Genre

I never saw the appeal of Charlie's Angels, but in all truthfulness, I never gave it a shot. While I still can't include myself in the loyal throng of followers, I now respect the kind of show it actually was. The series centers on the unseen Charlie, and his three beautiful lady detectives, who can hold their own both physically and mentally. There is a serious danger with a series such as this to cross over into exploitation, or extreme campiness. From what can be seen in this complete third season DVD relea...e, the series mostly stays on the tasteful side of the line. With titles such as "Pom Pom Angels" and "Angels in the Stretch," the uninitiated may be rolling their eyes at what awaits. However, the series can sometimes surprise you, even if you would rather skip past it in the channel surfing shuffle. Of course, there are some throwaways included... most notably, the season finale, which is that most hated of all episodes, the dreaded "clip show." It's especially unwanted in this DVD package, which gives you all the moments from season three you could ever want, without resorting to the cheapness of a highlight reel. But alas, here it is, taking up valuable disc space.

But to make up for this inclusion, you get my pick for best episode in the set: "Rosemary, For Remembrance." It's a sentimental mystery that recalls the rough-and-tumble days of Prohibition, as an ex-mobster gets out of prison and becomes the target of an unseen killer. In the process, he meets Kris (Cheryl Ladd), who reminds him of his beloved wife, who died on a night so long ago, and has haunted his dreams ever since. Did the mobster kill his wife? Is it guilt? Or did he truly love her? And is someone else responsible? It's a situation the writers have a lot of fun with, and you will, too. And as for Cheryl Ladd, she does a fine job of filling Farrah Fawcett's shoes; in fact, I found her more attractive, a better actress, and possessing of a "girl next door" sensibility that Fawcett never came close to capturing in her run on the show. Still, if you prefer Farrah to Ladd, you won't be disappointed by this set either, as she makes frequent guest spots, along with familiar faces such as Dean Martin, Jamie Lee Curtis, and Scatman Crothers. Twenty four episodes - over 1000 minutes - of Charlie's Angels action is included.

There was a time when no major groundbreaking events were captured on film. The thing is, it's sometimes hard to know when something of historical significance is going to occur. Major events such as World War II and the fall of the Berlin wall were planned in advance (so to speak), so it was easy to set-up a camera and capture the event. Spontaneous events, however, were mostly passed over. As technology has progressed, however, it has become easier to capture important and notable moments on the fly. September 11, ...001 has taught us that fact in graphic and horrible detail.

That's part of what makes this disc so very unique. At the time, who would know how popular Otis Redding would become, or that he would die an untimely death in the weeks following his performance? What's more, who could have predicted the unbelievable phenomenon that was Jimi Hendrix? Obviously these men were talented musicians, but the kind of lasting fame they eventually garnered, especially Hendrix, could never have been predicted.

Hosted by Boston comic Fran Solomita, When Stand Up Stood Out is a detailed retrospective of the historic comedy boom that took the city by storm from the late 70’s to the early 80’s. You get the impression it was a fun crowd to be with most of the time. From the famous Ding Ho to the Comedy Connection, some of the nation’s biggest names worked out their routines to the local audiences.

The documentary tells its story very simply. With the use of extensive narrative, vintage clips, and countless interviews, you get a rather complete history of the phenomenon. To the film’s credit, there is as much time spent on the relatively unknowns who worked the circuit as it does with the eventual big names like Bobcat Goldthwait, Denis Leary, Steven Wright, and others. While this might not lead to as much mainstream success, it certainly adds a touch more honesty to the piece. The language is rough, and not a problem so long as you expect it. This is not a family entertainment video. You have to admire the brutal honesty on subjects such as drugs and competitive jealousies that began when Steven Wright was the first to crack the elusive Johnny Carson Show.

Synopsis

The ironically named Julian Noble (Pierce Brosnan) is a hitman whose lifestyle of promiscuous sex, exotic locales and contract killings is catching up with him. As he approaches meltdown, he runs into Danny Wright (Greg Kinnear), a businessman who has had a long run of bad luck. The two strike up a friendship in Mexico city, and toward the end of their stay there, something happens. Six months later, Noble, on the verge of a nervous breakdown, turns uup on Wright’s doorstep.

Coach is one of those shows that never seemed to make a lot of noise. I can’t remember any year it was on that it burned up the ratings or scored many awards. Still, it was the little show that could. It ran for nine seasons, always holding on to a loyal core audience. I’m sure most of the success belongs to the underrated talents of Craig T. Nelson. I’ll admit that this guy just never showed up on my talent radar until his unexpected turn at drama during The District. It was then I learned to appreciate his self-effacing subtle abilities. Now I watch Coach with a somewhat renewed interest. Dick Van Dyke’s lesser known brother in comedy, Jerry is also a huge reason for the show’s stamina, if not outright success. The bumbling Luther was my favorite part of the show. The first season of Coach is a short one. I also appreciate the way it begins. It assumes you already know these guys and doesn’t feel the need to explain why everyone is here. The Coach is already in his position with his staff that we’ll soon get to know better. It’s a quirky show, and not at all one of my favorites, but certainly worth a second look on DVD.

Video

So now we come to the fourth year of NYPD Blue. In the show’s ever-changing look this year was no exception. Most notable is the fact that a new camera operation crew toned down the jumpy camera moves a bit. Style was not sacrificed, but the series is now easier to watch. Smits and Franz are really starting to click now, and we begin to see the special relationship we know will evolve between their characters. This buildup is absolutely necessary for the coming payoff with Simone’s death in later years. Again, several characters came and went, most notably a couple of female detectives. I’ve heard the show described as testosterone heavy, but I can’t believe that could be said of year four.

Greg Metavoy gets a lot more to do starting this year, and I think you’ll find the results entertaining. This is the only character other than Sipowitz to survive the show’s entire run. He’s placed in some awkward moments in year 4. The Simone and Russell romance heats up, and while I tend to think these things cheapen a series, I found this one to be tolerable. It was also quite necessary for the eventual payoff mentioned earlier. As always, NYPD Blue is about Andy, and you won’t be disappointed. The character continues his wonderful growth in this season, mostly aided by the influence of Simone. There’s plenty for every Blue fan out there in this set.

Synopsis

Private Kang (Jan Dong-kun) is a coast guard – i.e. a soldier tasked with watching the South Korean coast for spies from North Korea. He is obsessed with shooting one, even though it is extremely unlikely that he will encounter any. One night, he sees movement and opens fire, killing not a spy, but a teenager having a tryst with his girlfriend. The boy isn’t just shot – he’s riddled with bullets and then blown to pieces with a grenade. No surprise, then, that the girl is traumatized to the p...int of insanity. When Kang realizes what he has done, his mental state disintegrates rapidly as well.

The Naval Criminal Investigative Service is, it seems, the poor cousin to the likes of the FBI and the Secret Service. It doesn't have all the toys of these other organizations, and appears to have a staff of four (five by the end of the first episode). Mark Harmon heads up the investigative team that delves into mysteries that invariably have a military tone (and thus the stories frequently deal with terrorism and the like).

This is a series that wears its pop-culture influences on its sleeve. Too much so. Everyone watching this will compare it to CSI, and so, naturally, we get a jokey reference to that acronym. But the bigger problem is that though the shows wants to appear as it is Ripped From Today's Headlines, it is instead Ripped Off From Works Ripped From Today's Headlines. Thus, in the pilot episode, we are expected to believe not only in an al-Qaida that is presented in such an insultingly simplistic and fairy-tale that its leader is less Osama bin Laden, more Professor Moriarty, but an al-Qaida that shapes its plans by basing them on Harrison Ford movies. Pretty cheesy stuff, then, though entertaining enough.

Opening

Since nobody really plays Playstation portable games (at least nobody that will admit it), Rockstar finally did the smart thing and ported the best selling PSP game ever to the Playstation 2 console. I am happy to report that Grand Theft Auto: Liberty City Stories is here, for the PS2 in all of its greatness with a budget price tag. As one would expect, it has all of the great replayability one would expect from a GTA game, however it has the graphics one would expect from a PSP port too. The ...reatest thing about this game has to be the idea that this is just GTA III part 2. Of course, it could be argued that this is the worst thing and a simple rehash of a past game. However, you would be overlooking quite the little gem.

Once in awhile, a film comes along that really catches you by surprise. Little Manhattan is one of those films. At first glance, it appears to be an updated take on a coming of age film that warms the cockles of your heart and leaves you smiling, but it's actually a bit of a romantic comedy that is timeless and memorable.

Written by Jennifer Flackett and directed by Mark Levin, who are a married writing team whose most notable work was Wimbledon, the focus of Little Manhattan is Gabe (Josh Hutcherson, Kicking and Screaming), who also narrates the film. At first the film starts with Gabe, sitting on his bed with a broken arm, crying over someone named Rosemary (Charlie Ray, in her first acting role). From there, Gabe tells the story of how happy he was before he met Rosemary. He was a happy 10 year old boy, knowing that girls were gross and he was going to be a placekicker with the help of his father (played by Bradley Whitford, Sisterhood of the Traveling Pants). Gabe has known Rosemary for awhile, since kindergarten, but they bump into each other again in a karate class. Gabe suddenly realizes that he has feelings for Rosemary, and wants to be around her as much as possible.