Television

Until not very long ago this set was being billed as Jericho: The Complete Series. The show was originally cancelled and later revived through a fan campaign to save the show. It was never a ratings monster, and I must admit that I was never interested enough to watch it even once. Now the DVDs of that first season have arrived, and I’m given my first look at Jericho. My very first impression was that this show was very ambitious from the gate. Perhaps the show’s fatal flaw is that it attempts to tackle far too many serious issues, complete with complex undertones, with the largest ensemble cast I’ve seen yet. Add this to the fact that the world is still a little sensitive to terrorist attacks, and you have a recipe for keeping your audience relatively small. None of these things are bad elements in and among themselves, and I’m certainly not suggesting that these issues need to be abandoned. I’ve been a high school teacher, and one thing any of us can tell you is that there’s only so much a person can absorb in a given amount of time. What little enjoyment I did get out of these DVDs I likely would have lost if I also were contending with 20 minutes of mindless commercials to further distract my concentration. The series offers a lot of fear and panic with precious few moments of hope.

To the point, Criminal Minds is very compelling television. Ever since The Silence Of The Lambs and perhaps long before, we have been fascinated by serial killers and the profilers who try to get inside their heads. To see evidence of the continuing trend, one needs only look toward the success of films like Zodiac and shows like Dexter. Of course, serial killers are not the only prey this FBI team pursues, but they are certainly the marquee item on the agenda. To be sure, there are equally disturbing subjects such as arsonists, bombers, kidnappers, and rapists to give the show a touch of variety, but let’s face it, it’s the killers that keep us tuned so attentively to Criminal Minds.

If you are a fan of the original Kolchak: The Night Stalker, you were more than likely disappointed in the remake a couple of years ago on ABC. Your hope is now once again restored. Supernatural is the closest thing I’ve ever seen to The Night Stalker. Like Kolchak, the Winchester brothers are faced with weekly incarnations of evil. They’re forced to research these legends and figure out a way to stop them. As Kolchak discovered, it’s a thankless job. Sure, Supernatural is populated with all sorts of beasties and nasties, but it also manages to hold on to a sense of humor that rounds out these adventures to make this one of the most entertaining shows around. When UPN and WB merged, I was a little worried about Supernatural. You do the math (that was another review). Two networks worth of shows, one network worth of programming time. Half of the shows needed to vanish, and I was concerned Supernatural would be one, if history of respect for genre shows was any indication. Fortunately for us the show has not only survived, but it has thrived, looking to be around for quite a while yet.

Do you believe that a numbers wizard can predict the most random of human actions with mathematical equations so accurately as to know where and when such a person will be? If so, then I suggest you put down that letter you are writing to Santa, finish eating that egg a bunny left for you, go to your pillow and pull together all of the loot you got from the tooth fairy, and plunk it down on season three of Numb3ers. No, that’s not a typo, apparently they believe that letters aren’t good enough to stand on their own so they inserted a 3 where the e should be. Aren’t they so clever? Not. In the fairy tale world of Numb3ers, all you need is an almost obsessive knowledge of math and the crooks don’t stand a chance. It’s almost unfair, isn’t it. Those poor criminals go about their carefully plotted crimes, unaware that everything they do is controlled by math. They live their lives oblivious to the fact they are at the mercy of a diabolical equation which forces their every move. In fact, I suspect some clever attorney somewhere is already preparing the “math made me do it” defense at this very moment. Soon our justice system will be forced to account for this undeniable force on our very destinies. I would go on but I can’t… must… fight… numbers

What would happen if a studio was so confident in a show that it offered the DVD’s at a reduced price and slapped on a money back guarantee? Universal has done just that with Friday Night Lights. There is a rebate program where you can turn your discs back in for a full refund if you’re not completely satisfied with the show. Couple that with the fact I picked up this entire season for only 20 bucks, and I’d say somebody is either really stupid, or they’ve got a hell of a television series. Friday Night Lights is the latter.

Detective “Iron” Mike Stone (Karl Malden) is a seasoned veteran of the San Francisco Police Department. He’s an old fashioned no nonsense detective whose life has taken some bitter turns of late. Much to his aggravation he gets partnered with Keller (Michael Douglas), a green detective who hasn’t lost his belief that he can make a difference. Together they just might be able to teach each other something. Before long the two develop a teacher/mentor relationship that works well enough to solve the cases and get the bad guys.

My mother was a big fan of The Untouchables. I think she really just had a crush on Robert Stack. Years later when Stack was hosting Unsolved Mysteries, I could swear that I heard her murmur a few Ness lines under her breath. I was entirely too young to remember even the syndicated run that my mother was watching in the late 1960’s. Under more normal circumstances that would not matter as I could introduce myself to this world with the DVD release. That was before 1987, and the release of Brian De Palma’s classic film. Honestly, I simply can’t watch these episodes without thinking of that movie. For an entire generation that film has defined these characters and that time. It’s unfortunate, really, because this 1960 series had a lot going for it, particularly when you look at what else was on television at that time. Never before had such brutal violence in such a starkly real world graced the black and white sets of America. When I read articles about the controversy surrounding these depictions, I am forced to smile a little. By today’s standards these shows are quite tame. Still, the flurry of protests the show spawned were quite real. Italians were also vocal in their belief that the show went too far in portraying nearly every bad guy as being of Italian descent. I have to admit some of these accents make Father Sarducci sound good. Complaints went as far as the US Attorney General. My, have things changed. I am also of Italian heritage and gladly sit down to an hour of Tony Soprano eating it up about as fast as a bowl of tortellini and gravy. While there are still those of us who feel racially exploited, most of us embrace the mob mythology of The Godfather and Goodfellas. We can accept the difference between reality and fantasy. And so I watch these episodes as if I were some remote viewer, not only from a different time but a different place.

Like it or not, Everybody Loves Raymond has earned its spot alongside TV's most successful sitcoms, including The Cosby Show, Roseanne and Seinfeld. These shows not only ran a long time, but they also shared a common origin — all were based on the persona of the popular stand-up comics who starred in the series. This method may have produced hits in these cases, but it's no guarantee. To really beat the odds, there has to be something more.

In the case of Everybody Loves Raymond, the largely American audience saw themselves in the on-screen families. Fans have been sitting down each week, for more than 200 episodes, to a funnier, wackier version of their own families. As this ninth and final season hits DVD, it's time to ask, did the show end too soon, too late or right on time?

There have certainly been more interesting family business shows on television over the years, so the premise for Brothers & Sisters is anything but original. Both Dallas and Dynasty set the standard for this kind of show many years ago. Tony Soprano’s family business is far more interesting than the Walker organic fruit business. Hell, the Ewings had more color with “dem dang blasted oil fields”. If you end up liking or are already a fan of Brothers & Sisters, originality isn’t the reason. I found the stories were far too slow and uninteresting to keep my attention for more than an episode. The impressive, potent performances offered by this solid cast carry all the weight on this series. Now, that’s not necessarily a bad thing. But I do question a series that once I’ve watched, what I remember are marvelous moments of acting with little about the plots forging an impact in my brain. There are a few gems in the story: The Northern Exposure episode is actually quite entertaining, as the entire Walker Clan descend upon a family retreat house, each hoping for some alone time with a significant other. There are also some intense 9/11 moments to be found in the two-parter, Mistakes Were Made. Beyond these compelling moments, I found myself quickly forgetting much of the actual story arcs of the series. No, trust me. The real punch is in the acting.