Posted in: Disc Reviews by Archive Authors on August 2nd, 2007
The War tells the story of newly returned Vietnam soldier Stephen Simmons (Kevin Costner). Steve is the father of Stu (Elijah Woods) and Lidia (Lexi Randall) and wants nothing more than to show them the meaning of life and what it (really what HE) can provide them. The only problem is that Steve isn’t getting the adequate funds a soldier should receive. Bouncing from job to job because of his mental history (he’s had numerous flashbacks to the war), the family struggles daily to survive. The children seem to be mixed on their father with Stu loving him, but Lidia calling him a loser.
What the Simmons family doesn’t realize is that soon a simple, old tree house will bring them closer than any of them have ever been.
Posted in: Disc Reviews by Gino Sassani on August 2nd, 2007
Superheroes are huge these days, at least most of them are. Some are a little under 3 feet. In the Disney afternoon universe of Ducktales comes Darkwing Duck, or DW as his friends and arch enemies refer to him. Darkwing appropriately enough inhabits a more sinister side of the Ducktales world where he is ever vigilante for the exotic criminals that threaten St. Canard. If you still don’t get the idea, think of Adam West’s Batman as a Disney duck. DW comes complete with the prerequisite Duckmobile and steady supply of crime fighting gadgets and gizmos. His faithful, if not overly intelligent, sidekick is Ducktales holdover Launchpad McQuack. When not fighting crime, DW has the expected secret identity of Drake Mallard. Just to finish the Batman comparisons, Drake has a ward, of sorts, Gosalyn, his adopted daughter. Like Robin, Gosalyn is ever helpful in DW’s capers. Once in a while DW is challenged by a secret villainous society, The Fiendish Organization of World Larceny, or F.O.W.L. for short. There are some 60’s secret agent themes to be found here, but they are far more Maxwell Smart than James Bond.
Darkwing Duck appears to be aiming at some of the adults in the audience. It appears to me that a lot of the cultural references and even plot points might be over the head of the typical afternoon cartoon crowd. Disney, cleverly, integrates enough of the 1960’s comic nostalgia to sucker in the parents as well. Lately I’ve been in my own trip down memory lane thanks to the release of many of my Marvel Comics favorites on DVD-ROM. I’ve been able to reacquaint myself with the likes of Spider-Man and The Fantastic Four beyond the modern films, recreated from the pages of their original exploits. Perhaps that makes me more alert for the obvious references. All of the villains could easily have come from these very color-splattered pages of adolescent excitement. This means that all you parents out there might end up joining your kids in watching these DVD’s.
Posted in: Disc Reviews by David Annandale on August 2nd, 2007
This is, I gather, part of a series of documentaries under the wider umbrella of “America Undercover,†and is not the first of the taxicab ones. What we have here is a collection of vignettes as various people hail a cab and, captured by the cab’s security camera, engage in revealing conversations with the driver. Most of these discussions deal with relationships and sex (the guy and his transsexual girlfriend, the guy with the big woman fetish, the guy with a thing for “crazy chicks†and so on). Over the course of the hour, this becomes a little tiresome, and one hopes for a passenger with something else on his/her mind. This moment finally comes in the form of a passenger whose former boyfriend is a firefighter who barely escaped the collapse of the World Trade Center with his life, and her narrative, moving and disturbing, is the highlight of the episode.
Audio
Posted in: Disc Reviews by Archive Authors on August 2nd, 2007
As much of a Bruce Willis fan as I am, I have to admit that this movie has no initial appeal to me. Still I am a fan of thrillers and hope I can be surprised by this one as it has a good enough cast including the previously mentioned Bruce Willis, Halle Berry, and Giovanni Ribisi.
The movie opens with the death of Grace, best friend of Rowena Price (Halle Berry, X-Men). We don’t learn much about her so it’s hard to garner up any feelings towards Rowena’s plight in tracking down the killer. But nonetheless as the story plays on Rowena enlists the help of her good friend Miles (Giovanni Ribisi Gone In 60 Seconds) and narrows down the list of potential killers to Harrison Hill (Bruce Willis, Live Free or Die Hard). The rest of the movie consists of Rowena following a trail of evidence that in the end is irrelevant in a twist ending that is quite common of modern day film.
Posted in: Disc Reviews by Archive Authors on August 1st, 2007
I can just feel already, what an epic teen comedy Surf School is going to be, much pun intended of course. But appearance isn’t everything and I hope that this film can somehow surprise, as much as I doubt it.
Laguna Beach High School is tough for everyone, especially the outcasts, the non surfers. But when a group of social misfits band together, they decide to beat the schools reigning champions in a surf competition. The group goes to Costa Rica to learn, meeting some interesting people along the way. I bet you can already guess how this one ends, and trust me there are no surprises.
Posted in: Disc Reviews by David Annandale on August 1st, 2007
Edward G. Robinson is the war crimes investigator on the relentless hunt for the fugitive Nazi who masterminded the Final Solution. He arranges for the one man who knows his face to escape imprisonment, and follows him to a small Connecticut town. There he loses his quarry, but evidence soon points to Orson Welles, who, under the identity of Charles Rankin, is now a college professor and new husband to Loretta Young. Welles stops at nothing, including murder, to protect his secret, but little by little Young is forced to realize who her husband really is.
Welles’ third film as a director is far more conventional than Citizen Kane or The Magnificent Ambersons, and it isn’t quite up to its predecessors. Robinson is terrific as a detective who must become almost as cold-blooded as his prey, but Welles’ performance is too big: his character might as well be wearing a “NOT A NAZI WAR CRIMINAL†name tag. That said, the suspense is powerful, and the cinematography pure, gorgeous noir.
Posted in: Disc Reviews by Archive Authors on August 1st, 2007
Tyler Perry, best known for Madea's Family Reunion, is responsible for yet another film in Lionsgate's line of movies about nice black people. In Daddy's Little Girls, the writer-director explores the conflict between the ghetto-class African Americans we've seen so much of in films and the black middle- and upper-class we haven't. While this aspect of the conflict is relatively fresh in cinema, what the premise really boils down to is an age-old tale of love between princess and pauper.
When his mother-in-law passes away, Monty (Idris Elba, The Gospel) is forced to take care of his three daughters full-time. While he loves them and has been supporting them faithfully their whole lives, Monty is also struggling financially and the burden may prove too much. The mother of his kids, Jennifer (Tasha Smith, The Whole Ten Yards), has been absent for years, preferring to live it up with her drug-dealer boyfriend, Joe (Gary Sturgis, Pride).
Posted in: Disc Reviews by Archive Authors on August 1st, 2007
I am a big fan of Kung Fu on film, whether it be Bruce Lee’s Enter The Dragon or Jackie Chan’s Drunken Master I can't get enough. More specifically I love Asian Kung Fu cinema, the Sammo Hung's and the Sonny Chiba's. So I think it goes without saying that this isn’t the first time I’ve seen Kung Fu Hustle, and it certainty won’t be the last.
It’s the 1930’s in Shanghai and various gangs compete for territory, the most powerful being the deadly Axe Gang. The police are powerless and it seems the only people that can live without fears are the poor ones, who the gangs have no interest in. That is until things get shaken up by Sing (Stephen Chow, Shaolin Soccer) and his sidekick Bone (Lam Chi Chung, Shaolin Soccer). The two pose as Axe members in the tenement Pig Sty Alley, where they attract the attention of real gang members. Catastrophe is merely averted when three local tradesman the coolie, tailor, and baker showcase their kung fu talents and thwart an Axe gang attack.
Posted in: Disc Reviews by David Annandale on July 31st, 2007
Left alone when his family leaves town to visit relatives, professor Edward G. Robinson hangs out at his club with his two cronies, one of whom is DA Raymond Massey. He is fascinated by a striking portrait of a young woman, and one night, leaving the club late and alone, he runs into the portrait’s model (Joan Bennett). Though he knows better, he accompanies her back to her apartment. A jealous lover bursts in and attacks Robinson, who murders him in self-defense. Panicked by the situation, Bennett and Robinson cover up the event, but both the authorities and a blackmailer circle closer and closer.
Robinson is magnificent as a basically decent man whose one lapse in judgment leads him to catastrophe. His eyes radiate a desperate desire to turn back the clock, and the audience squirms along with him. Bennett’s character is interesting as the unintentional femme fatale: she never has any desire to cause trouble for Robinson. Director Fritz Lang holds the audience in a lethal grasp, which never loosens in the slightest until the unfortunate cop-out ending.
Posted in: Disc Reviews by Archive Authors on July 31st, 2007
In an old-groundbreaking television event likely orchestrated by classic TV aficionado George Clooney, Fail Safe was presented live on CBS in 2000. Seven years later, it hits DVD with little fanfare, but it should grab the attention of fans of any or all of the following: classic TV, live theatre, all-star casts and military dramas.
I haven’t seen the original film version based on the 1962 novel, Fail Safe, by Eugene Burdick and Harvey Wheeler, or read the book, so I approached this live teleplay with an open mind. What stuck out most for me was the sheer depth of talent at work in this production.