Genre

Synopsis

Masahiro Motoki plays a well-to-do doctor, very much concerned with class difference, eager to distance himself from slum-dwellers, whom he regards as barely human. He is deeply in love with his fiancée, a woman suffering from amnesia. His life collapses in chaos when his parents are murdered by a prowler, who then throws him down a dry well. This prowler turns out to be his twin, who proceeds to take over his identity.

Synopsis

Daniel Auteuil, host of a literary TV talk show, and his wife Juliette Binoche begin receiving strange videotapes. These are hours-long recordings of the front of their house. Nothing else. No explanations. Then child-like but disturbing drawings start to accompany the tapes, and the recordings begin to be of other locations, suggesting that all of this has something to do with Auteuil’s distant past.

The world of politically charged films has certainly grown in the past few years. Films like Farhenheit 911 have seen big success, while other films like Rupert Murdoch’s OutFoxed have seen more of a critical success. Both of these films had extreme media attention, one obviously more than the other, prior and after their releases. Both asked questions and demanded answers to topics and issues we, as people, wondered about but never really asked about as a simple person can’t really enact a high success...rate in terms of results. However, if you have a name like Michael Moore or Rupert Murdoch attached to the bill, people will probably pay attention. A similar note is given to the recent political thriller Syriana starring George Clooney. Even though Syriana had actors like Matt Damon and George Clooney attached to the bill, would this be enough to make the film’s questions seem important enough to make an impact?

Syriana, to sum up the film in three words, is about oil and money. The film begins with one of the Gulf States agreeing to supply the up and coming China with some of its oil. Texas based company Connex, views this deal as a huge defeat. At the exact same time as this deal is happening with Connex, another company, Killen, has signed a deal to drill for oil in Kazakhstan. Connex, obviously, announces an immediate merger with Killen, thus giving them the oil. Wait one second. This sounds pretty familiar doesn’t it? Naturally the Justice Department intervenes and the movie starts to accelerate.

The 60's have become something of a caricature of themselves. Take a girl with straight hair and flowers, throw in a “groovy” and a “man”, add some grainy photography, and you're all ready to go. It is sometimes hard to remember that there was a time when this was not a kitchy formula, it was just the way that it was. This film is so authentically steeped in 60's hippie culture that it almost doesn't seem real when the footage starts rolling. Once the film begins to sink in, though, the viewer is completely drawn in ...o this world than many of the modern era may only know from oldies radio, of all things.

The Monterey Pop Festival was a large music festival held in Monterey California in 1967. The bill included not only some of the top acts of the day, such as the Mammas and the Papas, Simon and Garfunkel, Jefferson Airplane and The Who, but it also launched the careers of such legends as Jimi Hendrix, Janis Joplin and Otis Redding. The weekend festival was a defining moment in the history of rock and roll, as well as of the hippie movement.

The Phil Silvers Show was groundbreaking for several reasons, but to look at the list of those who appeared on the show during its four season run is to look at a "Who's Who" of television ancestry and history. Allen Melvin played Sam the Butcher on The Brady Bunch, Harvey Lembeck previously appeared in Stalag 17 and his son Michael became an accomplished television director. Joe Ross played one half of the cop team in Car 54, Where Are You? next to a guest star of the show, a guy named Fred Gwynne, who also appeared in a show called The Munsters. Billy Sands went on to appear in McHale's Navy with a friend (and other Silvers show guest star named George Kennedy). Dick Van Dyke even showed up once in a blue moon.

Sometimes with projects like that, the stars in space seem to last longer than the television planet they orbit. But with The Phil Silvers Show and its star of the same name, there was an irreverent comic talent that not only was hilarious in his own right but helped to complement other members of the cast and giving them their chances to shine. Based around the fictional Ernie Bilko and the soldiers stationed on Fort Baxter, Bilko was sharp and a bit of a schemer, and his schemes involving other soldiers were the perfect vehicle to help Silvers offload some prime comedic moments to other actors. With Silvers and his co-creator Nat Hiken, the two managed to put together a show based on their sensibilities and wrote it the way they wanted to.

I've seen people quote this film from time to time, and I never understood the attraction because I saw it once and forgot about it. After a bit of intrigue, I finally got my hands on a copy of the US version of this 2 disc set (though the UK version, with the orange cover and silhoulette image of Ewan McGregor on the cover looks much cooler) and gave it a spin, lo and behold, I discovered a pretty good movie.

It's been talked about a lot for awhile I guess, but to sum up, McGregor plays Benton, a heroin addict in Scotland, who spends his days getting high and hanging around with his mates. Spud (Ewen Bremner, Black Hawk Down) wears Nancy Reagan-like glasses from time to time, and seems to be the closest one Renton relates to; Sick Boy (Jonny Lee Miller, Hackers) is the one that tries to make himself superior to the group, when he's not off spouting weird theories about movies that Sean Connery has starred in; Tommy (Kevin McKidd, Topsy Turvy) is against his buddies using but is curious about it, and then there's Bigbie (Robert Carlyle, The Full Monty), a beer-drinking Scot with an offensive mustache and a penchant for getting into brawls.

I’ve already had a lot to say about this show in my Season 5 review. All of it still applies. Richard Dean Anderson was fortunate enough, some would say talented enough, to have played two iconic characters in one life-time. I propose that he’s really played only one, but in two very different circumstances. I’ve already pointed out the similarities between the actor and his two roles, from their birthplaces to their hobbies and sports activities. This should in no way be interpreted as taking anything away from Anderson. The opposite is, in fact, even more the point. Anderson makes you feel at home with his characters. There’s so much of him there that we have a hard time remembering that there must also be so much that is not. It’s safe to say he has not traveled through wormholes or deactivated a nuclear device with a rubber band, paperclip, and stick of chewing gum. This is the beauty of the style he brings. By making the character very much like himself he gives us an easy-to-identify ordinary human being played against extraordinary events.

We’re sadly nearing the end of MacGyver with Season 6. Still, this was a great year. “Harry’s Will” has to be one of the most popular episodes in the show’s run. Not only is it great material for Anderson to play against, but we learn so much more about the character. This is also quite a star-studded outing with the likes of Henry Winkler, James Doohan, Rich Little, Dick Butkus, and Abe Vigoda. There’s another wonderful fantasy episode where MacGyver dreams he’s in the old West ordering mail order brides that turn out to be the various women in his life. There’s plenty of classic stuff here to more than make the set worth your time and your money.

Growing up, that twangy Mike Post music provided a part of the soundtrack of my life. I remember walking around school and everywhere you turned you heard kids saying, “That’ll be $200 a day plus expenses.” We all printed up fake business cards. I can tell you firsthand that it takes more than the props. I didn’t have Jim’s natural charm and finesse. Somehow fifth grade’s Sister Margaret wasn’t buying that my NSA credentials meant my homework assignments were classified and above her clearance level. As I sat in detention wondering what could have possibly gone wrong, one theme kept going through my mind. This is gonna cost her. You guessed it. $200 a day plus expenses.

James Rockford lived in a trailer on the beach. His lovable dad was a truck driver who never did understand how his “sonny” could be mixed up in the dirty world of private investigations. While Rockford always projected a tough guy exterior, it was his soft spot for a sad story that often got him deep in trouble. He could understand the world of injustice. He had spent 5 years in prison for a crime he didn’t commit. Even after a full pardon, the cops considered him a lowlife ex-con. His one buddy, Lt. Becker, usually laid low among his fellow officers, often afraid to admit to being Rockford’s friend. Rockford was also king of the con. When normal tactics didn’t work, he could bring together a group of scam artists and con men to handle the largest of productions. He traveled with his own business card printing press. Afraid of guns, Rockford usually kept his in the cookie jar.

When the film V For Vendetta was announced, my interest immediate peaked as I found out the Wachowski Brothers would be writing the film. Unlike a majority of fans, I didn’t completely dislike The Matrix Trilogy; in fact, I thought they were a ton of fun. With this new film, the brothers attack the theme of a society where the government has the only voice, similar to the novel 1984. Add in actors Natalie Portman and Hugo Weaving, and you have me at the word go.

The year is 2020. A vir...s has run through the world leaving a majority of Americans dead in their shoes, and Britain is ruled by a fascist dictator who promises nothing but security for his people. This dictator never mentions anything about giving his people freedom though. This causes a man simply known as V to rebel. V secretly moves throughout London evading authority figure after authority figure. V wears a mask of the face of Guy Fawkes, a man who tried, in 1605, to blow up the houses of Parliament. On November 5th, the eve of Guy Fawkes Day, many citizens burn fires in a type of effigy toward Fawkes. On this eve in the year 2020, V saves a young reporter named Evey (Natalie Portman) from rape. He forces her to join him and concludes the night by sitting the Old Bailey courtrooms ablaze.

I like to call movies like this “exception films”. They are the exception to the rule. Those odd little films that show up every once in a great while that really have no right to be good. You hear the plot, you see the trailer, and you know that this film is mere days away from losing vast sums of money for someone on the left coast. Then the movie comes out and it is... inexplicably entertaining and fantastic.

Kiss Kiss Bang Bang has carved out a surprisingly strong cult following for itself since it... theatrical release. So here's the plot of this unlikely hit: Robert Downey Jr. plays Harry Lockhart, a clumsy small time criminal who stumbles into a Hollywood acting audition while fleeing the police. Naturally, he gets the part, and is quickly ushered off to La La Land to act in the film. When he gets there, he is assigned an acting coach (Val Kilmer) named Gay Perry (get it?) to help him learn the craft. Throw in an old High School girlfriend and a murder mystery, and there you have it. A movie that is much better than it has any right to be.