Posted in: Disc Reviews by Gino Sassani on January 24th, 2026
It has been a very long time since I have done a film or television review thanks to a wonderful thing known as life. Life often gets in the way of even the most basic hobbies but is often rewarding, or at least pretends to be. So, surely the first review I have had in such a long time will be a wondrous one full of majestic characters and a stirring plot worthy of rousing ambition to the sounds of chaotic beats. *Looks across at package* Hazbin Hotel Season One on Blu-ray. *Googles the synopsis* *Sighs deeply* I mean, if my editor wanted me to stay in quasi-retirement, he should have said so. At least the chaotic beats part seems to be accurate. Let's take a look.
Are we familiar with the story of the angel Lucifer and Lilith, the first woman? No? Well then, let's go over it. Lilith was the first woman with Adam, and she left that man because he was controlling (mmmm hmmm). She then shacked up with the angel Lucifer instead. Then they gave Eve, the second woman, free will through the famous apple. This created Hell, and then those two, Lucifer and Lilith, were sent there as punishment.
Posted in: Disc Reviews by Gino Sassani on November 15th, 2025
“Now we’re playing some football.”
Let’s just start with the high marks: Marlon does his thing, which I fully expected that he would. Right when you think that we have already seen the best that he has to offer, he finds a new gear, and let it be known that he will not be typecast as just a comedian or as a writer or as producer. He is, in fact, him. Pun intended. Tyriq Withers shows some promise as a leading man, and like his character is clearly hungry to make a name for himself, with this project being his second box office horror appearance this year (the other being I Know What You Did Last Summer). Also, you can see Jordan’s Peele’s influence on the film, as there are a handful of similarities to his previous projects. However, Him, while entertaining, does not achieve the same impact as those aforementioned projects. There was plenty of intrigue, but the train somewhat comes off the track, particularly in regard to the film’s conclusion.
Posted in: Disc Reviews by Gino Sassani on November 11th, 2024
"Nuns, guns and gasoline."
Mike Mendez released his first film in 1997. Killers was also just released on Blu-ray from Synapse films. The better of this Synapse double release is The Convent. For me this was the peak of Mendez's low-budget horror films. Synapse must agree with that assessment, because they decided to give The Convent a UHD Blu-ray release in 4K, and that ended up being somewhat of a trick-or-treat combination, with The Convent absolutely being the treat here. Made in 2000, the film took a long time to make it to anyone's screens. There was a distribution deal in place, and it fell through at the last minute. It's the kind of luck Mendez has dealt with his entire career. His friend and co-writer on Killers lost his house when it was mortgaged to pay for that ' creation. He debuted the film at Sundance, and he had hoped for a wider release, at least on home video, but it took 2 years to finally happen.
Posted in: Disc Reviews by Michael Durr on May 7th, 2024
As many of you know, there isn't a type of media that I don't enjoy reviewing. Sure, my film reviews are most numerous, but I have also dabbled in books, video games, and music when it comes to critiquing. Music is really fun, because I'm one of the few people I know that will literally dissect every song whether it is a hit or a throwaway. Needless to say, I almost never hold back. So imagine my excitement when I come upon a new anime that blends an interesting story with the amazing style of jazz music. I honestly don't even listen to jazz, but the chance to expand my musical repertoire is something I crave to do. Let's take a look at Blue Giant.
A cold wind is blowing, and somewhere a saxophone is playing. A car whooshes by; Dai Miyamoto (voiced by Yuki Yamada) tries to play, but the weather is so frigid that he is having a lot of trouble. He keeps trying, because one day he will be a famous musician. A black cat slinks by and rests beside him. Dai gasps after playing a difficult note, and the pain is too much to bear, so he takes time out to have a chat with the feline. However, the cat soon leaves him, and he goes back to his playing.
Posted in: Disc Reviews by Michael Durr on May 3rd, 2024
As is sometimes the case when you write a review, one does not have the fortune of doing everything in its exact order. I was extremely excited when I found out I was reviewing the second part of Justice League: Crisis on Infinite Earth. 4K steelbooks are pretty hard to come by for review copies, and I was quite elated. One little problem: I had not been able to watch the first part of this planned trilogy. As I racked my brain and started to flip through some streaming channels, I was very fortunate to come upon HBO Max, which had placed the first part on their service only a few days ago. Sometimes, it pays to be lucky more so than good. Let's take a look at the second part and see if it can start to answer the questions left behind from the first.
Note: Since I found myself in the predicament of scrounging around to watch the first part of this trilogy (due to the short time between releases), there is the off chance that a few people who have not watched the first part might want to read the review of the second. Therefore, I will focus solely on the second part. Some minor spoilers will probably find their way into the review, but they will be far less numerous than in typical multi-part stories.
Posted in: Disc Reviews by Jeremy Butler on March 13th, 2024
"They say everybody's good at something. Me? I talk to fish. That's how I met my friend, Storm. He's always there when I need a lift. Some people think that makes me a joke, But I don't care. You know why? 'Cause I'm also good at something else: breaking heads ... I'm Aquaman."
This film release marks the end of the DCEU as we know it (also known as the Snyder-verse). The DCEU has been an interesting ride to say the least, full of ups and downs. And while it never truly challenged Marvel with their multi-phased game plan, it did provide unique opportunities that gave some deserving talents a platform to showcase their abilities. Momoa was one of them. For me, his casting was among the most unique and triumphant. When he was first announced, I had to take a hard look at that decision, as it went against the grain as far as traditional casting for Arthur Curry went. However, it is difficult for me to imagine anyone else who could have brought the same kind of life to the character. Momoa gave the character an exotic and wild-man energy that made for a very entertaining interpretation. Granted this at times made the character seem dimwitted, making his path to the throne seem all the more unlikely. On the other hand, the character was intended to struggle and chafe under the pressure of the crown, thus making Momoa’s performance believable.
Posted in: Disc Reviews by John Delia on March 1st, 2024
When Contagion was released in 2011, it was considered a horror film, more a flight of fancy than anything else. It wasn't a great box office winner. But in 2019 all of that changed as we lived through the pandemic that was mere science fiction before then. Looking back at the film, it becomes a game of what they eerily got right and what was far off the mark. Much of the world disaster element, thankfully, never came through, but in hindsight it is quite surreal the things the film did get right. The idea of a therapy drug possibly being downplayed by the government and an internet guy trying to drive those discords. The fear of a quickly-created vax also looks very much like what is still playing out in the world today. The film depicted a nasal vax that I wish had been true. The film avoided much of the political fallout, but you really must see this film in a post-COVID world.
Slick, compelling, and gripping, Contagion uses the fright brought on by past outbreaks of deadly virus attacks around the world to punch home a ‘what if’ plot that succeeds in scaring the pants off accepting moviegoers. The recognizable actors save the plot from being hard to follow as it jumps from country to country in this thriller that ‘could actually happen’.
Posted in: Disc Reviews by Brent Lorentson on December 8th, 2023
“Now, I am become Death, the destroyer of worlds.”
It is hard to ignore the hype around the film Oppenheimer. Any time a Christopher Nolan film has come out, it has become a pretty big deal for cinema fans, whether it was for his The Dark Knight trilogy, Interstellar, Inception, or Tenet, his films carry the same kind of respect alongside the names of Stanley Kubrick and James Cameron, and his films can be just as divisive. But the anticipation for the release of Oppenheimer feels like a different beast entirely. The release coming out the same day as Barbie has created such a stir on the internet that the term Barbenheimer has become a part of the zeitgeist of modern day. Then another aspect is how the film was literally shot on 70mm film, which is unheard of in today’s digital-hungry climate, and the film is being released in certain theaters on 70mm prints that reportedly weigh around 600lbs. And now with critics finally getting to see the film, I can’t scroll through my news feed without seeing headlines that tout the film as not just being the most important film of the century, but the best film of the century as well. So what’s my take on all this hype, and is it worth it? Is Oppenheimer the film that will save cinema?
Posted in: Disc Reviews by Gino Sassani on November 17th, 2023
"Oh, what are people afraid of? That AI is gonna replace real writers? That Hollywood is gonna become just a bland recycling of old ideas? It already is!"
I suspect that when we are all dead and gone there will be two things we can count on continuing beyond the end of human civilization. The cockroaches will inherit the world, and they will all be watching South Park, the only television show still running. It's already been 22 years, and doesn't it feel like 50? I don't mean that in a mean way. I love South Park, but I'm starting to find it hard to remember what life was like without it. I'm convinced it will survive us all, and AI versions of Parker and Stone will be producing it until the planet is finally vaporized ... and I'm not sure even that will stop this show.
Posted in: Disc Reviews by Gino Sassani on November 14th, 2023
"Streaming services make everything suck."
South Park still hasn't completely recovered from the COVID-era issues. There still has not been a complete 10-episode season, and the slack is still being taken up by specials. Not sure if that's a good thing or not, but at least it's kept us in Cartman and the gang even as other shows have closed down. The longer form also gives Parker and Stone a chance to really let an idea play out. I think they have tended to run out of gas somewhere in the back half of the second part. When you think about it, you're really looking at four episodes in length, and Parker and Stone have a pretty spotty record when they've tried to run an idea for that long. The Streaming Wars Specials suffer from just that affliction, but that doesn't mean there's not a ton of clever South Park to be had here.
