Genre

Box Sets that compile older titles usually just make me cringe. Think about it. Recycled discs, tired old movies, and a fancy somewhat new box cover. In other words, I get to sleep for 4-5 hours and then wake up in a cold sweat wondering what happened. Alright; so that just sounds like my first honeymoon. Anyway, I happened to get the Partying 101 Boxset (because I am a wild and crazy guy) which featured Bio-Dome, Back to School and PCU. These are the old MGM discs from 8 to 10 years ago. Be afraid.

Bio-Dome is the story of two losers ala Bud (played by Pauly Shore) and Doyle (played by Stephen Baldwin) who are wasting away in their life and not being very eco-friendly. Their girlfriends who are more than eco-conscious try to convince them to turn over a new leaf. Soon, Bud and Doyle find themselves trapped in the new and ecological utopian Bio-Dome after one of them has to find somewhere to take a piss (I'm not making this up). For the next year they are trapped in this bubble with other scientists studying the effects. Well actually Bud and Doyle just cause mayhem and the scientists pick up after them. Of course they have a moment and a happy ending. Of course, I also have a gag reflex.

Apparently, someone out there really wanted to see another entry in the Species franchise, surely one of the most poorly conceived series ever. But here we go: Miranda (Helen Mattsson) is a college professor (yeah, right) who suddenly experiences a mysterious blackout, during which she transforms into monster in a rubber suit and slaughters the hospital staff. Her uncle, Ben Cross (no doubt dreaming sadly of the days when he starred in the likes of Chariots of Fire), reveals to her that the is in fact an alien/human hybrid, and the two set off to Mexico to find an ex-colleague of Cross’ who might be able to help. This unsavory sort has been making even more hybrids, which leads, in a roundabout way, to all kinds of trouble.

I say “roundabout” because this flick has one of the most infuriatingly meandering plots I’ve encountered in a quite some time. If you’re going to be a DTV B-picture, the least you could do is get to the point and stick with it, seeing things out in 90 minutes or less. But Species: The Awakening plods along for 103, first appearing to go in one direction, then another, but never mounting anything that resembles a head of steam. The inherent misogyny of the concept hasn’t been improved on, either. Colour this effort dismal, dated, depressing and dull.

For decades it was the doomsday scenario. Cold War Americans lived in almost constant fear that the Soviets might drop a nuke on us and begin Armageddon. It was unthinkable that a conventional invasion could reach our shores instead. Red Dawn stirred its own mushroom cloud of controversy when it reached theaters in August of 1984. While the Cold War was actually closer to its end than any of us might have suspected, Red Dawn entered our collective consciousness as a shock to a system that had for some time moved beyond the culture of fear those older than myself knew growing up. By the 1970’s the air raid sirens and classroom drills were no longer commonplace in American cities. Growing up in Eastern Pennsylvania, it was Three Mile Island that caused a greater panic than a Soviet threat. We were all drilled to head to the school’s roof where we were told choppers would evacuate us to a safe zone in case of a meltdown. And like the silly duck and cover drills of the 50’s, we bought into it, ignoring the cold hard fact that we simply didn’t have the resources to evacuate every school in Pennsylvania at a moment’s notice. Deep inside I knew that should the emergency arrive, there would be several million school kid skeletons on the top of a lot of schools for the media to put on the rest of the country’s television screens. So along comes Red Dawn and, for a moment, brings the Cold War front and center all over again.

Medium was based on a real person with alleged psychic powers who apparently has helped out various law enforcement agencies in some actual cases. If you’ve seen the series, you might find that hard to believe, and the episodes are obviously fictional adventures and not based on the real Alison Dubois’s experiences. At first glance it might be easy to lump Medium in with Ghost Whisperer or The Dead Zone. Actually there are almost no similarities to any of those shows. Allison does not gain any understanding through touching and while she does see ghosts at times, that aspect of the show has been made to play in only a small percentage of the episodes. Allison accesses her powers through dreams. These nightmares are usually vague and often provide additional clues with each recurring dream. The formula for the show is that she must interpret these images and signs in time to do whatever it is she needs to do.She works as an assistant for the Phoenix District Attorney’s Office, but only the DA and one cop know how she comes across her tips.

Steve Carell is Evan Baxter in this “sort of” sequel to Bruce Almighty. He is a freshman member of the United States Congress about to start his first day. His campaign promise was to “change the world”. In the “be careful what you wish for” department, God (Morgan Freeman) gives him the chance to do just that. There’s just one catch, however. Evan has to build an ark…. You know the rest of that story. Suddenly animals begin arriving in pairs, and Evan makes a physical transformation into the traditional long bearded Noah. As you might imagine, this causes some troubles in his life as a Congressman. Try as he might, this modern-day Noah can’t escape his divine destiny. You’re probably thinking: “this sounds like funny stuff”. Wrong. This film meanders through a one-joke plot for most of its hour and a half. Steve Carell is no Jim Carrey and simply doesn’t have the chops to carry this off. The film resorts to mostly physical gags that are more gross-out than funny.

I'm not much of a soccer fan. I played a few years as a kid, for a local community club, but quit well before puberty. I almost never watch it on TV, even when the World Cup bandwagon rolls around. The only players I can name are Pelé, Beckham and Hamm. And Knightley, but I suppose the Bend it Like Beckham star doesn't count.

With my limited knowledge and appreciation of the game, I didn't expect much from this HBO documentary. Sure, I know sports stories can be dramatic and exciting, but the U.S. Women's Soccer Team? Not my first choice of subjects. Imagine my surprise when I became totally engrossed in the inspiring story of these women who gave their all when hardly anyone cared, who fought through all kinds of adversity, who dared to dream.

Surf's Up is Sony Pictures Animation's second and latest film, and is directed by Toy Story 2 co-director Ash Brannon and Chicken Little's Chris Buck. Although it was considered a box office failure, Surf's Up has since been applauded by critics and fans alike. I have to say, normally I'm a sucker for CGI films but lately there has been a flood of them on the market, and frankly they're starting to decline in quality. But Surf's Up does something different, it's actually a CGI mockumentary on surfing documentaries, and with quite a list of voice actors. The list includes Jeff Bridges, Zooey Deschanel, Jon Heder, Shia LaBeouf, James Woods, Diedrich Bader, and more. So does this film break free from the recent rut the animated film genre seems to have found itself in?

A crew of cameras follows Cody Maverick (Shia LaBeouf, Transformers) around Shiverpool, Antarctica documenting him as he hopes to become the next renowned surfing penguin, after his idol "Big Z" (Jeff Bridges, The Big Lebowski). Eventually a talent scout makes his way to Shiverpool where he recruits Cody to join his team. Here Cody befriends Chicken Joe (Jon Heder, School For Scoundrels) a mellow surfer, and becomes hostile with the buff and jerkish Tank Evans (Diedrich Bader, Napoleon Dynamite). Along the way he also meets a kind and caring lifeguard Lani (Zooey Deschanel, Live Free or Die) whom he instantly falls in love with. After a while Cody's arrogance gets himself injured while having a surf off with Tank, and he ends up being nursed back to health by a hermit named The Geek. Eventually Cody finds out that The Geek is actually "Big Z" and with his help Cody hopes to win the upcoming Big Z competition.

Some portions of this review regarding general show information are shared with the Season 1 and Season 2 reviews.

After watching the first two seasons of CSI Miami I was pleased with the shows story arc, and although the latter season was starting to get a bit dull with regards to the character development, the case loads were just as engaging and bizarre. As I've said before, I hope that in Season 3 a few of the weaker aspects form the past two season can be rectified like the sometimes endless dialogue.

Some portions of this review regarding general show information are shared with the Season 1 and Season 3 reviews.

Before I saw Season 1 of CSI Miami I was quite skeptical about the shows ability to live up to the original. After watching the first season I was impressed with most aspects of the show, ranging from character development to entertaining and interesting cases. I don't want to over praise the show though, because it does have its flaws, and can drag on a bit at times, but I'm hoping that Season 2 might just improve on these aspects.

Some portions of this review regarding general show information are shared with the Season 2 and Season 3 reviews.

When the original CSI was put on the air, I was a huge fan. At the time it was totally unique, entertaining, and to a certain degree educational. Not to say that hasn't changed over the years, but it has certainly lost its uniqueness over the course of two spin-offs. However I won't judge the quality of these spin-offs because I've never actually watched them before, who knows maybe they still have the integrity of the original show. But when you have a show staring David Caruso, it's going to be hard to win me over, so I'm hoping for some developed storylines and engaging character arcs.