Posted in: Disc Reviews by David Annandale on January 25th, 2006
Synopsis
The second season begins with the aftermath of the apparent demise of Lex Luthor (John Shea). His ex-wife picks up the slack in trying to eliminate Superman (Dean Cain) and Lois Lane (Teri Hatcher). Luthor himself comes back in Episode 13. Meanwhile, such classic comic book characters as Metallo make their appearance, and the odd triangle romance between Lois, Clark and Superman continues its tantalizing way.
Posted in: Disc Reviews by Archive Authors on January 18th, 2006
After the MTV show Jackass closed production, MTV scrambled to try to find a show that would secure the ratings that Jackass had been doing for so many years. What resulted from that scrambling? The moderately entertaining Viva La Bam which features a majority of the Jackass outcasts and ‘losers’. Since this is the review for the fourth and fifth seasons, one can imagine that Viva La Bam did succeed in finding that audience that would make MTV more money.
While the show original...y began by finding the stars adjusting to their new found success and stardom, the show slowly has become less and less funny as the years drew by. The main reason lies in the editing room. The editing of the show almost makes the characters look cartoonish causing the viewer to lose focus on what the show was originally about. The show was very funny because it was a type of insanity that was sporadic giving the show a unique feel from Jackass. Episodes in this season seem to almost have that sitcom feel to them, which is NEVER a good thing.
Posted in: Disc Reviews by Archive Authors on January 18th, 2006
After the MTV show Jackass closed production, MTV scrambled to try to find a show that would secure the ratings that Jackass had been doing for so many years. What resulted from that scrambling? The moderately entertaining Viva La Bam which features a majority of the Jackass outcasts and ‘losers’. Since this is the review for the fourth and fifth seasons, one can imagine that Viva La Bam did succeed in finding that audience that would make MTV more money.
While the show original...y began by finding the stars adjusting to their new found success and stardom, the show slowly has become less and less funny as the years drew by. The main reason lies in the editing room. The editing of the show almost makes the characters look cartoonish causing the viewer to lose focus on what the show was originally about. The show was very funny because it was a type of insanity that was sporadic giving the show a unique feel from Jackass. Episodes in this season seem to almost have that sitcom feel to them, which is NEVER a good thing.
Posted in: Disc Reviews by Archive Authors on January 12th, 2006
I have said it before, and I will continue to say it as long as it is relevant... these Saturday Night Live releases are the perfect product for the PSP. They are short, funny and get right to the point with little depth or exposition required. It is easy to drop in and watch a skit here or there during your morning commute, waiting for a cup of coffee or while killing time before the big game. Of course, it is also easy to burn through a full hour by spinning the entire disc, as Ferrell is just so funny that it is s...metimes hard to stop at a single skit or two. In fact, out of all of the new SNL discs that have been produced, I feel that this particular title is the best of them all. The thing is, once you pick up one volume of the Will Ferrell set, you will most certainly go out and pick up the second. Fans of Bill Braski, Dubya and James Lipton, your time has finally come.
Audio
Posted in: Disc Reviews by Archive Authors on January 11th, 2006
Synopsis
For fans of comedy, the influence that the original “Not Ready For Prime Time” players on Saturday Night Live was indelible, but did not deter from enjoyable sketch comedy after the group left in 1980. Sketch comedy was being done at an equally accomplished level with the Second City players, some of whom Lorne Michaels recruited for the initial cast of SNL. Those that remained provided some hysterical moments and quality comedy.
Posted in: Disc Reviews by Archive Authors on January 7th, 2006
Synopsis
Well with this particular incarnation of reality shows, beautiful people show us common folk how tough it is to look pretty. The wonders of being paid thousands of dollars to get up and dress in clothes that you won’t wear because they’re either ugly or too expensive. People like Heidi Klum and Tyra Banks trying to illustrate that fashion and glamour is tough, demanding work is simply silly. Now bear in mind, this point of view is from a bitter, bald and dumpy looking guy whose idea of fashion is m...king sure that he wears comfortable socks before getting into sandals.
Posted in: Disc Reviews by Gino Sassani on January 3rd, 2006
When did it become mainstream to root for the bad guys? Certainly our pop culture has been propagated with colorful villains since Shakespeare, goons we love to hate or even just love. Still, the rule always seemed to be that the white hats always win and the black hats get what’s coming. Maybe it all took hold with The Sopranos. We all became enamored by this lovable teddy bear of a guy in Tony. We don’t have to spoil it by pointing out he’s a killer, adulterer, and all-star criminal sociopath. The Shield places us ...quarely in that same situation. Vic Mackey has a lot in common with Tony Soprano. He’s guilty of the entire litany just made. Even worse, Vic carries a badge. So why do we love him so much?
The answer most certainly lies in the compelling writing both of these shows share. Perhaps we’re not so much in love with Tony or Vic, but the stories that are told around them. It just might be that superior drama rivets us to our sets. We root for the bad guy because, to be frank, when they go down the ride’s over. As with The Sopranos, we don’t want our moments with The Shield to end. Therefore Vic simply has to stay just one step ahead of his just desserts.
Posted in: Disc Reviews by Archive Authors on January 3rd, 2006
Note: the following synopsis contains brief spoilers. Only read this first section if you know have happens in season four.
Nominated for 25 Golden Globes and 110 Emmys, including 7 for Outstanding Drama Series, ER has long been one of the best prime-time shows on television. Premiering in September 1994 on NBC, the hour-long hospital drama vividly illustrates the intensity and fast-paced stress endemic to hospital emergency rooms across America. Brought into being by Michael Crichton - famous Hollywoo... insider, novelist, and brains behind such films as Jurassic Park, Twister, and Timeline – ER fulfills its creator's ultimate vision (it took over a decade of pitching the show before network executives bit) for a close-to-life glimpse of the technology and the humanity omnipresent in the ER. Since its inception, many cast members have passed through the halls of ER, many of them having gone on to become big stars in Hollywood.
Posted in: Disc Reviews by Archive Authors on January 1st, 2006
Synopsis.
Working in the comedy salt mines, looking to break out into the superstardom they so richly deserved, Bob Odenkirk (The Larry Sanders Show) and David Cross (Men In Black) were hard at work doing writing for other shows, including Saturday Night Live, before finding one another. The two worked together, writing for the short-lived Ben Stiller show on Fox in the early 90’s, and a friendship bloomed, along with a working relationship. After doing some nightclub appearances, an ex...cutive offered them the chance to shoot a small group of shows for HBO. For lack of a better title, they called it Mr. Show, a sketch comedy series unlike any other. Maybe the words of Odenkirk may help, from bobanddavid.com:
Posted in: Disc Reviews by Archive Authors on December 30th, 2005
Frasier is, quite simply, the one of best sitcoms of all time. This show proves that the studios don't have to dumb down their product to appeal to a mass audience.(Are you listening, Hollywood?) If the writing is of a great enough caliber, the audience will always rise to meet the material. More shows in this sad era of reality television overkill would do themselves well to follow the lead of this wonderfully funny program.
What Frasier is better at than just about an other film or televisio... show I have ever seen is it's mastery of farce. It is extremely difficult to make farce genuinely funny, and this show did it masterfully on a weekly basis. Any show can throw some lame jokes into a show, but it takes thought and attention to detail to craft jokes where the elements build up over time, and the punchline hits the audience out of nowhere.
