Genre

In the advertisements we are promised a thrilling heist film. I’m happy to report that those promises were quite wrong. The heist is pretty lame and never keeps up with the many superior attempts. Honestly, we’ve had too many of these multiple twist heist films, culminating in the Ocean franchise which went two films too long. Instead, what we get here is something far better. The Lookout is a compelling character study brought off entirely by a sweet performance by the lead. Who would have believed that Joseph Gordon-Levitt, the dweeb kid from 3^rd Rock From The Sun, had pretty nice acting chops? Never a fan of the quirky series, I thought the acting considerably bad, so I certainly would not have been among the Gordon-Levitt faithful. The Lookout is a wonderful breakout performance that should, rightly enough, bring folks like myself into the fold. He carries the entire film on his shoulders. The entire success of this movie hinges on the emotional ride that Gordon-Levitt takes us on. This has to be one of the best portrayals of mental deficiency I’ve seen. Forget Forrest Gump or Rainman; this role isn’t cute or over the top. Here we’re confronted with a convincing enough performance that it might even be hard to watch if your own family has been touched in this way.

Writer/director Scott Frank doesn’t waste any time pulling us into his film. We start out with an adolescent midnight joyride that you just know will end badly for the passengers. Your prediction quickly proves correct, and Frank Scott is ready to move on. He doesn’t bother lingering on the tragic events, instead allowing us to see the tragedy not in the bloody remnants of the crash, but in the emotional aftermath for the driver. Chris (Gordon-Levitt) finds himself four years later scarred both physically and mentally. He has suffered brain damage, and this causes him difficulty in concentration and sequencing events. He has gone from a high school hockey hero from an influential family to a bank night janitor barely in control of his own life. Jeff Daniels spices up the film a bit as Chris’s roommate, Lew. Lew is blind and relatively cynical about most things in life. He offers a symbiotic relationship with Chris and both have obviously fallen into a routine. One of the best lighter moments in the film is Lew’s desire to open a café called “Lew’s Your Lunch”. Things change for Chris when a man who identifies himself as an ex boyfriend of his sister enters his life. Gary (Goode) invites Chris into his tight circle, which includes the attractive Luvlee Lemon (Fisher) who appears interested in Chris. Finding himself a part of a family, of sorts, creates a strong bond for Chris, until he discovers he was being recruited to rob the bank he works at. We are nearly an hour into the film before the mechanics of the heist begin and the action really starts. The true climax of the film, however, isn’t the bank heist; it’s Chris’s discovery that he has been manipulated into taking the fall for the crime. Now Chris must bring out whatever abilities his mind might still possess to get himself out of danger.