Genre

The Break-Up tells the story of the relationship of Gary (Mr. And Mrs. Smith’s Vince Vaughn) and Brooke (Friend’s Jennifer Aniston. As the film begins, we see Gary at a baseball game as he attempts to ask Brooke out on a date by endless asking her. The film skips forward roughly two years, to a point where Gary and Brooke are now a couple who are living together in a highly desirable condo. Gary is working as a Chicago tour guide with his brothers, while Brooke works at the Marilyn Dean Art Gall...ry. Everything seems to be going fine until a dinner with their respective families. Gary, feeling that Brooke is constantly asking too much of him, yells at Brooke, who feels that Gary never wants what she wants in life, leading to them breaking up (hence the title of the film).

Now that they’re ‘broken-up’, Gary and Brooke tend to play off each other doing little things to annoy each other. Gary is beaten up by Brooke’s brother while Brooke, on the other hand, votes Gary off of her bowling team. All these events occur, as Brooke tells us, in the hopes of getting Gary to change himself so he’ll get back with her. While this plot sounds kind of stupid, the real charm of this film is Vince Vaughn.

Synopsis

Ariel is the rebellious teen daughter of King Triton. She falls in love with a human prince (whom she rescued from drowning), but her father will not hear of it. So she makes a bargain with the evil Ursula – she will be granted legs for three days (but no voice), and if she has not been kissed by then... well... you know how deals with Evil generally go.

Garfield 2: A Tale of Two Kitties is a lot better than I thought it would be. Kids would love it, and it’s not too obnoxious for adults.

It’s a decent story for kids. Just before he’s planning to propose to her, Jon Arbuckle’s girlfriend, Liz, announces that she’s been scheduled at the last minute to speak at a conference in London, and she must leave right away. Jon decides to follow her there to pop the question. Garfield wants to interfere, so he and Odie smuggle themselves in Jon’s luggage.

Synopsis

A meteor lands in your typical SF/horror movie Small Town (and it could well be the same meteor that brought the original Blob to town). Bullet-headed mug Michael Rooker stumbles over it one drunken night, and promptly becomes infected with carniverous slug-parasites from outer space. He sets about spreading the good news, as it were, and before long the entire town is a chaos of slithering nastiness and zombiefied townspeople.

After numerous horrible, horrible Batman films (Batman and Robin and Batman Returns are my least favorite), the Batman film’s have finally returned to a place where someone can be proud to have seen and proud to own to this film. Director Christopher Nolan (probably mostly known for Memento) was chosen to helm this latest Batman film while actor Christian Bale (American Psycho, The Machinist) was chosen to portay Mr. Bruce Wayne.

The film mostly follows how ...ruce became Batman. As the film begins we learn how Bruce’s parents were killed, what happened to Bruce to cause his initial fear of bats and how he trained to become Batman. After the death of his parents, something Bruce blames himself for, Bruce continues his life never really feeling like himself. During his early twenties, Bruce decided to head overseas where he gets caught up in a kind of theft ring, which results in his arrest. Turns out that he was stealing from his own company. Once in jail, Bruce decides to stand up to a few guards basically eliminating them quickly. He’s thrown into a cell where he meets Henri Ducard (Schindler’s List’s Liam Neeson). It’s here that Bruce learns the art of stealth and fighting. This gains the eventual attention of a man named Ra’s Al Ghul (The Last Samurai’s Ken Watanabe in a short, but fabulous performance). Bruce eventually returns home and becomes Batman.

This remake of the 1976 horror classic The Omen is a solid psychological thriller. I should admit that I have never seen the original, so I can’t make a comparison. For opinions from that perspective, I imagine an Internet search will find more than enough.

I can, however, weigh in on whether I think this move should have been made, a question always asked about Hollywood remakes. My answer? Yes, because it offers the film to a new audience, of which I’m a part. And now that I’ve seen and enjoyed this new version of The Omen, I’m also interested in checking out the original.

There’s a bunch of people stuck in a bar in the middle of nowhere. Monsters want to eat them. What will they do? That about sums up Feast, a film that’s part comedy, part horror, and all around over the top. This is the winning project from season three of Project Greenlight, a contest and documentary series founded by Matt Damon and Ben Affleck back in 2000. What does that mean? Feast is a low-budget film helmed by a rookie director, based on an amateur script.

Rookie and amateur are often words associated with low quality, but this gore-fest is actually pretty good. This is obviously a film made by big fans of horror movies, as it embraces many of the conventions and clichés of the genre, sometimes twisting them around or turning them upside down. The result is a decent amount of uncertainty for the audience, which helps suck us into the tense and scary moments.

Synopsis

What still surprises me when seeing Fast Times at Ridgemont High almost a quarter century after the film was initially released is the impressive casting. Some veterans did contribute to the film, but check out the laundry list of relative unknowns, and where they’ve gone onto. You’ve got Academy Award nominees (Jennifer Jason Leigh, Sean Penn and Martin Brest, who received Directing and Best Picture nominations for Scent of a Woman), an Emmy nominee/Golden Globe winner (Anthony Edwards), a ...ony nominee (Eric Stoltz) a Emmy and Tony winner in Mr. Hand himself, Ray Walston, a Cannes Best Actor and likely Best Actor nominee this year (Forest Whitaker), and to round things out, two Oscar winners in then-Nicolas Coppola, later Nicolas Cage, and for the twenty-something screenwriter/director who turned out to be Cameron Crowe.

Synopsis

About to be married for what he hopes will be the final time, Caveh Zahedi turns to us and reveals his long battle with sex addiction. His story is a difficult one for him to tell, not only for the (very, very funny) personal humiliation it entails, but because he keeps interrupting himself and jumping from one moment in his life to another, but also because he gets tangled up with explaining how the recreations were done in the movie we are now watching. Thus, having just said that he could...’t afford to shoot any scenes in Paris, suddenly, Zahedi sheepishly addresses us from Paris.

The USA network took over the Forever Knight series for its third year. In a way, you could say they saved the show from cancellation, but they also killed it. In keeping with the nework’s M.O. of the time, it was believed the series wasn’t accessible enough. The obvious grab for the younger audience appeared in the likes of the Andy Garcia clone Ben Bass as the Vachon. Lovable partner Schanke was killed off along with the previous season’s captain. Nick was given a female partner in the likes of sci-fi veteran Li...a Ryder as spoiled daddy’s girl Vetter. La Croix and Janette took much smaller roles, and the whole thing smelled more like a soap opera. Fortunately the new network didn’t play with the traditional double story aspect that made the show unique. The atmosphere pretty much remained intact. Now Nick’s partner is aware of vampires, but not that Nick is one of them, which is far more unbelievable. The sexy element was ratcheted up a bit to try to increase the ratings. All of these elements failed to bring in new viewers, and Nick Knight was finally laid to rest with most of the cast in May of 1995.

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