Genre

I've never met anybody who doesn't like Penn and Teller. I'm not saying that those people don't exist, I'm just saying that I have never met them. Penn is loquacious and amusing, Teller is the ultimate straight man, and their magic almost always catches the viewer off guard. Many times, the understood premise of the trick itself actually turns into something different by the time the performance is over.

Unfortunately, this disc has some problems that makes it one of their worst performances. The concept is a...great one... Penn and Teller do various tricks under (and with the aid of) water. Unfortunately, thisis aprogram hat was created first and foremost for a television broadcast. The reason this is an issue is that the DVD version of the show is pulled directly from the television cut, complete with “title bugs” in the bottom corner of the screen, “next up” teases and the like. In fact, the first ten minutes of this hour and twenty-eight minute program is solely comprised of showing the viewer what they will see in the program. There are so many of these recap and teaser segments that I'd say that actual entertainment content of this disc is just a bit more than half of the discs total running time. What a waste of an opportunity.

Dave Chappelle and I are the same. Well, he's a year younger than me. And he's black. But we're both from Washington DC, but I live in the suburbs, and usually never go into the downtown area unless someone dared me. But he's a lot funnier than me, and Comedy Central decided to give him a 12 episode commitment on their network after seeing him in such films as Half Baked, Screwed and Undercover Brother.

And quietly, Dave has put together a smart, funny show that every one instantly dismisses, and yet will watch as long as it airs. To watch a crackhead talk about drug awareness at a public school is quite possibly some of the funniest stuff on television in the last 3 or 4 years, and many of the new episodes on Comedy Central leave me in tears. Thankfully the network along with Paramount decided to put Season 1 out on DVD in a two-disc set, in all its uncensored glory. The 1st disc has eight episodes, while the 2nd has the remaining 4, plus a decent helping of bonus material that is sure to keep the laughs going long after you've turned off the TV.

There really was (and still is) no justice in the world when a show like NewsRadio was perennially ignored so often during the mid and late '90s. I mean seriously, get a comic mind from Canada's The Kids in the Hall (Dave Foley), another from the States Saturday Night Live (Phil Hartman), and yet another from the dark comedy Ben Stiller Show (Andy Dick) and give them some sitcom material to work with, and the result can be nothing but laughs.

And that's what NewsRadio was about. But it didn't go for cheap laughs where the cast would either yell their lines or make exaggerated reaction shots for the folks in the crowd. There was layer upon layer of laughs. Aside from the stories, there were small character quirks that fans of the show will always remember. Lisa (Maura Tierney, ER) has a somewhat veiled propensity to get drunk and (surprise!) has a criminal background. And speaking of mysterious backgrounds, there's the station owner Jimmy James (Stephen Root, Office Space), a fairly goofy billionaire who is on an eternal "wife search" while sometimes hinting that yes, he may in fact be Deep Throat from the Watergate scandal.

The basic plot to The Bourne Supremacy is very similar to The Bourne Identity in that Jason Bourne is still trying to evade any and all forces that seemingly will stop at nothing to kill this man. Naturally though, Bourne can’t just evade these forces in a normal manner, but he has to evade these forces using his explosive martial arts and wit. As we learned in Identity, Bourne had his memory wiped. To escape people, Bourne has traveled halfway across the world living on the beach of Goa in south...rn India. Everything is going fine for Bourne and his new girlfriend Marie until Bourne, who seems to notice every little detail, recognizes something he has never seen before driving a car he has never seen before turning up in all the wrong places at the wrong times. This prompts Bourne to realize that someone is after him again, which turns out to be definitely true.

As the movie continues onward, Bourne discovers that he is being pursued by new people named Pamela Landy (Joan Allen) and her boss Ward Abbott (Brian Cox). Both found Bourne’s fingerprints at the scene of a murder in Berlin involving a CIA agent and his high-level criminal contact. The only issue with this is that Bourne was in Goa at the time sitting on the beach. So the big question here who is trying to frame Bourne and, more importantly, why is someone trying to frame Bourne. This simple question leads Bourne through many locales while he tries to figure every little clue out.

Synopsis

The setting is a recently decolonized Africa in the early 60's. The British army still has a presence here, but is trying no to interfere with domestic politics. As the unrest reaches the boiling point, however, the army is ordered to turn command over to local commanders. No sooner is this done that a coup turns everything upside down, and the African captain of the local garrison is captured by mutinous troops. He escapes and finds his way to the officers’ mess. There, Regimental Sergeant ...ajor Lauderdale (Richard Attenborough) determines to protect the man, no matter what grim odds mount outside.

Mystery Science Theatre is an acquired taste. For me, I’ve really got to be in that certain mood to watch it. That’s the beauty of these DVD’s. You pop them in when you’re ready. The idea is pretty whacked. Depending on the season you’ve got, Joel or Mike is trapped in space on the “Satellite of Love”. Doomed to spend his life watching very bad films, our hero makes the best of a bad situation. He uses his resources to construct a couple of robot pals. Together they watch the films from the front row, constantly ranting throughout. If you’re like me, you’ve invited a few friends over to watch a schlock festival. The movies weren’t as important as the banter you created while watching. That’s exactly what you see here. The silhouettes of our host and his robots dominate the lower portion of the screen, where they provide alternative dialogue and sometimes witty commentary on the action. The two evil station owners/mad scientists send them a new bad film each week to observe their reactions to the bombs. The films are broken up by off the wall skits and fake commercials to alleviate the tedium. This DVD collection is better than some because it includes films from four different seasons to give you a good sample of the overall series.

The first of the four films panned by these crazy hosts is “Women Of The Prehistoric Planet”. This film features an introduction by Irene Tsu, who starred in the flop. Look for Quincy’s Robert Ito and Rockford’s Stuart Margolin as well as science fiction legend John Agar. This film is from the show’s first full season on Comedy Central. Don’t expect any prehistoric women here as the title implies. The film is a super schlocky class struggle moral. There are plenty of oddly dressed women on the ship that remind you of some of those early original Star Trek female costumes, only cheesier.

The Fugitive, since its’ original release in 1993, has always been seen by a majority of people as the defining thriller of the 1990’s. The film stars Harrison Ford as Dr. Richard Kimble. Kimble, a very well known Chicago doctor, has just been framed for killing his wife. He claims a one-armed man killed her, which prompts nearly everyone to laugh at him. Kimble is immediately arrested and sentenced to death in a cold courtroom scene that doesn’t even give Kimble time to defend himself.

Kimble is th...own onto a bus that is to take him to his pending execution. Along the way, an inmate starts to choke, which turns out to be a distraction as he breaks free. A melee ensues and the driver of the bus, naturally, is shot causing the bus to overturn. The bus rolls and rolls down a big hill finally coming to a stop on a set of railroad tracks. Everything seems fine, until one of the guards hears an oncoming train. Kimble, being the type of man he is, decides to save himself and a guard all while literally escaping an oncoming train crash. This sequence, even though it has been over 11 years since I first saw it, it still one of the more impressive action sequences in modern film.

Synopsis

Duane Hopwood (David Schwimmer) works as a casino pit boss in Atlantic City, and is an alcoholic. His drinking has already cost him his marriage, and now ex-wife Janeane Garofalo is having to face the possibility of curtailing his visitation rights after he drives drunk with his young daughter in the back seat. After he makes a bad call at work, his job is in jeopardy as well. But there is hope for redemption still.

One of the things that Ron Howard ( Beautiful Mind) mentioned during various little interviews and press junkets for Apollo 13 was that he was surprised that up until this film everyone seemed to forget about story. He could not have picked a better cast to boot, with recognizable names as Tom Hanks (who was coming off his back to back Oscar wins with Forrest Gump and Philadelphia), Bill Paxton (Twister) and Kevin Bacon (Where The Truth Lies), along with Oscar nominees Kathleen Quinlan (A Civil Action) and Ed Harris (A History of Violence).

Based on the book by Apollo 13 commander Jim Lovell (played by Hanks) and adapted to film by William Broyles (Unfaithful), the film chronicles the story of the dramatic flight. To sum it up for those of you who haven;t contributed to it;s $350 million worldwide box office take, allow me to do so now; Lovell, Fred Haise (Paxton) and Ken Mattingly (Gary Sinise, Ransom) are due to take off in Apollo 13. Unfortunately a member of the backup crew had the measles, and Mattingly was scrubbed and replaced by Jack Swigert (Bacon). The relatively young crew tests and retests for the big flight, and it goes off without a hitch.

Before we get into it, just a quick recommendation to check out "Making Movies" by Sidney Lumet, the director of Network, Dog Day Afternoon and 12 Angry Men. While it's a quick read at 220 pages, it talks about dealing with the actors, rehearsal, a day on the set, and other various forms of a production, and includes stories that happened on his sets also. It's an intriguing book, worth checking out at your local bookstore. A "Ryan's Book Club" pick, if you will.

Then there's Lost in La Mancha, Terry Gilliam's documented efforts to make a film called The Man Who Killed Don Quixote. Keith Fulton and Louis Pepe had worked with Gilliam previously to film a documentary for Gilliam's 12 Monkeys, entitled "The Hamster Factor and Other Tales of 12 Monkeys", and whose help was enlisted to film a behind the scenes documentary here. The movie was Gilliam's vision of Cervantes "Man of La Mancha", and something he'd tossed around since 1991. He even came close to starting a production in 1999 before financing fell through. However this time, he had solid financing, and a cast that included Johnny Depp (Fear and Loathing in Las Vegas) and French actors Jean Rochefort (playing Quixote) and Vanessa Paradis. The film notes the problems that previous directors had in shooting a film on Quixote, and features footage of a film shot by Orson Welles that saw a theatrical release, helping to bring life to the aptly named "Curse of Quixote." Gilliam's Hollywood reputation is discussed as well, including the struggles surrounding the making of Brazil and The Adventures of Baron Munchausen. Gilliam is quick to point out on Munchausen there was a producer who promised the stars and the moon, but simply didn't have the budget for what he wanted to do, and Gilliam's name was tarnished from the experience. Being a veteran of such battles almost gives Gilliam a foresight into how his productions will turn out, as 7 weeks before the production starts, he says that there's "a lot of potential for chaos." 3 weeks later, Rochefort arrives, with a newly learned English accent he is eager to show off. As the production is due to start, Rochefort has some "phantom" back pains, so he does not board the plane from Paris to Madrid (where the production is housed). During the weeklong delay, Deep and Paradis arrive and start with screen tests and other work. Rochefort does arrive, and the production starts. Here's where the curse kicks in.