Posted in: Disc Reviews by Gino Sassani on May 10th, 2011
In the 1970's the critically acclaimed Upstairs Downstairs was a television mainstay in England. American audiences were soon introduced to the series through PBS broadcasts in the late 1970's and beyond. It was a unique kind of drama that served both as a period piece and an examination of the class lifestyles. The series began at the turn of the century and led up to the events of World War I and the period that soon followed. We were witness to the wealthy Bellamy family who occupied the estate at 165 Eaton Place. The family lived in the upstairs rooms, while the servants who kept the place in order occupied the rooms downstairs. Each episode would bring the dramatic events of the world to the doorstep of the home and we would see how they affected the two classes. We got to know members of both classes, and as the series progressed, observed the stark differences while also seeing the common humanity the two worlds shared. It was a huge hit and has lived on in syndication in all of the years since. The original series ran from 1971 until 1975 and covered the years of 1903 until the market crash of 1929 and the death of the patron of the estate. The whole thing had to be sold and the characters dispersed to their own lives from there.
Enter Heidi Thomas, who was eleven when the original series ended. The show stuck with her, and she made it a sort of life mission to bring the series back. In 2010 that's exactly what she did. The result is the three episode run that we have in this release.
Posted in: Disc Reviews by Gino Sassani on May 10th, 2011
"Only one creature has carved out a life for itself in every habitat on Earth. That creature is us. All over the world we still use our ingenuity to survive the wild places, far from the city lights, face to face with raw nature. This is the Human Planet."
Posted in: Disc Reviews by William O'Donnell on May 10th, 2011
I suppose there is something to be said about shows where we literally watch the main characters grow up. This season of Boy Meets World sees Cory Matthews (played by Ben Savage) and his cohorts enter their final year of high school. In some fashion, this is the season where the boy really is about to “meet the world,” but perhaps that is just a little too much poetry smeared onto this season of family friendly prose.
If you can somehow crawl past the horrendous theme song and opening title sequence, you will witness an acceptable Disney comedy, filled with cheesy smiles, over-acting supporting cast, madcap scenarios that have no edge whatsoever, and hearty doses of family oriented life lessons.
Posted in: Disc Reviews by Gino Sassani on May 3rd, 2011
"In the beginning there was darkness. And then bang, giving birth to an endless expanding existence of time, space, and matter. Now, see further than we've ever imagined. Beyond the limits of our existence. In a place we call The Universe."
The History series lasted for five seasons. The show used modern space photography, computer-generated images, and demonstrations along with respected scientists to explore the various aspects of our universe. While more time is spent in our own back yard exploring our solar system, the series did take us to the outer reaches of space, going back about 13 billion years. That's as far as we're able to see. The show was narrated by Erik Thompson. Of course, there is plenty of narration by the scientists.
Posted in: Disc Reviews by Michael Durr on April 27th, 2011
Hi there, true believers. Take a walk with me today as we go inside the world of super humans. Humans that have powers far beyond average homo-sapiens. Can you control electricity or perhaps possess the strength of several men? Whether you answer yes or whether your eyes go ablaze in wonderment, you might just be interested in Stan Lee’s Superhumans. Season one awaits, let us proceed.
Stan Lee besides being a personal hero of mine is the creator of Marvel Comics. He has created such amazing heroes as Spider-Man, the Fantastic Four, and the Incredible Hulk. But Stan doesn’t think that these super-heroes exist only in the pages of a comic book or on a movie screen. He knows that there are living human beings out there in the world today that possess super natural powers.
Posted in: Disc Reviews by Gino Sassani on April 27th, 2011
I’ve been a fan of South Park ever since a friend introduced me to the internet Christmas card that started it all. It was Santa versus Jesus and these short potty-mouthed kids that somehow wormed their way under your skin. Pretty soon I was downloading the episodes and watching them on my computer. For some reason I can’t quite explain, I’ve very rarely watched an episode on Comedy Central. By the time things were getting tighter and riskier downloading the shorts, the single disc, 4-episode DVDs began to arrive in stores. So my South Park viewing moved from the PC to the DVD player. In a short time season sets began to arrive, and I looked forward to them with much anticipation, still watching it infrequently on television. After all, who needs the commercials and those silly network bugs that distract you on the screen? The series itself evolved in that time. The show was once achieved through a stop-motion process using construction paper cutouts. The animation was crude. After the Christmas card, the characters were significantly redesigned. They had a very evil look on that short. The first couple of episodes brought us an evolution toward the characters we know and love today. After a while the animation went to a computer process. The look remained the same, but gone were the paper cuts and stop-motion photography. As the show progressed there were less and less bleeps. It’s not that the language got any tamer. Standards got a little looser. Finally the bleeps would disappear from at least the DVD releases. And now South Park has crossed another milestone. Welcome to Blu-ray and high definition, South Park.
I often have trouble believing that South Park has been around for as long as it has. It’s not just the passing of 14 years, but the sheer brilliance in the face of an increasingly politically correct society. It’s like watching old episodes of All In The Family. Who believes that Archie Bunker would have any chance of survival in the 21st century? It’s no wonder that Norman Lear has become involved in the series. It’s the last remaining vestige of a once great freedom to be ridiculous and offend. Eric Cartman’s a lot worse than Archie ever was. We always knew that, in his heart, Archie had a soul. Cartman’s a psychopath without a conscience, and in a civilized society we would be terrified of the existence of such a demon spawn…except he’s just so dang funny. Trey Parker and Matt Stone have been walking a tightrope for over 13 years now, and it just doesn’t get old. One of the reasons the show doesn’t grow stale is their ability to make such a quick turnaround on current events. Because the show takes literally days to write and produce, they are quite often always the first to address an issue. They had an election-night episode on literally the next day in last season. That means the ideas stay as fresh as the headlines. Finally, you have to credit the expanding universe of good characters. The core group of Cartman, Stan, Kyle, and Kenny were great for a lot of years. But, watching this 14th season you have to admire how much Butters has infused himself into that core. We also have such great semi-regulars as Timmy, Jimmy, and Token. These characters allow the stories to expand in ways the core group could not. I’ve honestly come to think of Butters as one of the core now.
Posted in: Disc Reviews by Archive Authors on April 25th, 2011
Highway to Heaven was a television series that ran from 1984-1989. Jonathan Smith (Michael Landon) is an angel on a mission from God or “the boss”. After quickly finding employment as a handyman, Smith teams up with the ex-cop Mark Gordon (Victor French) to solve problems and help people with their everyday struggles. This series has plenty of sentimentality, spirituality, nostalgia, and unintentional comedy. As a newcomer to the series, I found myself unable to look away.
Michael Landon has an undeniable charisma. I am too young to have seen Bonanza or Little House on the Prairie. However, from watching this series I found myself struck by his screen presence. The camera remains fixed on his face during the majority of scenes and audiences are drawn in. Highway to Heaven is constantly delivering a message; the show looks at the human condition and questions why we operate the way we do. The delivery can sometimes be implausible. For example, during a physical altercation, Smith begins quoting scripture to the wrong doers. This blatant attempt at focusing on religion as the message can easily turn viewers off. However, within the realm of this show, audiences are able to give it some leeway.
Posted in: Disc Reviews by Michael Durr on April 25th, 2011
In the 1980’s, I grew up watching a lot of sitcom family shows as I am sure a lot of kids my age did. Somewhere in my late teens and twenties, I ran away from sitcoms and straight in to cartoons and wrestling. (you thought I was going to say reality shows didn’t you?) But before that happened, I probably saw every last one of those crazy family sitcoms. Including Growing Pains. So when I received Growing Pains Season 2 to review, I knew I didn’t need season one and could dive right in. (
It is Season Two for the Seaver clan. Jason Seaver (played by Alan Thicke) is still operating his practice from the home while Maggie Seaver (played by Joanna Kerns)is exploring a career in journalism. With Jason at home, he is able to spend time with the three kids. The youngest, Ben (played by Jeremy Miller ) is going through middle school.
Posted in: Disc Reviews by Gino Sassani on April 14th, 2011
When the WB merged with the UPN to form the hybrid CW, a lot of good things happened. The new network stepped away from the twenty-something shows that began to all look the same after a while. The network began to take on cutting edge genre shows like Supernatural and Smallville. But deep down inside there was still that family drama mentality that drove at least one of the parent networks. Life Unexpected is, unfortunately, a totally expected result of that dark place.
The premise is actually pretty interesting. Lux (Robertson) is a 16-year-old girl who has spent her entire life in foster care. She has been bounced from home to shelter to home again 7 times in those 16 years. She's lived with drug addicts and abusive situations. She's had it, and so she decides to seek legal emancipation. Because her parents are still alive and somehow never gave up their rights, she needs their signatures on the court documentation. She finds her father first. Nate Bazile or Baze (Polaha) is a guy who's refused to grow up. He lives in a loft above a bar he runs primarily so he can drink for free. His father (Thomas) owns the building, and the bar is just one of many unresolved issues between them. He lives with two roommates who are only slightly more mature than he is, including English teacher Math (Basis). He's shocked when Lux shows up, because he didn't even know she existed. Together they contact her mom, Cate (Appleby), who is a popular radio talk show host with her partner and soon to be fiancée Ryan (Smith). Cate gave Lux up for adoption unaware that she had a heart condition that required her to remain in the hospital until she was three. That made her a tough adoption candidate. So, when Lux shows up she is just as surprised, believing she was happy and in a family. The emancipation doesn't happen, and Baze and Cate are given joint custody of Lux.
Posted in: Disc Reviews by William O'Donnell on April 12th, 2011
Dennis Mitchell always means well when he wants to help out his parents, or good ol' Mr. Wilson, but he also just wants to have a good time. ¼ helpful young lad but ¾ mischief, Dennis made the leap from the beloved comic strip by Hank Ketchum to the small screen for four seasons.
Compensating for when ABC took over Leave it to Beaver from CBS, Dennis the Menace was the attempt to grab some audience back for CBS. Jay North is the titular Dennis, and does well to carry the spark of this character's “menacing” namesake. Each episode sees Dennis with the best of intentions, but always managing to create more damage than his help is worth. Along for the ride are his best friends Tommy and Joey (the latter seeming to be a strange mute boy), his rival Margaret, his parents played by Herbert Anderson and Gloria (who could not look closer to the original characters) and Joseph Kearns as the ever-frustrated Mr. Wilson.