Genre

Synopsis

The attack on Pearl Harbor and the days leading up to that fateful event are the subject of the 1970 effort. The narrative jumps back and forth between the Japanese and American perspectives as just enough things go both wrong and right and both sides (the ascendancy of the militant army faction over the reluctant navy in Japan, crucial intelligence always arriving just a bit too late to the right people in States) to make the surprise attack inevitable.

Tommy Lee Goes to College is a show that was really sort-of set-up to fail from the beginning. NBC used to be the #1 channel on television, but they slipped badly in the ratings once the big reality television boom hit. In a bid to catch up, they took a chance on this show, which would have been much more at home on MTV or even FOX. The end result was something that was surprisingly similar in tone and charm as another rock-and-roll reality show; The Osbourne's. The thing is, the NBC audience is just no... prepared or interested in a show whose target audience is 18-24 year olds.

The fact is, this is not a show that is meant to be serious, or even really all that realistic. It is intended solely for fun, pure and simple. In that light, this show is a slam dunk. It is clear that the editors took very liberal license with the raw footage that they were given to work with. Still, the point of this show is not to provide an accurate portrayal of college life, it is to provide some mindless comedic entertainment.

The 2005 Version of Assault on Precinct 13 is an obvious remake of John Carpenter’s 1976 classic. Precinct, for Carpenter, was one of his first films made before his ultra famous Halloween. But if anyone has seen the 1976 version, you can easily know what will come from the 2005 version. Instead of making a possible change to the 2005 version, Director Jean-Francois Richet decided to use the similar theme of a police station being abandoned that Carpenter did. Instead though, Richet focuses on the corru...t possibilities of the police. What Richet brings to the table is a few impressive action scenes, a lot of gorgeous snow (especially so in HD), and a few great actors. All this is very impressive considering the low $20 million dollar budget the film had.

In this version of Precinct, the jail is scheduled to close forever at midnight. Burnt-out desk sergeant Jake Fornick (Training Day’s Ethan Hawke) still traumatized by the death of two partners, is on the graveyard shift with old-timer Jasper O'Shea (TV’s The West Wing) announces he will soon retire. Jake just tends to sit around popping bottles of pills trying to overcome his this pain in his life. That is until some terror arrives. Bishop (The Matrix Trilogy’s Laurence Fishburne) has been arrested and is being transported along with Beck (Empire’s John Leguizamo) and a few others including a character played by rapper Ja Rule. Everything seems to be going fine until a big accident blocks the highway to the jail. So, to get these criminals off their backs, the guards decide to dump Bishop and the select others off at Precinct 13. Unfortunately, the guards didn’t know that Bishop’s men are determined to set him free.

As is the case with many of Criterion's releases, Viridiana is a film that was quite controversial upon its original release, and to some extent, still is today. The film's namesake is a young woman who is just a week away from taking part in the investiture ceremony, her convent receives a letter from her Uncle, who sends his regrets that he will be unable to attend the event. The convent's Mother Superior sends Viridiana to see this Uncle, and that's where the trouble begins.

The Uncle is a single ol... man who lives in self-imposed isolation, save for a servant and the servants daughter. Once Viridiana arrives at his estate, she discovers that the Uncle has some plans for her that will certainly not agree with her faith. While most films see this as enough of a plot to complete a film, this setup is just the tip of the iceberg here.

The Adult Swim series of shows from Cartoon Network are sometimes amazingly hilarious, sometimes overly bizarre, but always creative. While some of the shows, such as Robot Chicken are roll-on-the-floor funny, others are just too strange for me. Lucky for me, The Venture Bros. falls into the first category. While not a constant source of laughter, this show is always clever and contains a few big laughs in each episode.

The Venture brothers are the sons of a moderately-successful scientis.... His feelings about the keen (and possibly homosexual) gents are not exactly warm and fuzzy. While he doesn't want anything to happen to them (as evidenced by the fact that they have a bodyguard that feels like he is right out of a Sin City comic), this is really more of a “Dr. Evil / Scott Evil” relationship. The episodes also largely see the boys as an obstacle to the Dr.'s plots at becoming the world's greatest scientist, which makes me wonder why they have become the shows namesake.

It seems like I keep saying this, but here we go again... Jennifer Anniston is way too good of an actress to be stuck in this film. Now, that's certainly not to imply that Shirley Maclaine isn't fantastic as well, but that's a given. Anniston is clearly the star of this film, and it's easy to see what attracted her to it. Not only is it a romantic comedy directed by Rob Reiner, but the premise is a really clever one. While in town for her sister's wedding, Sarah (Anniston) discovers that her family was the inspirati...n for the book The Graduate. How could something with a plot this clever not work out?

This film may be the ultimate example of a great premise wasted. There are so many different things wrong with this film, but many of them can be boiled down to this; too many coincidences. Scene after scene is filled with conversations that work out in just the right way so as the actors get just the information they were looking for at just the right time. The plot is forced on the story, instead of the story leading the plot. The result is a movie that is a big, clumsy train wreck, instead of the fascinating and smart story that it should have been.

Synopsis

Syd (Chris Evans) is still mourning his break-up with London (Jessica Biel), drowning his sorrow in booze and cocaine. When he hears that she is leaving New York, and there’s a going-away party for her, he decides to crash the scene, dragging along Bateman (Jason Stratham), a businessman from whom he has just scored more coke. Arriving at the party before the guest of honour (and just about everybody else), the two men retreat to the spacious bathroom where they will spend much of the film, ...nhaling vast quantities of drugs and opining about everything under the sun.

I've never met anybody who doesn't like Penn and Teller. I'm not saying that those people don't exist, I'm just saying that I have never met them. Penn is loquacious and amusing, Teller is the ultimate straight man, and their magic almost always catches the viewer off guard. Many times, the understood premise of the trick itself actually turns into something different by the time the performance is over.

Unfortunately, this disc has some problems that makes it one of their worst performances. The concept is a...great one... Penn and Teller do various tricks under (and with the aid of) water. Unfortunately, thisis aprogram hat was created first and foremost for a television broadcast. The reason this is an issue is that the DVD version of the show is pulled directly from the television cut, complete with “title bugs” in the bottom corner of the screen, “next up” teases and the like. In fact, the first ten minutes of this hour and twenty-eight minute program is solely comprised of showing the viewer what they will see in the program. There are so many of these recap and teaser segments that I'd say that actual entertainment content of this disc is just a bit more than half of the discs total running time. What a waste of an opportunity.

David Kelley’s hit series The Practice ran for 8 seasons. While it may have started slowly, the show was a huge hit for most of its run. This success led to other hits like Boston Public and Ally McBeal. Unfortunately, the end of this series was a rather tragic tale itself. The last year limped along with about half of the cast having been fired. There were public wars of words waged. As Warren Zevon used to say: “Ain’t that pretty at all”. That final season would have been a total failure if not for the introduction of James Spader’s Alan Shore. This unethical cold character with a heart suddenly drew attention away from the conflicts off the screen and brought the attention appropriately back to what was going on on the screen. Spader pulls it off almost through a sheer act of will. By the end of the year it was apparent to everyone that something special was going on here amid these ruins. As the final story arc played out, Shore would meet Denny Crane, played in an almost self parody style by William Shatner. Man, that cat has more lives than Morris. Here Shatner finds a character that is funny as hell. Crane, like Shatner, appears to be the shadow of the man he used to be. At times he seems to have lost all of his marbles. He’s often cruel and incredibly arrogant. Yet, somehow he’s a very lovable character. Shatner does a wonderful job of balancing these foibles with an amazing touch of vulnerability that has created perhaps one of television’s most memorable characters.

Boston Legal is a lot like The Practice in some ways. The writing is at times pure genius. The same kind of moral and social issues are explored, all using the same ensemble concept from the original series. Still, Boston Legal is very unlike The Practice in almost as many ways. Certainly the Shore/Crane relationship has taken center stage, leaving many of the supporting cast in just that, supporting roles. The show also has a wicked wit to it. It’s sarcastic as hell. The big complaint I have is that Kelly can’t seem to control his own fanatical political beliefs. If the show weren’t just that good, I’d have turned it off after one episode. Free speech is one thing, but I do get so tired of Hollywood attempting to jam their liberal superiority down my throat. Believe it or not, there are some very decent and good folks who happen to support the American President. You simply don’t win people over by trying to paint them as ignorant, or worse, evil. I assure you I am neither.

Synopsis

Years after the disastrous end of Kevin Bacon’s experiment with invisibility, the process has been revived with intent to create a super-soldier. Christan Slater (as Michael Griffin, the last name being a nod to the original Invisible Man) is the soldier experimented on, but he’s an uncontrollable killing machine. Denied the “buffer” – the injection that will prevent the lethal side effects of the invisibility formula, he tracks down the one person who knows how to create it: biologist Laura...Regan. Soon she and Peter Facinelli as the cop determined to protect her are on the run from both the invisible psychopath and the equally dangerous and amoral authorities.