1.78:1 Widescreen

"I'm Bane. I could kill you, but death would only end your agony and silence your shame. Instead, I will simply break you." 

If there is one arena that I would give DC Comics supremacy over Marvel, it would be with their animated movies. I don’t know why, but when it comes to their cinematic endeavors, DC has not yet broken the mold in the way Marvel has. However, when it comes to their animated endeavors, particularly when it comes to the Batman franchise, DC can’t be touched. And Batman Knightfall Part 1 is no different. As this franchise takes one of the most popular storylines of the series, it perfectly sets the stage for the next installment. However, disappointingly, we won’t get that until late this year, and I predict we will then be craving the final installment, which won’t be expected until 2027. The important thing about the Knightfall storyline is that it introduces two significant characters, Bane (the man who broke the bat) and Jean-Paul Valley, also known as Azrael. This marks the first appearance of Jean-Paul Valley in the DC animated movies. Anson Mount returned to voice Batman for the second time, along with returning Jack Griffo (Tim Drake) and David Dastmalchian (who previously voiced Calendar Man and now voiced the Riddler) and also joined by first-timers Michael Mando (Bane) and Pablo Schreiber (Jean-Paul Valley).

It has been a very long time since I have done a film or television review thanks to a wonderful thing known as life.  Life often gets in the way of even the most basic hobbies but is often rewarding, or at least pretends to be.  So, surely the first review I have had in such a long time will be a wondrous one full of majestic characters and a stirring plot worthy of rousing ambition to the sounds of chaotic beats.  *Looks across at package*  Hazbin Hotel Season One on Blu-ray.  *Googles the synopsis*  *Sighs deeply*  I mean, if my editor wanted me to stay in quasi-retirement, he should have said so.  At least the chaotic beats part seems to be accurate.  Let's take a look.

“Now we’re playing some football.” 

Let’s just start with the high marks: Marlon does his thing, which I fully expected that he would. Right when you think that we have already seen the best that he has to offer, he finds a new gear, and let it be known that he will not be typecast as just a comedian or as a writer or as producer. He is, in fact, him. Pun intended. Tyriq Withers shows some promise as a leading man, and like his character is clearly hungry to make a name for himself, with this project being his second box office horror appearance this year (the other being I Know What You Did Last Summer). Also, you can see Jordan’s Peele’s influence on the film, as there are a handful of similarities to his previous projects

"Nuns, guns and gasoline." 

Mike Mendez released his first film in 1997. Killers was also just released on Blu-ray from Synapse films. The better of this Synapse double release is The Convent. For me this was the peak of Mendez's low-budget horror films. Synapse must agree with that assessment, because they decided to give The Convent a UHD Blu-ray release in 4K, and that ended up being somewhat of a trick-or-treat combination, with The Convent absolutely being the treat here. Made in 2000, the film took a long time to make it to anyone's screens. There was a distribution deal in place, and it fell through at the last minute. It's the kind of luck Mendez has dealt with his entire career. His friend and co-writer on Killers lost his house when it was mortgaged to pay for that ' creation. He debuted the film at Sundance, and he had hoped for a wider release, at least on home video, but it took 2 years to finally happen.

As many of you know, there isn't a type of media that I don't enjoy reviewing.  Sure, my film reviews are most numerous, but I have also dabbled in books, video games, and music when it comes to critiquing.  Music is really fun, because I'm one of the few people I know that will literally dissect every song whether it is a hit or a throwaway.  Needless to say, I almost never hold back.  So imagine my excitement when I come upon a new anime that blends an interesting story with the amazing style of jazz music.  I honestly don't even listen to jazz, but the chance to expand my musical repertoire is something I crave to do.  Let's take a look at Blue Giant.

As is sometimes the case when you write a review, one does not have the fortune of doing everything in its exact order.  I was extremely excited when I found out I was reviewing the second part of Justice League: Crisis on Infinite Earth.  4K steelbooks are pretty hard to come by for review copies, and I was quite elated.  One little problem: I had not been able to watch the first part of this planned trilogy.  As I racked my brain and started to flip through some streaming channels, I was very fortunate to come upon HBO Max, which had placed the first part on their service only a few days ago.  Sometimes, it pays to be lucky more so than good.  Let's take a look at the second part and see if it can start to answer the questions left behind from the first.

"They say everybody's good at something. Me? I talk to fish. That's how I met my friend, Storm. He's always there when I need a lift. Some people think that makes me a joke, But I don't care. You know why? 'Cause I'm also good at something else: breaking heads ... I'm Aquaman."

This film release marks the end of the DCEU as we know it (also known as the Snyder-verse). The DCEU has been an interesting ride to say the least, full of ups and downs. And while it never truly challenged Marvel with their multi-phased game plan, it did provide unique opportunities that gave some deserving talents a platform to showcase their abilities. Momoa was one of them. For me, his casting was among the most unique and triumphant. When he was first announced, I had to take a hard look at that decision, as it went against the grain as far as traditional casting for Arthur Curry went.

When Contagion was released in 2011, it was considered a horror film, more a flight of fancy than anything else. It wasn't a great box office winner. But in 2019 all of that changed as we lived through the pandemic that was mere science fiction before then. Looking back at the film, it becomes a game of what they eerily got right and what was far off the mark. Much of the world disaster element, thankfully, never came through, but in hindsight it is quite surreal the things the film did get right. The idea of a therapy drug possibly being downplayed by the government and an internet guy trying to drive those discords. The fear of a quickly-created vax also looks very much like what is still playing out in the world today. The film depicted a nasal vax that I wish had been true. The film avoided much of the political fallout, but you really must see this film in a post-COVID world.

“Now, I am become Death, the destroyer of worlds.” 

It is hard to ignore the hype around the film Oppenheimer. Any time a Christopher Nolan film has come out, it has become a pretty big deal for cinema fans, whether it was for his The Dark Knight trilogy, Interstellar, Inception, or Tenet, his films carry the same kind of respect alongside the names of Stanley Kubrick and James Cameron, and his films can be just as divisive. But the anticipation for the release of Oppenheimer feels like a different beast entirely. The release coming out the same day as Barbie has created such a stir on the internet that the term Barbenheimer has become a part of the zeitgeist of modern day. Then another aspect is how the film was literally shot on 70mm film, which is unheard of in today’s digital-hungry climate, and the film is being released in certain theaters on 70mm prints that reportedly weigh around 600lbs.

"Oh, what are people afraid of? That AI is gonna replace real writers? That Hollywood is gonna become just a bland recycling of old ideas? It already is!"

I suspect that when we are all dead and gone there will be two things we can count on continuing beyond the end of human civilization. The cockroaches will inherit the world, and they will all be watching South Park, the only television show still running. It's already been 22 years, and doesn't it feel like 50? I don't mean that in a mean way. I love South Park, but I'm starting to find it hard to remember what life was like without it. I'm convinced it will survive us all, and AI versions of Parker and Stone will be producing it until the planet is finally vaporized ... and I'm not sure even that will stop this show.