Posted in: Disc Reviews by Archive Authors on January 28th, 2006
Last year, Warner Brothers put out a great ten-disc set of all of the Hitchcock films in their catalog. While not the ultimate Hitchcock collection, it was still an excellent representation of the Master's work, including many films that have received a well-deserved second look as a result of their inclusion in the set. It was especially rewarding to be given the opportunity to see Montgomery Clift's amazing portrayal of a Priest caught in the middle of a murder scandal in I Confess.
Not to be outdo...e, Universal has now decided to showcase its Hitchcock films as well. After all, nobody can out-Hitchcock Universal's deep catalog, and they hit back hard at Warner's with a staggering fifteen disc set of their own. While the WB set set is well worth purchasing, as the saying goes, "if you only buy one Hitchcock boxed set this year... make Universal's The Masterpiece Collection be it." These are the classics. The films that Hitch is known for. The hit list is as follows; Saboteur, Rear Window, Psycho, Vertigo, The Birds, Rope, Shadow of a Doubt, Marnie, Frenzy, The Trouble With Harry, Family Plot, Torn Curtain, Topaz and The Man Who Knew Too Much. While pieces like Topaz and The Trouble With Harry may not be well known films, there is no denying the important place in cinema history that so many of the others possess. This is an instant film school in a box, and thanks to packaging multiple discs in each case, Universal has kept the cost relatively low. If you order through Amazon, this set can be picked up for about $6 per film, and that doesn't even include the book or the bonus disc.
Posted in: Disc Reviews by Archive Authors on January 27th, 2006
Synopsis
Based on the novel by Helen Cross, and adapted for the screen and directed by Pawel Pawlikowski, My Summer of Love is an interesting story about two girls in Ireland (or England) who find friendship in each other’s company among a sea of desolation.
Posted in: Disc Reviews by Archive Authors on January 27th, 2006
When news of a sequel to 1998’s The Mask of Zorro was first announced, I was very excited as I really enjoyed The Mask of Zorro. The film had an interesting story and great acting from Banderas and Hopkins. But as I learned more and more about the sequel, I became extremely worried as neither of the two screenwriters (Ted Elliot or Terry Rossio) were returning. Also, we would be introduced to their cute little child (and EVERYONE knows how much adding little children to sequels can do for a film’s likea...ility). Could The Legend of Zorro take all these usual negatives and make a positive sequel? Unfortunately, the answer is no.
The first big problem with this film is the character of Elena (Catherine Zeta-Jones). Elena, in the first film, was delight. She was funny and Zeta Jones’ performance was a joy. In this film, possibly because Zeta-Jones has blown up since then, it seems like the screenwriters don’t have anything better for Elena to do than nag her husband. This scenario results in Elena becoming the type of wife that says “NO!---YOU still need Zorro!” to her husband. To sum up her role in the film, she wants Zorro to stop ‘Zorroing’ because he is neglecting their only son. She threatens to leave Zorro if he puts the mask back on again. Naturally, Zorro promises not to.
Posted in: Disc Reviews by Archive Authors on January 27th, 2006
Synopsis
Mission Hill was left with the unfortunate task of initially airing on a network that wasn’t capable enough to nature it (Arrested Development fans can empathize with that scenario). The good news for fans of the show was that after its short run of episodes on the WB network, the Cartoon Network picked up and aired the remaining finished episodes, and put them on their Adult Swim broadcasting format before they went away. The good part of the deal is that Warner Brothers were good en...ugh to release these episodes on a two disc DVD set.
Posted in: Disc Reviews by Archive Authors on January 27th, 2006
Synopsis
At West Valley High (how generic a name is that?), homecoming week is marked by a special challenge: can you perform ten outrageous dirty deeds in twelve hours. The record is eight. Zach (Milo Ventimiglia) has no interest in any of the school traditions, but when the younger brother of the girl he is sweet on volunteers to take the challenge, Zach steps in to save the boy from certain doom and do the deeds himself, in the process taking down the king of the jocks a few notches.
Posted in: Disc Reviews by Gino Sassani on January 25th, 2006
No single television show defined the 1980’s as did Miami Vice. Did Vice influence the 80’s culture, or did the 80’s culture create Miami Vice? The line appears blurred. This much is unmistakable. Miami Vice dominated the pop culture of the time. The biggest names in music, from Joe Walsh to Phil Collins, have lent their music and (sometimes pitiful) acting skills. It was suddenly cool to walk around in pastel longboats. Don’t even get me started on the car. Were Ferraris ever not cool? Don Johnson was an overnight heartthrob to millions of teen girls across the nation. The show depicted a highly stylized Miami that is not quite recognizable to those of us who really live in Florida. At least the locations were often more real than in the current CSI: Miami, which uses only establishing shots of the Beach Metropolis.
Of course, buried somewhere in all of this style and sex appeal there was a fair share of crime fighting. Crocket and Tubbs were an 80’s retread of Starsky and Hutch. While the show sported far more action than the 70’s counterpart, the partner interaction was often amazingly familiar.
Posted in: Disc Reviews by David Annandale on January 25th, 2006
Synopsis
The second season begins with the aftermath of the apparent demise of Lex Luthor (John Shea). His ex-wife picks up the slack in trying to eliminate Superman (Dean Cain) and Lois Lane (Teri Hatcher). Luthor himself comes back in Episode 13. Meanwhile, such classic comic book characters as Metallo make their appearance, and the odd triangle romance between Lois, Clark and Superman continues its tantalizing way.
Posted in: Disc Reviews by Archive Authors on January 25th, 2006
Broken Lizard’s Puddle Cruiser follows Felix Bean, a smitten young college student, whose entire life changes when he sees pretty Suzanne at a party. He immediately tries to impress her, but only ends up incurring the wrath of Traci Shannon, her rather large rugby-playing boyfriend from a rival school. He does manage to wiggle some of her affections away, enough so that she halts her go-nowhere relationship. Together, the two embark on a passionate love affair, but Suzanne still has difficulties letting go of ...er old connection. Felix knows the attraction is purely physical, and that Suzanne finds himself a more suitable companion, but he still has his pride, as he so defiantly states, “No guy wants to hear another guy can kick his ass.” Especially from the woman he loves. So begins Felix’s completely out-of-character attempts at machismo. He even goes so far as to join the rugby team and refuse Suzanne’s pleading for him to pull out as the big match against her ex-boyfriend’s school draws near.
As romantic comedies go, Puddle Cruiser sounds just as formulaic as anything else in the same vain. But looks are certainly deceptive with this one. The laughs are more intense and come with greater frequency than Wedding Crashers and The 40-Year Old Virgin. (However, the latter does have the one exception with its tear-inducing chest-wax scene.) No hilarity to that extent here, but what Broken Lizard gives its viewers is still very funny. What sets Puddle Cruiser apart is how authentic each character is, and how down-to-earth the situations are. I could have sworn I knew each and every one of these people personally in my own college experiences, and any time a film can capture that quality and connect with its viewers, it’s a winner. Another particularly noticeable difference is how Puddle Cruiser manages all of its accomplishments without resorting to set-pieces (as in the chest-wax scene from 40-YOV). While I like a good set-piece as much as anyone, I feel Puddle Cruiser prolongs its “funny” lifespan by not giving in to the temptation. Since all humor falls within the confines of story, there are probably some overlooked laughs, and I welcome the opportunity for a repeat viewing to confirm. In the realm of comedy, I can’t think of a better compliment a film can be paid than that.
Posted in: Disc Reviews by Archive Authors on January 23rd, 2006
Synopsis
Dean Stiffle (Jamie Bell) is a teenager in an affluent suburb who appears to be completely disconnected (due in no small part to the happy pills prescribed by his celebrity psychiatrist father). When he finds his best friend Troy dead (a suicide), he doesn’t even tell anyone about it. He is forced to become involved when three other teens kidnap a boy they think is Dean’s brother in order to force him to find Troy’s drug stash. Turns out they’ve kidnapped the wrong boy, and so begins a chain...reaction of events that might lift the lid off the smug, self-satisfied, oblivious community.
Posted in: Disc Reviews by Archive Authors on January 21st, 2006
Having originally seen Underworld on HBO one summer night, I recall myself finding the film fairly dull and vapid. When I heard of a director’s cut coming out, I thought back to my original viewing of the film Daredevil, which was made that much better via more explanation of plot and the characters. Maybe this could occur for this film. Unfortunately, Underworld is not that much better this time around.
Underworld stars Kate Beckinsale as Death Dealer Selene. We learn, at the be...inning of the film, that there is a ancient blood feud that is occurring between vampies and Lycans (creatures we call werewolves). Unlike the typical werewolves we are use to seeing on screen, these Lycans can change form at will. Cue in the Death Dealers who try to kill off all of these Lycans. Why so much animosity toward the Lycans you may ask? Well, according to Selene, the Lycans are planning something big and this may be in correspondence to the ‘Awakening’. A vampire named Kraven (Shane Brolly) is in charge until the ‘Awakening’. Naturally Kraven doesn’t get along with Selene.
