds one of the excellent packaging of The Soprano's sets.