Posted in: Disc Reviews by Archive Authors on May 27th, 2005
I used to watch Moonlighting in the 80's. Back then, I thought it was so fresh and funny. The crackling dialogue, the rapid fire pace, the screwball comedy chemistry between the two leads. There was also mystery to boot. I loved it. Is still as fresh and funny? Is the show as good as I remember it being? I mean, ourmemories rarely hold up to reality. Watching this box set in 2005 was quite an experience. Does the show hold up? Yes and no. It feels atad "dated" (but what show from the 80's doesn't.... But the fresh wit and originality still come shining though.
6 discs, the feature pilot, and 23 episodes of Moonlighting are here. If you don't know the show, Bruce Willis (in the series thatmade him a star) plays David Addison, an authentic smart a$$ in need of a job. He hounds Maddie Hayes (played by the gorgeous Cybill Shepherd) for a position at her detective agency. Addison is hired and together, Dave and Maddie, form a partnership based on dislike, but with a definite electric energy. Plagued by production delays and contract disputes, Moonlighting went downhill after these first few seasons. There was even a season (or part of a season) without Dave and Maddie! But Moonlighting's originality was alwaysevident. An episode in black and white and the famous "Taming of the Shrew" show were examples of a televsion program that always wanted topush the envelope. Moonlighting pushed it, pushed it till it broke.
Posted in: Disc Reviews by David Annandale on May 27th, 2005
Synopsis
Irritable, repressed Sylvia Stickles (Tracy Ullman) is conked on the head, and the concussiontransforms her into a sexual dynamo, one of the followers of sexual healer and prophet Ray-Ray(Johnny Knoxville). The streets of Baltimore are the battleground of a culture war between theanti-sex Neuters, led by Sylvia’s mother-in-law Big Ethel, and the forces of the polymorphouslyperverse. The result is a little bit like a George Romero zombie movie, where getting headingthe bonked transf...rms you back and forth between human and zombie. Here, the Neuters are thezombies.
Posted in: Disc Reviews by David Annandale on May 27th, 2005
Synopsis
Posted in: Disc Reviews by David Annandale on May 27th, 2005
Synopsis
Posted in: Disc Reviews by Archive Authors on May 27th, 2005
Fascination is a potboiler without a pot. It loosely follows the plot of Hamlet. Adam Garcia plays Scott Doherty, a spoiled young artiste who sulks more than Anakin Skywalker. Scott's father dies (played by James Naughton) under mysterious circumstances, and his wife (played by the "still a hotty" Jacqueline Bisset") returns from a cruise with a new beau (Stuart Wilson). Scott smells something fishy, and with the help of a new stepsister/lover (Alice Evans), he tries to get to the bottom of this crime. So...nds fascinating? Not really.
Everything about Fascination is not fascinating. It's only interesting in the sense of how much worse can it get! For a thriller, it moves like molasses. For eroticism, it's more awkward than sexy. As far as underwater sex scenes go, I'll take the one in Showgirls any day. The performances aren't the saving grace either. Garcia is one note, Bisset tries her bisset, and Alice Evans deserves an award for one of the strangest performances I've ever seen. You can watch the film in a director's cut or a theatrical cut. The director's cut is a bit shorter, so I might go for that one.
Posted in: Disc Reviews by Archive Authors on May 27th, 2005
posted by Kim Lee
The father & son team behind American Chopper are back for another thirteen new episodes in season two of this great Discovery Channel show. This time, the Orange County Choppers (OCC) crew gets down to the nuts and bolts of building 6 new bikes:
Posted in: Disc Reviews by Archive Authors on May 27th, 2005
I used to watch Moonlighting in the 80's. Back then, I thought it was so fresh and funny. The crackling dialogue, the rapid fire pace, the screwball comedy chemistry between the two leads. There was also mystery to boot. I loved it. Is still as fresh and funny? Is the show as good as I remember it being? I mean, ourmemories rarely hold up to reality. Watching this box set in 2005 was quite an experience. Does the show hold up? Yes and no. It feels atad "dated" (but what show from the 80's doesn't.... But the fresh wit and originality still come shining though.
6 discs, the feature pilot, and 23 episodes of Moonlighting are here. If you don't know the show, Bruce Willis (in the series thatmade him a star) plays David Addison, an authentic smart a$$ in need of a job. He hounds Maddie Hayes (played by the gorgeous Cybill Shepherd) for a position at her detective agency. Addison is hired and together, Dave and Maddie, form a partnership based on dislike, but with a definite electric energy. Plagued by production delays and contract disputes, Moonlighting went downhill after these first few seasons. There was even a season (or part of a season) without Dave and Maddie! But Moonlighting's originality was alwaysevident. An episode in black and white and the famous "Taming of the Shrew" show were examples of a televsion program that always wanted topush the envelope. Moonlighting pushed it, pushed it till it broke.
Posted in: Disc Reviews by Archive Authors on May 25th, 2005
East Meets West
I don’t know a great deal about Korean cinema, but I imagine that H must have been a milestone in the Korean film industry – a distinctly Korean interpretation of a Western tradition. H is a dark psychological murder mystery, thriller, and suspense film, best compared to The Silence of the Lambs, or Kiss the Girls - not what one expects from the other side of the Pacific. There’s no martial arts to be found, and no running through trees, and pseudo-mystical mum...o-jumbo is just as Western as Se7en. Never once does a sword fight break out, and no wise, old monastic sages are ever consulted.
Posted in: Disc Reviews by Gino Sassani on May 25th, 2005
Much like previous con films before it like Matchstick Men and The Grifters, Criminal tells the story of a veteran taking a young inexperienced rookie under his wing and showing him the tricks behind the money, and the con artist philosophy.
Based on the Argentinean film Nine Queens, Richard (John C. Reilly, Magnolia) spots Rodrigo (Diego Luna, The Terminal) trying to hustle drink money in a club. He hustles Rodrigo out, and discovers Rodrigo is doing this to earn m...ney for his father, who’s incurred a large gambling debt to mobsters. Richard decides to show Rodrigo how the grift works, and Rodrigo even has a few tricks for Richard. Things become interesting when Richard’s sister Valerie calls him (Maggie Gyllenhaal, Secretary) from her job at a 4 star hotel to inform him he has a visitor. Valerie is aware of Richard’s work and hates it, and him, as he is in the midst of a legal battle with her for their mother’s estate. Throughout the day, Richard and Rodrigo help Richard’s hotel friend attempt to sell a counterfeit treasury document to a wealthy investor. Along the way, we discover the lengths Richard goes to to pull off the deal, and you see just how many people want a piece of the pie. As is the case with con movies, there’s a twist at the end that we don’t see coming, but in a sense, since Reilly is such a sympathetic face, you almost don’t want it to happen that way.
Posted in: Disc Reviews by Gino Sassani on May 24th, 2005
White Noise borrows much from the successful cycle of modern horror films. There is a tremendous likeness to both The Ring and FearDotCom. The use of a television screen for eerie f/x and a few shocks reminds us of the former, while the torture of the kidnapped victim in industrial and dank surroundings is taken right out of the latter. White Noise has some wonderfully disturbing moments. The atmosphere is rank with just enough possibility to be truly scary at times. Michael Keaton adds that element of respectability and believability which carries a weak script much farther than it deserves. I should also point out that the cinematography is simply brilliant. Transitions are masterfully crafted into a stunning visual experience. I expected this film to disappoint and it did; however, it was not quite the disaster I was anticipating.
The idea of EVP, Electronic Voice Phenomenon, has been around since about the 1970’s. The film’s use of the television is a new fictional wrinkle that obviously makes for more compelling drama. White Noise quickly leaves the arena of the EVP world and enters a mythos of its very own. It is this diversion that creates the biggest problems I have with the film. It seems Keaton sees not only dead folks but those soon to be dead. We are never given any explanation as to how this new development occurs. Normally that’s not a problem, but the film appears to go to great lengths to make sure we understand the principles of EVP, then fails us once the story ventures into new ground. The ending is a completely unsatisfying. I don’t need to be told everything, but would like to have more answers than questions when the credits roll. It seems three really bad dead guys are pissed off, but we never find out who they are or why they’re so angry.
