Posted in: Disc Reviews by Archive Authors on August 29th, 2006
Director Tony Scott’s thriller Spy Game pairs up Robert Redford and Brad Pitt for a second time – Redford previously directed Pitt in A River Runs Through It. Redford plays Nathan Muir, a man who is a on the brink of retirement from the CIA. As he is cleaning out his office, Muir is told that fellow CIA Agent Tom Bishop (Pitt) has broken into a Chinese prison simply to rescue the woman he loves. Doesn’t sound too bad, does it? It turns out that the CIA thinks that the Chinese are going to try to extra...t as much information from Bishop as possible (read information as secrets). Muir has to scramble and see if he can get Bishop out in less than 24 hours before Bishop is scheduled for execution.
Tony Scott, the director of Crimson Tide and Enemy at the State, is just as skillful here as he has been in his past efforts. While the ideas presented in Spy Game are nothing groundbreaking, Scott adds another level of credibility to the film with his interesting twist of direction. Released theatrically in 2001 following a number of box-office disasters (such as Pearl Harbor), Scott’s stylistic thriller was a welcome addition to the November frame. Both lead actors, Redford (who always seem to be on his ‘A’ game no matter what film he stars in) and Pitt (overly-publicized but a great actor despite the hatred some have for him), deliver fine performances.
Posted in: Disc Reviews by Archive Authors on August 27th, 2006
Synopsis
I wanted to like Annapolis. I really did. I appreciated the intent of the film without having a full awareness of what it was about. I thought it kind of served as a de facto publicity film for the Naval Academy. But as I was watching it, several things started on course for me to dislike the film.
Posted in: Disc Reviews by Archive Authors on August 25th, 2006
Synopsis
Marilyn Monroe was THE blonde bombshell. Jayne Mansfield was the cartoon version of Monroe, bombshell become sex bomb, with proportions so improbable she could give Barbie an inferiority complex. Her cartoon figure makes it appropriate that two of the movies here are directed by a specialist in cartoons: Frank Tashlin. In fact, this set might almost be more appropriately called the Frank Tashlin Collection.
Posted in: Disc Reviews by Archive Authors on August 23rd, 2006
Synopsis
In the mid 90's, poachers are decimating the antelope population in the pristine lands of Kekexili. The locals have organized themselves to fight back, and now one of their patrolmen has been murdered by the poachers. Ga Yu, a journalist from Beijing, arrives to cover the story. Initially rejected by the leader of the mountain patrol, Ga Yu is taken in by the group when he suggests his coverage might help turn the area into a wilderness preserve. A long, grueling, dangerous manhunt ensues.>
Posted in: Disc Reviews by Archive Authors on August 23rd, 2006
Synopsis
Arriving late one night at a village near Canterbury are an English sergeant (Dennis Price), and American one (Sgt. John Sweet) and a landgirl (Sheila Sim). As they leave the train station, Sim is set upon by a mysterious figure who dumps glue all over her hair. The trio become amateur detectives, determined to unmask the “glue man” and their suspicion first falls on Eric Porter, the local magistrate who is consumed by an enormous love for the countryside.
Posted in: Disc Reviews by Archive Authors on August 23rd, 2006
It’s always interesting when works of art (books, plays, films, etc…) are updated from their native settings. Baz Lurhman’s Romeo + Juliet took the Bard’s most famous play and set it in modern day California, making it fresh again. Francis Ford Coppola set Conrad’s Heart of Darkness during the Vietnam War, making Apocalypse Now one of the most revered and realistic films of that era. There are several more examples in this trend that deserve to be mentioned, but I must fast-forward to the film a... hand. That is Brick, a film written and directed by newcomer Rian Johnson. Johnson wisely sets his film noir story in a modern day California high school. The update takes a while to get used to, but after a small buffer period, Brick becomes a fresh spin on the film noir genre, who’s day has come and gone.
Joseph Gordon-Levitt plays Brenden, a high school student who watches as his ex-girlfriend, Emily (Lost’s Emile de Ravin), falls into the wrong crowd and winds up dead. After Brenden receives a panicked call for help shortly before her death, he dives into the drug-dealing underworld inhabiting his school to find out who done Emily wrong. As with most film noir films, Brenden discovers that the truth behind Emily’s death is not simply a black and white issue. Brenden is also aided by a femme fatal in Laura (Nora Zehetner), who may or may not be on his side.
Posted in: Disc Reviews by Archive Authors on August 23rd, 2006
Synopsis
Imagine my surprise that there was a miniseries made about the threat of bioterror, and that this cloak and dagger miniseries (that aired at some time on network TV) sported two Oscar winners, neither of them men! Anjelica Huston (Prizzi’s Honor) and Mira Sorvino (Mighty Aphrodite) are part of a wide ranging series that is set over several continents, and explores the possibility of a bio-terror attack in the US.
Posted in: Disc Reviews by Archive Authors on August 22nd, 2006
Steve Martin plays a wacky TV weatherman, who develops a close friendship with an electronic freeway sign in the sleeper hit comedy L.A. Story. I found the critically acclaimed film to lack hilarity, but it does get marks for inventiveness. Martin is enjoyable in most anything he's in, even if the material is not-so-great. L.A. Story is one such example of an actor rising above said material. Most of the over-the-top silliness misses the mark, and Marilu Henner has little more to do than play the cliche...of snobbish socialite. The true love of the Martin character's life - played by Victoria Tennant - is so bland vanilla I would have much rather seen him end up with his free-spirited squeeze toy (Sarah Jessica Parker), though any such relationship would be doomed to fail. At least there would be some excitement.
With that said, I did enjoy the basic hook: Martin's interaction with the fun-loving freeway sign. The sign is just a series of bulbs lit to form questions, comments, and riddles, but there is a quirkiness to it that shows more character than any other supporting player in the film, save for Parker. Director Mick Jackson manages to make the most of this bizarre relationship, but he works from a script that lacks too many interesting additional characters to be a great film. Also, the happy ending feels tacked-on and abrupt, and if you're of my opinion, lacks the happiness part so desperately needed. Sure, things work out. It's a comedy. But at the end of the day, Martin's victory doesn't seem worth winning.
Posted in: Disc Reviews by Archive Authors on August 22nd, 2006
Burned out actor Howard Spense (Sam Shepard) has a mid-life crisis, rides off the set of his latest western, and visits his mother (Eva Marie Saint), whom he has not seen in over 30 years. Mother Spense informs Howard that he has a son named Earl, (Gabriel Mann) living in Butte, Montana from a fling he had with Doreen (Jessica Lange), while he was there shooting on location 20 years ago. Upon arriving in Butte (he gravitates there more than actually arriving), Howard also meets Sky (Sarah Polley), a mysterious woman ...ho is carrying the ashes of her mother in an urn. She may also be his daughter.
If this sounds like a Lifetime made-for-TV-movie-of-the-week, then you wouldn’t be far off. There are lots of angst-riddled father-son arguments and tearful reunions. But director Wim Wenders and cinematographer Franz Lustig inject the film with a minor art-house vibe and some major western landscapes, elevating the film into something more relevant than a generic film found on the “men are evil” Lifetime network. Wenders also supplies the film with an excellent alt-country soundtrack (courtesy of T-Bone Burnett) that adds an emotional punch that is sorely lacking on-screen.
Posted in: Game Reviews by Michael Durr on August 20th, 2006
Opening
Baseball, a sport that is near and dear to my heart. I played it from age 7 to age 16. I never was quite that good; I had a lot of natural talent and I did hustle; however I never worked at the gifts I was given enough to take myself to the next level. So, me like many have resorted to the crass style of playing games that emulate something we wish we were. To be honest, I sat on this review a long time, not the game itself; I've been playing it quite frequently. But the review, ...cause I felt so mixed about this game. There were things I really enjoyed, and there were things I really was just kicking myself about. Had I written this review at other points, the rating might have been much higher or much lower. As it turns out, I found myself right smack dab in the middle.
![Spy Game [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/spy-game-hd-dvd-large.jpg)
