Posted in: Disc Reviews by Archive Authors on December 2nd, 2005
Synopsis
Shannen Doherty, Holy Marie Combs and Alyssa Milano are three sisters who also happen to be witches. Very much in the vein of Buffy the Vampire Slayer, our heroines must battle supernatural monsters and evil cults, all the while dealing with love, heartbreak and other issues more connected with mere mortals. The season begins with Combs out of the picture, having eloped with Brian Krause. Their marriage is frowned upon by The Powers That Be, and this is one of the ongoing threads of t...e season.
Posted in: Disc Reviews by Gino Sassani on November 30th, 2005
Stargate Atlantis took a little getting used to. I wasn’t sure the characters had enough chemistry or were even dynamic enough to carry the high expectations for a Stargate series. When the show was first introduced it was likely that Atlantis would soon take over for the original series. Anderson had wanted to leave for years and it seemed the end was near for SG-1. Since that time SG-1 is about to enter a tenth season and the new format is working quite well. Now I can view Atlantis more as the companion show it really excels at being. Atlantis maintains all of the tight writing and production values that made SG-1 such a great show. I am a little weary of The Wraith already. For some reason they just don’t work for me. The Ori, SG-1’s new baddies, are far more interesting. The Wraith are just sinister. We haven’t had a chance to view them as a society yet. There were high hopes when Teyla began to connect with them, but that has become a dead end. I think Atlantis has some real growing to do, or it risks falling into the “Deep Space Nine” wormhole.
Synopsis
Posted in: Disc Reviews by Archive Authors on November 19th, 2005
Dear Chris Farley, we har'ley knew ye.
What is it with SNL and untimely death? I am pretty surprised that I have never seen a "conspiracy theory" written out about this, like the Wheaties curse or the curse of the Sports Illustrated cover. Jim Belushi, Phil Hartman, Gilda Radner and even the lovable Chris Farley died way before their time.
Posted in: Disc Reviews by Gino Sassani on November 10th, 2005
It is tragic that the fourth year of Enterprise would be its last. More tragic is the fact that in the fall of 2005 for the first time in almost 20 years there would be no new Star Trek on the air. By far the worst tragedy, however, was the fact that year four of Enterprise was the year it all came together. This is by far the best overall season of Star Trek since The Next Generation. The addition of writer Many Cuto was the spark this fledgling franchise needed. With the exception of the final episode, these 2-4 eposode arcs were for the most part quite fresh and inspired. Brent Spiner’s portrayal of an early Dr. Soong is perhaps his best Trek role to date. Finally, elements of several Trek incarnations come together in a way that doesn’t rip the continuity to shreds. The Mirror double episode was brilliant. I sat down to watch it for the first time with a friend recently and was struck by the creativity it brought to the series. This is the season to get even if you haven’t really followed Enterprise at all. You will be impressed.
Synopsis
Posted in: Disc Reviews by Gino Sassani on November 8th, 2005
The first episode of Season 8 is appropriately titled “New Order”. Changes are inevitable as this superior series goes where no American sci-fi show has gone before, a tenth season. Richard Dean Anderson has been slowly removing himself from the everyday appearances since Season 7. Here he is made base commander, and while his responsibilities have increased, his screen time has certainly tumbled. By year 9 Anderson is nothing more than a memory and occasional guest star. Still... the huge changes haven’t come yet, and season 8 is your last chance to visit this core team on a regular basis. Even after 8 years, the quality of the show has never been better. We have a heavy dose of Replicators, Gou’ld, and Super Soldiers... Oh My. Carter is now a Lt. Col. and O’Neal is a Brig. Gen. The beginning of the season helps to set up the spin-off Atlantis series as Dr. Weir wraps up her time as base commander.
Synopsis
Posted in: Disc Reviews by Archive Authors on November 7th, 2005
I actually picked this title up several months ago on DVD, so I was already aware of how funny this disc is. For some reason, Saturday Night Live is one of those shows that nobody finds funny until several years later, at which time its charm is rediscovered. I'm sure this has to do with the fact that the reruns and compilations cut out the majority of the filler and leave only the best bits, but I am, still surprised that the shows gets such little notariety during their initial run. Regardless, I have always been a big fan of this show, as it is one of the finest examples of the power of pure acting talent. It is simply amazing to see the level of skill that these performers bring to the table when the pressure is on and the broadcast goes live.
For my money, Will Ferrell is one of the top SNL performers of all time. There are few comedic actors that have been able to place as many characters and phrases into the everyday lexicon as Ferrell. One of the most wonderful things about watching him perform is that it is often times clear when he has intentionally strayed from the script to attempt to catch his fellow players off guard, a task that he usually succeeds at with hilarious results. Skits and characters such as Celebrity Jeopardy, the Spartan Cheerleaders, the Night at the Roxbury brothers and James Lipton are all here, and in the perfect format for the PSP. It is a cinch to watch one skit here and there throughout your day, and I guarantee that if you do, your whole day will be just that much brighter for it.
Posted in: Disc Reviews by Gino Sassani on October 30th, 2005
1955 was a very significant year in the life of filmmaker Alfred Hitchcock. He received his American citizenship and he changed the face of the young television industry forever. Alfred Hitchcock Presents came before all of the other classic anthology shows. The show combined Hitch’s trademark gallows humor with his unerring instinct for suspenseful storytelling. The show was the first overnight success, drawing millions of viewers with its first episode, no small feat for 1955.
Hitchcock was ahead of his time. He was one of the first to believe that you could apply the same standards of big budget film making with the limited scope of the newly discovered smaller screen. While Hitchcock did rely on some very talented people to provide the day to day work on the series, his presence could always be felt in every detail. Hitch himself was active in selecting stories as well as cast. The show was both entertaining and thought provoking. Hitch himself began and ended each show with some clever observations and sketches that made him a household name. He tempted fate by constantly poking fun at his own sponsors, a habit that was not always taken in good fun. Hitch also poked fun at the moral code that existed at the time for television. Bad guys were never allowed to get away with their crimes. Instead of adjusting his scripts, Hitch demanded they be unchanged. To “settle the score” as he used to call it, he would inform us of some unfortunate luck the bad guy fell into after the events of the story.
Posted in: Disc Reviews by Archive Authors on October 25th, 2005
Wooden monologues, bad jokes, revolting fashions and way, way too much hair. I wish I could say that this means one thing... but it means a lot of things. In this case, however, I am talking about Tony Orlando and Dawn. Now, the quality of Orlando's rich voice is undeniable. My bone to pick is with virtually every other aspect of this cheese fest. At the time in the 70's, it seemed like everybody had their own variety show. Such a thing could be a big boon to a performer's career, so you certainly can't fault ...rlando for signing on for such deal. Part music show, part comedy sketch show, marginal celebrity guests... it's like the Smothers Brothers show without actually being any good.
If you like the songs, the majority of the musical numbers are actually pretty good. The real disappointment is the simply horrid skits. Two to three minutes of buildup to one lame punchline? Really? Nobody thought this was a bad idea?
Posted in: Disc Reviews by Archive Authors on October 25th, 2005
Wooden monologues, bad jokes, revolting fashions and way, way too much hair. I wish I could say that this means one thing... but it means a lot of things. In this case, however, I am talking about Tony Orlando and Dawn. Now, the quality of Orlando's rich voice is undeniable. My bone to pick is with virtually every other aspect of this cheese fest. At the time in the 70's, it seemed like everybody had their own variety show. Such a thing could be a big boon to a performer's career, so you certainly can't fault ...rlando for signing on for such deal. Part music show, part comedy sketch show, marginal celebrity guests... it's like the Smothers Brothers show without actually being any good.
If you like the songs, the majority of the musical numbers are actually pretty good. The real disappointment is the simply horrid skits. Two to three minutes of buildup to one lame punchline? Really? Nobody thought this was a bad idea?
Posted in: Disc Reviews by Gino Sassani on October 11th, 2005
Kenny’s gone and most of the season the boys are auditioning a new friend. While it looks like Butter has the inside track, you’ll have to watch the season to find out. Personally I miss the “They killed Kenny” jokes and was relieved that it eventually returned. South Park appeared to regain a bit of its lost creative energy in season 6. It can also be said that the show pushed its boundaries a little bit farther. There are times even I think the show goes too far. One of my favorite episodes can be found in this collection. The boys attempt to steal the master print of Raiders of the Lost Ark to thwart Lucas and Spielberg’s evil plot to add new digital effects and create a “special edition”. For all of us movie fans out there this touched home quite a bit. Cartman’s still my favorite character. The opening episode’s jab at Jared from Subway was one of the show’s most well deserved targets. Aren’t we all sick of that guy yet?
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