Posted in: Disc Reviews by Archive Authors on August 30th, 2007
1998 marked an interesting time for the career of Robin Williams. The previous year he stared in his Oscar Winning Role via Gus Van Sant’s Good Will Hunting, which was a somewhat rare role for Williams as it showcased his dramatic side. Obviously hoping for similar success, Williams followed that excellent role with another role that, at some points, finds itself just as good as his performance in Hunting.
Chris Nielsen (Robin Williams) has just endured the part of life that any parent fears. Both of his children have been killed in a car accident. His wife Annie (Annabella Sciorra) is extremely distraught by this as is Chris. She falls into a suicidal state seemingly blaming herself for her the passing of her children. Events don’t improve when suddenly Chris is killed in a car crash. Upon his death, Chris wonders around the planet witnessing his funeral. Soon he finds out that his wife is dead, making him think that they might be reunited in heaven as perfect ‘soul-mates’. The only problem in this equation is that Annie has committed suicide, thus sending her to Hell (where all those who commit suicide go). Determined to bring his wife back from eternal torment, we (as the audience) are invited in a visual masterpiece from director Vincent Ward that includes almost 3-Dimensional glances into an Impressionist world of suffering that channels Dante’s Inferno in a splendid, visually stunning manner.
Posted in: Disc Reviews by Archive Authors on August 29th, 2007
Maybe you're wondering why there's a movie starring Zach Braff (Scrubs) and Jason Bateman (Arrested Development) that you never heard about. That's what I was doing when I first received this disc. I'm a big fan of Braff, and a moderate fan of Bateman, so why was I not in the know on The Ex?
I'll tell you why. The Ex had only a limited North American release in late 2006, and under a different title: Fast Track. It bombed. Then it disappeared for all but a handful of foreign markets, before washing ashore in DVD-land.
Posted in: Disc Reviews by Archive Authors on August 29th, 2007
This HBO comedy series throws down a huge gauntlet, then flails its limbs around maniacally in a futile attempt to live up to the challenge. Bad Boys of Comedy is billed as an evolution of black comedy that builds on the revolution led by the likes of Redd Foxx, Richard Pryor and Eddie Murphy. P. Diddy, executive producer and host, promises young, edgy and unique comics, untapped virtuosos who will push the boundaries of humor and entertainment. What a crock.
I watched all nine 30-minute episodes in this second season, and I laughed aloud three times — one guffaw and two chuckles. More importantly, I heard something fresh and insightful once, from one comic out of 36. That's not exactly what I'd expect from a comedy revolution.
Posted in: Disc Reviews by Archive Authors on August 28th, 2007
Lets face it, at one point or another we’ve all watched The Simpsons, and I’m sure at points we’ve all loved it. But I don’t think it’s a matter of debate that as the years went on the show seemed to have lost its touch, its uniqueness. With shows like Family Guy and American Dad pushing the envelope it’s hard to enjoy The Simpsons as much as we get older. But nonetheless there are millions of you who still love this show. For me its hard to pinpoint when The Simpsons took it’s turn for the worse, does Season 10 get classic status, or is it on the downside of the slope?
Simply put Season 10 gets thumbs up from me; these episodes still had the ability to make me laugh. Included are some classics like When You Dish upon a Star, Tree house of Horror IX, Lisa gets an “A”, Homer Simpson in: “Kidney Trouble”, and much more. These journeys take The Simpson family everywhere from Las Vegas, the Super Bowl, the open road, Tokyo, and all the way back to biblical times. The laughs don’t seem as cheap or predictable as the newly aired episodes do; these 23 episodes are uniquely enjoyable. So whether you’re buying every odd season of the show, or your buying them all in order, Season 10 isn’t one to pass up on. It sure is hard to believe that since this season aired nearly 200 more episodes have been drawn up. But this is back when the show had the ability to keep me captivated and surely not many more seasons beyond this will be able to get me to laugh.
Posted in: Disc Reviews by Gino Sassani on August 27th, 2007
Every office has one. Peggy Spade (
If you come to the film expecting a cozy little dog film you can cuddle up with, you will be disappointed. Having a stubborn Siberian Husky myself, I am almost always suckered into pretty much any film that has dogs in it. I even converted my wife. A long standing cat person, she fell in love with the puppy dog eyes of a pointer mix. That should tell you that I am predisposed to like most dog films. I wish I could tell you I liked Year Of The Dog.
Posted in: Disc Reviews by Archive Authors on August 27th, 2007
Over the course of all of the reality shows out there, someone decided to want to do one with the goal of finding the next big stand up comedian of North America. But with every comic remotely worth something having done at least a stand up special for a television show of some sort, the search to find a decent stand up was a long one, to say the least. And after several “winners”, are any one of them really top shelf material? Of course not.
So enter Showtime, home of such quality shows like Weeds, attempting to promote culturally aware entertainment down the collective premium cable buying throats of America, with their show White Boyz in the Hood. Simply put, the show pulls together some stand up talent of the caucasion persuasion and puts them on stage in front of a mostly African-American crowd. In the spirit of Def Comedy Jam and similar shows of that ilk, it’s an interesting idea.
Posted in: Disc Reviews by David Annandale on August 26th, 2007
The third volume of classic Charlie Chan mysteries is a great package of treats, and of course gives us, once again, Warner Oland, the definitive Charlie Chan.
The Black Camel (1931) only one of the films in this set actually to take place in Honolulu, Chan’s home turf. A beautiful movie star is murdered, and among the suspects is none other than Bela Lugosi as a clairvoyant with murky motives. He and Oland have many scenes together, which is no small part of the pleasures of this entry.
Posted in: Disc Reviews by Archive Authors on August 24th, 2007
Written by Evan Braun
Most cartoons of the Saturday morning variety are written for kids and little else in mind, but every once in a while a show offers a little something extra. Pinky and the Brain is one such anomaly, providing plenty of great antics for kids, but even more for the grown-ups among us. It's full of parodies and Hollywood in-jokes that a 10-year-old could simply never appreciate. Strangely, as a 24-year-old, I felt very much within the target audience.
Posted in: Disc Reviews by Archive Authors on August 24th, 2007
Right off the start Wild Hogs looks to be appealing simply because of the cast which includes John Travolta, Tim Allen, Martin Lawrence, William H. Macy, and Ray Liotta. However when you get numerous big names together, some of whom aren’t known for comedy, their meshing on screen becomes quite an issue. Regardless, I don’t anticipate this to become a problem with Wild Hogs.
Wild Hogs tells the story of four middle aged recreational bikers who are all going through a personal crisis. Doug (Tim Allen, Galaxy Quest) is a dentist stuck in a rut, he wants to relive his glory days but has too much responsibility and a kid who doesn’t respect him. Bobby (Martin Lawrence, Bad Boys) aspires to be a writer but is stuck in a job as a plumber, his wife wears the pants and he hardly does or says what he wants anymore. Dudley (William H. Macy, The Cooler) seems to suffer from an inferiority complex as he can’t seem to muster up the courage to talk to women, his life lacks excitement. Finally there’s Woody (John Travolta, Hairspray) he seems to have it all, a big house and a supermodel wife, that is until she leaves him and he looses all his money. Desperate to get a taste of life, on Woody’s suggestion the group embarks on a cross country motorcycle trip with no cell phones and no plan, just the west coast in mind. Of course along the way they run into their share of misadventures including a homosexual highway cop, a gang of bikers, and Dudley’s inability to balance on his motorcycle.
Posted in: Disc Reviews by David Annandale on August 22nd, 2007
Every so often, a remake comes along that does the original proud. David Cronenberg’s The Fly is one. Philip Kaufman’s reworking of Don Siegel’s 1955 classic is another. For the three people out there who aren’t familiar with the plot, pods from outer space are replacing people with soulless duplicates. Donald Sutherland is the health inspector whose friend (Brooke Adams) is one of the early people to believe that someone close to her is no longer who he appears to be. Before long, Sutherland, Adams, Jeff Goldblum and Veronica Cartwright are running for their lives.
The story of perfect paranoia is infinitely flexible, adapting itself perfectly to the tenor of the times (assuming, of course, the filmmakers are halfway competent). Kaufman’s film distinguishes itself from its predecessor by playing on our worst fears concerning big city anonymity and alienation, and by introducing the infamous pod scream, which leads to one of the most chilling final frames in film history.