Posted in: Disc Reviews by Archive Authors on October 25th, 2005
Wooden monologues, bad jokes, revolting fashions and way, way too much hair. I wish I could say that this means one thing... but it means a lot of things. In this case, however, I am talking about Tony Orlando and Dawn. Now, the quality of Orlando's rich voice is undeniable. My bone to pick is with virtually every other aspect of this cheese fest. At the time in the 70's, it seemed like everybody had their own variety show. Such a thing could be a big boon to a performer's career, so you certainly can't fault ...rlando for signing on for such deal. Part music show, part comedy sketch show, marginal celebrity guests... it's like the Smothers Brothers show without actually being any good.
If you like the songs, the majority of the musical numbers are actually pretty good. The real disappointment is the simply horrid skits. Two to three minutes of buildup to one lame punchline? Really? Nobody thought this was a bad idea?
Posted in: Disc Reviews by Archive Authors on October 24th, 2005
It is always a shame when unknown filmmakers take a page fromthe popular filmmaking techniques of the day. For this film, the model is part Run Lola Run, part Bend it Like Beckham. The similarities to Lola are plentiful, complete with the rapid still-frame snapshots that were that film's trademark. The plot is Beckham-esque, featuring a small-town soccer team, a new star player, and love.
This film is the very definition of “low budget”. It seems to me that if you are going to have...a film about a soccer star, you should actually be able to afford to shoot some shots of a game or two. The sad thing is, there are games depicted in the film, but instead of going to all the hassle of gathering together multiple players and uniforms, the games consist of showing the same couple of abstract jumping scenes over and over again. Even the film's start looks like a poor man's Seal, complete with giant gap teeth and markings on his cheeks.
Posted in: Disc Reviews by Archive Authors on October 24th, 2005
I was dreading watching this DVD. Hmmm...indy film, Sundance film, a woman "coming out" to her family film. This had all the hallmarks of arty and annoying. Thankfully, Saving Face is not like that at all. Michelle Krusiac plays "Wil", a surgeon, who falls hard for Vivian (Lynn Chen), a ballet dancer. Complications arise because Vivian is the daughter of Wil's boss. Yes, there are some screwball comedy elements. But it's all tastefully done. Joan Chen (what has she done since Twin Peaks) does a n...ce turn as Ma.
Alice Wu writes and directs the film. She shows a steady hand in both areas. The movie verges over into "feel good" territory, but this seems to be on par for the genre. Saving Face has a certain charm, and garners strong performances from the lead actors. Well done
Posted in: Disc Reviews by Archive Authors on October 24th, 2005
The Battle of Britain was a famous turning point in the World War Two theatre. The movie, Battle of Britain, was brought to your home theatre a few years ago. This single disc edition, with very few features, seemingly cried out for more. Now we have it in Battle of Britain: Collectors Edition, 2 discs of military goodness.
The film itself has spectacle. The planes used for this film helped create an air force equal to a medium sized country. No CGI here. The director is Guy Hamilton (b...st known for early James Bond films). Battle of Britain is one of those large all star cast war movies (think of A Bridge Too Far) that was made popular in the late 60's/early 70's. This movie is all Brits however (with a sprinLing of Germans). Michael Caine, Ralph Richardson, Robert Shaw, Laurence Olivier, and many others take part in the action. The film has a few flaws. There are some phony photography shots and the dramatic construction is a bit sloppy. There’s an attempt at a romantic sub-plot (featuring Christopher Plummer and Susannah York), and thankfully it’s not as damn annoying as the love plots in Pearl Harbor. But I quibble.
Posted in: Disc Reviews by Archive Authors on October 23rd, 2005
The 80's was the time of the birth of the mindless action movie. The popularity of this type of film has waned somewhat in recent years, but at the time such movies were all the rage. Perhaps the mother of all mindless action flicks came from 80's film darling Sylvester Stallone, with the ashamedly-fun Rambo series. The first film in this series, First Blood, has recently been released on UMD for Sony's PSP entertainment system.
This is a fitting decision, as the PSP has begun something of a renaissanc... in the over-the-top action flicks of the 80's. Such films are a perfect match for the PSP, as viewers will most likely be watching these movies on the go. Films with lots of action and an easy to follow plot allow viewers to watch a film spread out over three or four different occasions, yet still be entertained.
Posted in: Disc Reviews by Gino Sassani on October 23rd, 2005
Val Lewton produced 9 horror films for RKO back in the 1940’s. His films did not rely on terrible monsters or horrific images. Lewton was a master at atmosphere. Unfortunately these films have mostly been forgotten over the years, The Cat People being perhaps the most recognizable title in the collection. Sadly, this might be more for the lackluster remake in the 1980’s. Truth be told, these films are not really horror films in the usual sense of the genre. In most cases the evil is the product of an all too human hand rather than anything supernatural or fantastic. Not surprisingly Boris Karloff stars in the three best of the films including The Body Snatcher, one of the best horror films ever made. Please don’t confuse the title with the Invasion of the Body Snatchers.
Lewton’s films were all about mood and ambience. Violence more often than not occurs off-screen and portrayed as shadows, allowing the audience to imagine frights far more fantastic than could be placed before our eyes. Lewton’s productions were budget affairs but had comparable quality to the higher cost features that the big studios, most notably Universal, were creating at the time. This collection brings together all 9 films on 5 DVD’s…
Posted in: Disc Reviews by Archive Authors on October 21st, 2005
When comic book movies started becoming popular in the 90's with Batman, The Punisher, Dick Tracy and the like, directors weren't really sure how to handle the subject. The most popular methods involved making the film look like a comic, to help to tie the narratives together. Unfortunately, audiences soon discovered that the result of this mash-up of styles was a heavy-handed, overblown color explosion that just looked hokey (Batman Forever, anyone?) Finally, in recent years, it has been ...iscovered that the best way to tell these stories is to make them look just like normal films. If you focus on the story first and foremost, and real emotions, the supernatural aspects will be readily accepted by the viewer. As a result, audiences have now been treated to such fine films as Spiderman, Hellboy and X-Men.
Now that movies based on old TV shows have come into popularity, it seems this is a lesson that has to be learned all over again. The Mod Squad, Starsky and Hutch and The Dukes of Hazard have all been miserable failures, with the first Charlie's Angels being the only possible exception to this trend. All of these films tried way too hard to cram in all of the elements from the original TV show, instead of focusing on creating an excellent story first and foremost. Sure, it is pop candy to hear that clever narrator trick in Dukes, or the "fade to commercial" music cue in Angels, but the cleverness easily wears off over two hours, and in the end, it is a strong story that matters the most to the film.
Posted in: Disc Reviews by Archive Authors on October 20th, 2005
Synopsis
Two playwrights argue over whether life is inherently tragic or comic. To illustrate their point, they each tell the tale of Melinda (Radha Mitchell) who unexpectedly bursts in on a dinner party, creating all kinds of romantic complications. The film then alternates between the two stories. The set-up could hardly be more utterly Woody Allen, simultaneously pretentious and shallow. One story is comic (with Will Ferrell taking Allen’s usual role), the other is tragic, but you’d be hard-presse... to tell the difference. All the characters spout the same kind of incredibly stilted and self-conscious dialogue, which is neither funny nor revealing. The result is a halfway interesting idea with a talented cast outgunned by their God-playing director. Based on the evidence at hand, it turns out that life is, in fact, inherently boring.
Posted in: Disc Reviews by Archive Authors on October 20th, 2005
Synopsis
A group of young folk on their way to the “biggest college football game of the year” (you would do an overnight trip for THAT?) take an unfortunate detour. In groups of two, they are lured into a town run by two madmen, where the only other inhabitants are the was-coated effigies of their victims. What follows is the expected gory slaughter, and some of the deaths are gruesomely imaginative. There is, however, no terror. What does it say when practically the most likeable character in a fil... is played by Paris Hilton? It says that you can’t wait for these people to die. Even the more amiable heroine behaves in ways that are colossally stupid even by slasher movie standards. And the twist at the end is so trivial and meaningless, so utterly irrelevant to the plot, that it is the narrative equivalent of bicycles for fish.
Posted in: Disc Reviews by Archive Authors on October 19th, 2005
Synopsis and Comments
Apparently “Land of the Dead” was created for an audience that the producers of the movie (and writer Romero) consider to be no more intelligent than the zombies that populate Romero’s world. We shuffle into the theatre, clutching out-sized drinks like totems from the outside world, moaning piteously that they cost us five bucks to get. Unnnghhhhhh. Mooooovie. RRRrrrrgghhh.
