Posted in: Disc Reviews by Archive Authors on January 1st, 2006
Synopsis.
Working in the comedy salt mines, looking to break out into the superstardom they so richly deserved, Bob Odenkirk (The Larry Sanders Show) and David Cross (Men In Black) were hard at work doing writing for other shows, including Saturday Night Live, before finding one another. The two worked together, writing for the short-lived Ben Stiller show on Fox in the early 90’s, and a friendship bloomed, along with a working relationship. After doing some nightclub appearances, an ex...cutive offered them the chance to shoot a small group of shows for HBO. For lack of a better title, they called it Mr. Show, a sketch comedy series unlike any other. Maybe the words of Odenkirk may help, from bobanddavid.com:
Posted in: Disc Reviews by Archive Authors on January 1st, 2006
Synopsis
Having zipped through The Emperor’s New Groove awhile back (yes, I have Disney DVDs), I was somewhat familiar with the story and the cast behind it. I was aware that the original film enjoyed some theatrical success, but I didn’t understand why the film necessitated a sequel. But here I am, trying to wrap my head around the logic for this sequel.
Posted in: Disc Reviews by Archive Authors on December 31st, 2005
Synopsis
Jennifer Connelly is going through a messy divorce with Dougray Scott. They are feuding over the custody of their daughter. Trying to piece her life together, Connelly rents an apartment in a down-at-the-heels building on Roosevelt Island in New York City. A leak develops in her ceiling that keeps getting worse. Her daughter develops an imaginary friend. The supernatural events gather force, apparently determined to drive her out of her mind.
Posted in: Disc Reviews by Archive Authors on December 31st, 2005
The first Deuce Bigelow film was something of a surprise hit. Rob Schneider's first outing as a leading man was never expected to be as, well... genuinely entertaining as it was. Sure, the movie was a little hokey, but that was to be expected. After all, we're talking about a film that tells the story of a pool boy that becomes a gigolo. What was not expected was that the film would actually have a heart. As would be expected, the film had its fair share of comedy, but the tender love story was unexpected and ...enuine. Could lightning really strike twice?
In a word, “no”. This is the film that audiences were expecting the first time around. It is childish, contrived, and decidedly low-brow, with none of the genuine affecting elements of the first film. This time around, as the title suggests, Deuce spends some time in Europe; Amsterdam to be exact. No longer a gigolo, Deuce is now helping out his old pimp TJ by trying to catch a serial killer of “man whores”. As bad as that plot sounds, trust me... it's worse. So many of the jokes just make no sense. For instance, at one point TJ finds some french fries just lying around, and decides to eat them. He then accidentally drops them into the toilet. Naturally, he then dips them out and eats them. Why would he do that? What's more.. who cares? Certainly not me.
Posted in: Disc Reviews by Archive Authors on December 30th, 2005
Frasier is, quite simply, the one of best sitcoms of all time. This show proves that the studios don't have to dumb down their product to appeal to a mass audience.(Are you listening, Hollywood?) If the writing is of a great enough caliber, the audience will always rise to meet the material. More shows in this sad era of reality television overkill would do themselves well to follow the lead of this wonderfully funny program.
What Frasier is better at than just about an other film or televisio... show I have ever seen is it's mastery of farce. It is extremely difficult to make farce genuinely funny, and this show did it masterfully on a weekly basis. Any show can throw some lame jokes into a show, but it takes thought and attention to detail to craft jokes where the elements build up over time, and the punchline hits the audience out of nowhere.
Posted in: Disc Reviews by Archive Authors on December 30th, 2005
Synopsis
David Carradine headlines yet another Roger Corman-produced action comedy. Here he’s the good seller of moonshine, up against the bad seller of same, who also happens to be the fater of Carradine’s girlfriend (Kate Jackson). Daddy is in bed with the mob, and is cheerfully selling rotgut on the streets (some of which as been fermenting in a tank with a car battery – blechhh). A battle for supremacy ensues, complete with many boat and car chases and plenty of fisticuffs.
Posted in: Disc Reviews by Archive Authors on December 30th, 2005
Meiert Avis' new romantic comedy-drama Undiscovered has been turning up on more than a few worst lists for 2005, and while that may be an unfair assessment, as just about every film out this year could have made it onto the same list, it's still no picnic. Some of the numbers are hip enough, and the two lead actors deliver likeable, though poorly written performances. However, Ashlee Simpson's performance drives it all down into the mud and solidifies her standing as not just the least talented Simpson daughter, but also one of the most obnoxious wretches, who dares call herself a celebrity.
While anyone who's ever created anything can certainly relate to the noble Luke Falcon in his efforts to make it big on his own terms, no viewer can get past the egotistical pseudo-charms of Simpson, whose very performance seeks selfish standing as Undiscovered's novelty act. I didn't want to turn this into an Ashlee bash-fest, but she makes it too darn easy, and clouds the quality of what otherwise may have been a decent romantic comedy-drama. She spends all of her too-freely-given screen time shooting frequent looks to the camera and smiling a big stupid grin as if she's flirting with us. While Jessica may be somewhat charming and physically attractive (jury's still out), Ashlee falls far short of what could be construed as her sister's qualities, and seems like she's doing her best stupid impersonation. And while she certainly makes a convincing idiot, it's her sister's act, and she needs to find one of her own. Of course, when the only reason she's even succeeded depends on the existence of her sister, originality may be a hard attribute to come by.
Posted in: Disc Reviews by Archive Authors on December 30th, 2005
8MM 2 is a sequel to Schumacher’s 8MM in name only. It tells the story of an aspiring politician and his loving fiancée on a mission of sexual experimentation in Budapest, which quickly turns into a trust-no one game of seduction, blackmail, and murder. The crux of the story is a steamy threesome between the two lovers and a strange dark-haired beauty. The only eight millimeter tie-in is from the film which is shot during the escapade – unbeknownst to the lovers – which is then used to string the politi...ian along in the unknown blackmailer’s deadly game.
As a sequel, this story completely fails to work. Gone is the creepiness of the first’s horrific plot. Now it’s just about sleaze and blackmail, neither of which are executed in very interesting fashion. Lori Heuring and Johnathon Schaech are good-looking enough, but their presence seems better suited to a made-for-Lifetime movie. Their looks are too clean and simply fall short of the sleaze level the film hopes to obtain. While production values are slick, director J.S. Cardone’s ego is dripping from every frame. I’m glad he takes his work so seriously, but when that work is as cheap and trashy as 8MM 2, such behavior is more obnoxious than endearing.
Posted in: Disc Reviews by Archive Authors on December 29th, 2005
Sorry for Kung Fu tells the story of a woman, who has defied her staunchly conservative heritage by getting pregnant out of wedlock. Not so big of a deal, except she's returning home to live with her parents, and must deal with the tension that comes with having gone against the ways they have taught her. In spite of it all, she manages to enjoy a truce with mother and father until the baby is born - and it's of Asian descent. With family turmoil and racial bigotry within family bloodlines to propel its conflict, you'd think this film would have a lot to recommend it. However, it can't jump that one final hurdle of execution in order to make it all happen. Part of what makes it not work is the fact that it's a family drama with an incredibly unsuitable potty mouth.
Before you label me a prude, allow for explanation.
Posted in: Disc Reviews by Archive Authors on December 29th, 2005
Director Brian Henson continues a family tradition with father Jim’s creations, The Muppets. He also carries on another tradition, this time in the form of the long-told tale “A Christmas Carol” by legendary author Charles Dickens. The combination goes so well together I can hardly understand why it wasn’t done sooner, as in by Jim himself before his untimely death. Michael Caine does an extraordinary job, as usual, in the role of Ebenezer Scrooge, a hopeless miser, who receives visits from three very different ghost... in a last ditch chance at redemption. It doesn’t matter how many times the story is told, or in how many ways – it never seems to lose its power, and The Muppets’ retelling in their own unique way only serves to enhance the tale.
There is something missing without Jim Henson as the voice of Kermit the Frog, but his replacement does a comparable job, and we still get Frank Oz in his usual roles of Miss Piggy and Animal. The result is something any Muppets’ fan will be proud to place on the shelf alongside the other children’s classics for which this troupe is responsible.
