Genre

Synopsis

Of all the Bond films and the various images and gadgets that have come from it through 20 films, the one that probably crystallized most of these images is Goldfinger. You have the awesome Aston Martin car with the ejector seat, machine guns, and the like. You had the female who could kick ass and had a really cool name in Pussy Galore (Honor Blackman, Bridget Jones’s Diary). And you had Jill Masterson (Shirley Eaton, Ten Little Indians) experiencing the most creative death to...that point.

”My name is Melinda Gordon. I just got married, just moved to a small town, just opened up an antique shop. I might be just like you…except from the time that I was a little girl I knew that I could talk to the dead. ‘Earthbound spirits’, my Grandmother called them. The ones who’ve not crossed over because they have unfinished business with the living, and they come to me for help. To tell you my story, I have to tell you theirs.”

So goes the opening for each episode of this first season of Ghost Whisperer, a series that blends drama, horror and comedy to carry its audience to an emotional place. I can imagine a lot of viewers crying at some point or another during almost every episode, which is a credit to the show’s makers, but they’re aided by the fact that their show deals so much with death, life, love and grief.

With all that’s been going on with Tom Cruise as of late, I found myself doubting the integrity of this picture. I was fearful that the happenings of Cruise’s personal life would somehow bring down this movie; the previous two films did set the bar pretty high. So how did the third installment add up, did it fall short of expectations, or did it deliver beyond what I expected?

MI:III doesn’t hesitate a minute to bring us suspense, the picture begins with Owen Davian (Philip Seymour Hoffman) having Et...an Hunt and a woman (whom appears to mean a lot to him) captive. He means business; she is going to die unless Ethan can come up with something called the rabbit’s foot. The scene closes, and we roll back to the previous week when nothing is amiss.

OK, let's just get this out of the way at the start. Hellbent is a film from a cable network called Here!, which is America's foremost gay and lesbian television network. Consequently, this made-for-TV film is based solely around homosexual couples, as is all of the programming on the network. They make all manner of programming, including feature films, that deal primarily with homosexuality.

Now, here is my complaint. If you want to make programming that has homosexuals in it, I'm fine with that. But when the main focus of your programming business is promoting a certain belief or lifestyle, the stories will inevitably suffer. Every part of the film should serve the story. For those who think I am homophobic, I would say the same thing about movies that are made primarily to promote religion, victims rights, heterosexuality or any other number of beliefs. It has nothing to do with the beliefs or lifestyles themselves, it is the fact that promoting an outside belief moves the film from “interesting story” to “propaganda film”.

Synopsis

Don Haskins may not be as well-known as Jackie Robinson, Jim Brown, or other historical figures that have helped integrate sports with black players, but the impact that Haskins had on college basketball is arguably more significant than any coaching strategy could have possibly introduced, and it’s those events for which Haskins was at the helm that unfold in Glory Road, which some have unfairly labeled as producer Jerry’s Bruckheimer’s basketball equivalent to Remember the Titans.

The networks finally achieved what drug lords, mobsters and even zombies could not. Year four meant the end of Starsky and Hutch. Unfortunately the show was running out of gas quickly, so this was not near the quality of the previous years. It looks too much like David Soul and Paul Michael Glaser were pretty much ready to move on to other things. Neither of the men would make the impact again they made with Starsky and Hutch. Huggy Bear is not to be found near as often as he had been, so a ton of the humor was mis...ing from the season. Many of the storylines were recycled from previous episodes, like the one partner in the hospital while the other tracks down the bad guys routine. Still, even just going through the motions, the boys are worth watching one more time.

Video

Whichever generation you’re from I think we can all remember watching this movie as a child. I have great memories of this film, and when watching the newly released Charlie and the Chocolate Factory, I found myself comparing it to these memories. Finally I’ve gotten the chance to sit down and watch it again for the first time in years, and on HD DVD what a treat, so how does it hold up after all these years?

The movie centers on a young boy named Charlie Bucket, living with his mother and bedridden...grandparents. Charlie like any child loves chocolate, so when it’s announced that the famous Willy Wonka (Gene Wilder) is allowing five children to spend an entire day in his factory, he wants to win more than anyone else. There are five golden tickets placed randomly inside Wonka candy bars, they could be in any candy shop, in any town, anywhere in the world. As the days go on we find that an overweight chocolate obsessed boy in Germany named Augustus Gloop has found the first ticket. The second by a nagging spoiled brat in England named Veruca Salt. The third an overachieving competitive girl from The United States named Violet Beauregarde. The fourth is a lazy television obsessed boy named Mike Teavee, also from The United States. All hope is lost for Charlie when it is announced that the fifth ticket has been found… but that wouldn’t make for much of a movie, would it?

We’ve all been at that age where we begin to challenge the thought of how just one man could travel around the world in one night. This inevitable dilemma has been showcased nearly every year in a motion picture, so how does The Polar Express stack up against them?

Based on the 1985 short story written by Chris Van Allsburg, Robert Zemekis and Tom Hanks set out to make a memorable Christmas classic. Besides producing, Hanks voiced a numerous amount of the characters encountered throughout the film. Th... movie begins on Christmas Eve as the main character, referred to as “Hero Boy” is lying in his bed hoping to hear the sounds of Santa’s sleigh. Like every child at that age, doubt about the reality of Santa begins to set in. Soon falling asleep appearing to have lost hope, our hero boy is awoken to the sounds of and old time steam train. Upon investigation The Conductor (Hanks) reveals that the train is bound for the North Pole. Hesitant at first “Hero Boy” hops aboard and soon meets several other children, all hopeful of meeting Santa Clause himself. We find out that each of the children has been given a golden ticket by the Conductor with two letters punched into them. At this point we do not know the importance of these tickets, only that they are important.

Synopsis

(What can I say, I’m a lazy bastard, so I’ve liberally borrowed from my earlier review of this disc, which can also be found on the site, save for the audio and video information.)

Written By Jeff Mardo

I never got into La Femme Nikita, but I can certainly appreciate it. This was a breakthrough series that defined the modern spy and con genres for both television and film. The show was just a bit too 80's for me. It sometimes took itself too seriously, like a rerun of Airwolf. When you really stop and think about what is going on in some of these episodes, the whole thing is just a bit silly.