Posted in: Disc Reviews by Archive Authors on May 23rd, 2006
The basic plot to The Bourne Supremacy is very similar to The Bourne Identity in that Jason Bourne is still trying to evade any and all forces that seemingly will stop at nothing to kill this man. Naturally though, Bourne can’t just evade these forces in a normal manner, but he has to evade these forces using his explosive martial arts and wit. As we learned in Identity, Bourne had his memory wiped. To escape people, Bourne has traveled halfway across the world living on the beach of Goa in south...
Posted in: Disc Reviews by Archive Authors on May 15th, 2006
Synopsis
Her hands covered in blood, a distraught-beyond-coherence Julianne Moore wanders into a hospital with a story of being carjacked in a predominantly black housing project area. Detective Samuel L. Jackson, assigned to the case, learns from her that her young son is apparently still in the car. Given that her brother is a cop in the adjoining white area, all hell breaks loose and racial tensions threaten to send an explosive situation into terminal meltdown. But the question is whether there i...
Posted in: Disc Reviews by Archive Authors on May 9th, 2006
Harrison Ford stars as Jack Stanfield, an online security chief for a mid-sized baking chain. One day, he is introduced to a new possible candidate in Bill Cox (Paul Bettany). We learn this turns out to be a setup. Cox and his men are holding Stanfield's wife (Virginia Madsen) and their two children hostage. In return, Cox demands that Stanfield hack into his bank's computers to transfer a fortune into Cox's offshore accounts.
Firewall, in whole, contains a smart plot, one that makes you think. The ...
Posted in: Disc Reviews by Archive Authors on May 8th, 2006
First off, let me say what a great idea it was to remake this film. The original has enjoyed elevated status far too long based only on an intense 23-minute opening sequence. And as good as that opening piece of suspense is, the same exact premise punctuates Bob Clark’s earlier 1974 masterpiece Black Christmas – so even what When a Stranger Calls does well owes a debt of gratitude to an overall better film. Still, I’ll give the Devil his due – knock-off or not, that sequence stands as an effective, inte...
Posted in: Disc Reviews by Gino Sassani on April 19th, 2006
The only thing worse than films about filmmaking are artsy films about filmmaking. These are hazardous affairs at best. Don’t get me wrong; I thrive on a steady diet of behind the scenes features and film trade magazines. But a film in that vein can’t help but become pretentious. Enter I Love Your Work. It’s very hard to tell when Adam Goldberg is trying to be serious and when he’s aiming for satire. I hope it was mostly the latter.
Just because you’re paranoid doesn’t mean they’re not really out to g...
Posted in: Disc Reviews by Gino Sassani on March 28th, 2006
Sliver is a sexy thriller that is neither sexy or at all thrilling. Filmed in the wake of the hugely successful Basic Instinct, Sliver has all of the elements but none of the passion. Call it Basic Instinct lite. Less filling without the great taste. Sharon Stone sleepwalks through her role of Carly. Carly works at a publishing house and has recently moved into one of New York’s plush apartment buildings. She was trying to ride her Basic Instinct wave here, but the truth is she has never really lived up to the pote...
Posted in: Disc Reviews by David Annandale on March 28th, 2006
Synopsis
Clive Owen is a man approaching the end of his tether. His marriage is becoming stagnant, his job at an advertising firm is no better, and he is worried about his daughter, who has type 1 diabetes. He and his wife have set aside a lot of money to pay for an experimental drug for her. One day, on a train, he meets Jennifer Aniston. A friendship is sparked, and then an affair begins, only to be violently disrupted by Vincent Cassel. He brutalizes both, and begins to blackmail Owen for ever-inc...
Posted in: Disc Reviews by Archive Authors on March 19th, 2006
The genre of Thrillers and Suspense are usually categorized by types of films that the viewer watches and then wonders what they just watched. Films like Memento and The Machinist are prime examples of this. Both films, after many viewings, are excellent films solely because they require that the viewer think of each scene with careful scrutiny making note of each and everything on the screen. Both films end with the type of ending that doesn’t necessarily satisfy on the first viewing, but ultimately sa...
Posted in: Disc Reviews by David Annandale on March 14th, 2006
Synopsis
In his film debut, Sidney Poitier is a newly minted doctor at a downtown hospital. Two patients arrive in the prison ward, shot in the leg by police. One is Richard Widmark, frothing racist. The other is his brother, who dies under Poitier’s care, not from the wound, but from a terminal brain tumour. Widmark blames Poitier, and sets about inflaming racial hatred in his quest to destroy Poitier.
This is far from being your typical Joseph L. Mankiewicz film – we’re a long way from th...
Posted in: Disc Reviews by David Annandale on March 14th, 2006
Synopsis
Nigel has fled England and is living a loser existence in Copenhagen with a junkie girlfriend he doesn’t love anymore. Desperate for money, he takes on a job from a gangster known as the President. All he has to do is stash some stolen goods until they can be moved. But he begins an affair with Tanya, a prostitute also in the grip of the President, and, in true film noir fashion, he makes some stupid decisions and events spiral violently out of control.
Unless my ears deceived me d...
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