Genre

What is it about British comedy that is so damn funny? I suppose the humor behind it is their use of language and pronunciation (similar to how us in the Boston area add ‘r’ to everything like idea). When I heard about the creators of Shaun of the Dead (a film I still have yet to see but have heard a plethora of positives about), I became interested. When I heard that the film was going to be based on the police force in London, I knew this one would be a classic. Luckily, I was completely correct.

Hot Fuzz tells the story of Nicholas Angel (Simon Pegg), a cop who is almost too good. His arrest record is a whopping 400% higher than any other cop in London and he’s received more awards than people can think of. Because of him being, well, too qualified, the top chief determines that he’s embarrassing the department. His punishment? He’s shipped off to Sandford (real-life town of Wells), a town whose police force and town members do everything for “the greater good”. Soon a set of murders causes Angel and his new partner Danny Butterman (Nick Frost) (mostly Angel actually) to look further into this town. Is there more than meets the eye?

Although I was never really motivated to check this movie out on my own, I had just recently heard of it and thought it could be fun. It doesn’t have any A list stars in it, but rather has a nice collection of well enough known actors and actresses including Zooey Deschanel, Michael Rappaport, Aaron Stanford, and Paul Schneider. Already I’ve heard this film to be a cross between Bottle Rocket and Fargo, well I don’t know if those statements have any warrant, I can only hope they do and Live Free or Die turns out to be a hit. Writers Gregg Kavet and Andy Robin did some writing on Seinfeld so I can only hope a bit of that can rub off on this one.

Simply put John “Rugged” Rudgate (Aaron Stanford, The Hills Have Eyes) is a wankster, a small time crook who has aspirations of being a gangster. He spends most of his day selling speakers on the street that is until his old buddy Jeff Lagrand (Paul Schneider, The Family Stone) comes back to town. Jeff and his sister Cheryl (Zooey Deschanel, Elf) have inherited a storage facility from their deceased father, but John sees this as an opportunity for criminal endeavors. But close on his tail is the emotionally unstable cop Putney (Michael Rappaport, The War at Home), who is very determined to bring John down.

With a cast that includes several well known actors, I couldn't believe that I hadn't heard of this movie prior to reviewing it. This really didn't worry me however, because in the past I’ve always enjoyed low budget Indy films. So how does Played stack up?

Played dissects the lives of players in the London underground ring of crime, from the hustlers to the crooked cops. After an elaborate heist goes all wrong small time thief Ray Burns takes the fall and is sentenced to eight years in prison. He keeps his mouth shut and does his time with only one thing on his mind, revenge. As he hits the streets he finds out that the scam goes above and beyond what he expected and the true players become revealed. At certain points it seems like everyone is playing everyone and it really keeps you on the edge of your seat.

Some of you may know John Grisham as a politician or an attorney but that’s not very likely. Like me you probably know him as an author of some of the best legal/crime fiction novels. His works have made their way to the big screen several times including; The Firm, Runaway Jury, A Time To Kill, The Client, and of course The Rainmaker. Although it’s been quite a while since I’ve seen any of the aforementioned films I do remember them all being rather good, I just hope The Rainmaker can live up to what I remember.

Rudy Baylor (Matt Damon, The Bourne Identity) has recently graduated from the University of Memphis Law School, but can’t nail a well paying job. Eventually he resorts to something that goes against his principles and becomes an associate to J. Lyman “Bruiser” Stone (Mickey Rourke, Sin City), a cutthroat and successful ambulance chaser. On the brink of bankruptcy things aren’t looking very promising for Rudy, especially once his employer’s office is raided by the FBI. Nonetheless Rudy decides to stay on a case he had just accepted and enlists the help of associate Deck Shifflet (Danny DeVito, Twins). Although Deck has failed his bar exam multiple times he has experience working with insurance companies and excels at information gathering.

The second season of Weeds follows much the same formula as the first, and incase you haven’t seen the first season I suggest you do so beforehand. But for your benefit I’ll quickly run over what you’ve missed. Nancy (Mary Louise Parker) has recently lost her husband and the only way she sees to raise her children in the affluent neighborhood they’ve become accustom too is by dealing weed. Most of her customers are parents, most notably the town councilman Doug Wilson (Kevin Nealon, Saturday Night Live). While dealing with problems at home and on the streets Nancy goes through life the best way she can, which is rather comedic for the rest of us.

Season 2 picks up with Nancy getting in over her head with the narcotics business as she begins growing her own product. But with the help of several members of the community things seem to be playing out rather nicely, even with Nancy dating a DEA agent. Her son’s eventually find out just how their mother keeps paying the bills, and both deal with it in their own ways. But even that’s not the last of Nancy’s problems as Celia heads up an anti drug committee in the community, promising to make Agrestic a drug free community.

Preston Foster is a bitter ex-cop who masterminds a gigantic robbery. Hiding behind a mask, he forces three cons to work with him, and makes sure they too wear masks, so only he knows everyone’s identity. The heist also involves framing an innocent flower delivery-man (Joe Rolfe), who unfortunately has done his own stint in jail, and so is put through the brutal wringer by the police. Freed but understandably ticked off, Payne sets off on the trail of the men who framed him. Tracking one to Tijuana, Payne adopts his identity and arrives at the resort where Foster and others have gathered. Foster’s master plan is complicated by the arrival of his daughter, who develops an interest in Payne.My summary likely makes the film sound hellishly convoluted. Though it does indeed have a plethora of twists and turns, the storytelling remains crystal-clear throughout, and it is astonishing how many issues and incidents it packs into 99 minutes. The near torture that Payne suffers at the hands of the police is wince-inducing, and Neville Brand and a young Lee Van Cleef are memorably sleazy cons. Marvellous fun.

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Written by Evan Braun

I don't particularly like boxing, or wrestling for that matter. Martial arts don't usually turn my crank either, so it's a little inexplicable for me to be such a UFC fan. And yet, I am. Very much so.

Actor Matt Damon, ever since his big burst into our homes via 1997’s Good Will Hunting, has always been a gem of an actor for myself. The man, quite possibly, hasn’t really made a bad film.. In his second trilogy (the first being the Ocean films), Damon plays Jason Bourne, a former government agent whose running all over the place trying to figure out why the government wants to kill him. And the fact that he has amnesia doesn’t help one bit either.

An obvious comparison to this film and James Bond has been made numerous times. And that, in all honesty, is a major disservice to this film. Sure the Bond films are classics in their own right, but the last few (with the exception of Brosnan’s Goldeneye and the most recent Casino Royale), haven’t fared all that well. The Bourne series, on the other hand, are crafty, cunning and skillful knowing that they don’t need to include over-the-top stunts or sequences that don’t seem overly plausible. This film plays out like the domino effect with each sequence revealing a new part of Bourne’s past. Only the film rarely falters in its explanation or story continuance. And the fact that Ludlum is known by pretty much ever adult around (I know… so is Fleming), adds a more interesting appeal to this film.

Billy Madison (Adam Sandler) is the son of the founder of Madison Hotels. The company is on the Fortune 500, having started from a few hotels in PA and now has become a huge company. Like many fathers he wants to pass the business onto his son. The only unfortunate part of this equation is that Billy is a complete and utter moron who does nothing but drink beer, get high and basically act like a child despite being 27. After learning that his father basically paid his way through school bribing his teachers, Billy is determined to repeat the 12 grades he never completed. The only catch is that Billy must pass each grade within a 2-week grace period and by June 15th.

I sometimes wonder if there is something wrong with me. Everyone I talk claims that Billy Madison was extremely funny containing laugh a minute humor and comedy. Maybe I was out of it or I simply don’t “get” the humor, but I literally only laughed once during this entire film (when Billy is poking fun at the 3rd grader who has trouble reading). Otherwise from that, I found myself repeatedly wondering what was so funny. The story is rather dull and actually makes no sense. Where on Earth would something like this even possibly happen? Are we actually suppose to believe that a 27 year old man would be allowed to return to school? I don’t care how rich your father is, this would never happen. A possible modern example could be the Hilton Hotels and Paris Hilton, but even thinking of that comparison just doesn’t work here.

Written by Evan Braun

Space Ghost & Dino Boy is the kind of show that seems as though it would carry with it a great deal of nostalgia. Its characters are memorable and its animation is characteristic of an era of cartooning long since gone. Unfortunately, since I missed the show’s heyday by a good 20 years, it’s impossible for me to join in on these fond memories.