Genre

Paul McCartney once implored John Lennon’s son Julian to “take a sad song and make it better”. The same basic concept is at work here, but the words “sad song” should be replaced with “bad cartoon”. Sealab 2021 is a clever show from Cartoon Network that takes a bad old show, Sealab 2020, and replaces the dialog track with something much more enjoyable. Think of it as the Mystery Science Theater 3000 approach to creating a cartoon.

Admittedly, the results are sometimes mixed. When a gag ...oesn’t quite work, it’s amusing in that “I’m having fun, but not quite smiling” sort-of way. When it works, though, the show is laugh-out-loud funny; a concept that seems to be lost on most cartoons after we reach the age of 12. The characters are the same for each episode, including the hapless captain, the token Latino (voiced by Erik Estrada), and my favorite, the occasionally-appearing random Frenchman.

Synopsis

Lola (Anna Ammirati) delights in turning heads in her village, engaging in such antics as riding her bike with her skirt billowing up behind her. The men all think she's great, while the women aren't so fond of her (though the woman working on her wedding dress would clearly like to get to know her better, if you catch my drift). Her main problem is her fiance, who, much to her frustration, refuses to have sex before their marriage. Then there's her stepfather, who seems more than appro...riately interested in Lola, too.

Scooby-Doo 2 is pretty-much the same as the original film. Oh, sure, the plot differs slightly, but for the most part, this is the same film. If you liked the first one, you will like this one. However, if you hated the first one, like I did, then this is regrettably more of the same mindless fluff.

Recently, movie studios have caught on to the idea that if they make children’s movies with subtle in-jokes for adults, their profits will rise. This was the case with Finding Nemo, Shrek an... even Looney Tunes – Back in Action. Unfortunately, this trend does not continue with the Scooby-series. These films are purely and unashamedly “kids only”. The jokes are lame, the mysteries are transparent, and the film takes itself way too seriously. The inherent problem with a film based on a cartoon is that it must develop a cast full of characters that were previously one-dimensional. This is not an easy task for any filmmaker, and it is clear that Raja Gosnell (which sounds curiously like a pseudonym to me) is not up to the challenge.