Posted in: Disc Reviews by Gino Sassani on August 20th, 2009
“Take hope from the heart of a man, and you make him a beast or prey. And the beast eats away at you if you’re not careful. The beast will eat it all and you will have nothing and you are nothing.”
Patrick Swayze stars as Charles Barker, an FBI undercover specialist. He handles the deep cover missions, the kind that requires a total commitment to the mission. He’s the kind of agent that knows where the line is so that he knows where to cross it. He’s a grizzled veteran. His new partner is young Agent Ellis Dove, played by Australian actor Travis Fimmel. Ellis is a bit uncomfortable with Barker’s all in approach. Still, he’s a loyal student and will do what it takes to catch the bad guys. The two agents are handled by an agent named simply Conrad. Conrad is played by everyone’s favorite comedy relief from the new Mummy films, Kevin J. O’Connor. He was the cowardly rascal Beni in those first two films. Each episode brings us a special set of circumstances where the FBI feels Barker’s special brand of work ethic might work. Still, the feds are a bit worried about just how far he has gone over that line. They try to get Ellis to snitch on his new partner to no avail. Larry Gilliard, Jr. plays Ray, the persistent internal affairs agent who wants the goods on Barker.
Posted in: Disc Reviews by Gino Sassani on August 19th, 2009
I think it started with the writers’ strike and somehow got out of control on this series. None of these sets represent actual seasons, which is why the releases are called chapters. The first two chapters represent the times before and after the strike from the show’s first year. I kind of understand how that might work out. What I don’t quite get is why it is now continuing. This chapter includes the first episode of the second season and stops with the tenth, even though the season actually included 22 episodes, all of them aired before the release of the DVD’s. There doesn’t appear to be any reason to spread out these releases except to capture a couple of extra bucks from the fans. To be fair, there was a five month gap in the episodes where this chapter ends, but it is still considered by every episode guide I could find as all part of the second season. The question for fans has to be, when will they see the other 12 episodes on DVD?
The concept would appear to be slightly misplaced on ABC’s Family Network. The prerequisite underage drinking and promiscuous sexual lives don’t appear to be the best “family” entertainment. We don’t get even halfway through the pilot episode before we’re already charting those waters. To be sure, Greek is no Animal House, and the atmosphere is toned down considerably, but the issues remain, and this is not a show for the kiddies. The story is very much like a soap opera. Casey (Grammer) is a sorority sister for Zeta Beta Zeta, and after two years is a woman on the rise. She’s dating the rich and handsome Evan (McDorman) and is in line to be the next House president. Her life is about to change when her nerdy brother, Rusty (Zachar) arrives at college. In his hope to experience college life and shed some of his geek reputation, he decides to rush a fraternity and enter Casey’s perfect world. Casey’s other problem is Zeta Beta Zeta’s own new pledge in the form of Rebecca Logan (Vadsaria), the spoiled daughter of a US Senator and rival for Evan’s affections as well as the future House leadership. To further complicate matters, Rusty has pledged Omega Chi Delta, which is led by Casey’s former boyfriend, Cappie (Foster). Most of the episodes deal with the crossover of these various worlds, and there’s a ton of competition not only between the houses but the characters. The show is all about the parties and the rivalries. There’s an interesting enough group of supporting characters, all well cast, which make this series a little more interesting than it really should be.
Posted in: Disc Reviews by Gino Sassani on August 18th, 2009
Eli Stone is a typical corporate lawyer. He admits to being totally self-involved and greedy, that is until he begins to see and hear things that aren’t really there… or are they? These visions appear to be connected with events unfolding in Stone’s life and seem to be leading him toward a mission of sorts. It could be helping a mother whose child was stricken by a harmful vaccine or helping a convict fight prison abuse. In the pilot, Stone discovers that he has a brain aneurism, which might account for the vivid visions he is experiencing. His mentor, Dr. Chen, has another idea. He believes that Stone is being recruited by God as a prophet to help with the world’s injustices. As viewers we’re never quite certain exactly what to believe. What we know is that, like most prophets, the situation isn’t exactly working out great for Stone’s life. He loses his hot fiancée and most of his coworkers see him as some kind of a kook. Of course, it wouldn’t make good television if these visions didn’t often come at the most inopportune moments. He could be in a meeting with an important firm client or involved in the more intimate activities when he’ll hear strange music or see fire breathing dragons. Because the visions are so realistic, Stone can’t help but react to them, even when he knows they’re not real. This leads to many of the show’s awkward moments, as that gag gets old very quickly. There’s entirely too much office romance here as well.
The show’s true bright spot is a very smart cast. Jonny Lee Miller is actually pretty good in the role. Considering he has to act against a lot of blue screen, he manages to come across quite believable. He doesn’t always do a great job of hiding his own English accent, but I can forgive him that much. Victor Garber is absolutely brilliant as Jordan Wethersby, the firm’s senior partner and his fiancée’s father. I seem to like this guy in every role he’s played, particularly in Alias. His almost deadpan seriousness is a great compliment to the over the top shenanigans that make up the greater part of the show. He’s the anchor that keeps the show “real”. Natasha Henstridge shows less of herself than she did when debuting in Species, but gets to show off her acting chops instead of her body. The body’s a little better, but she does a solid job here as “daddy’s little girl” and Stone’s on again off again romantic interest. James Saito is another huge stand out as Dr. Chen, Stone’s spiritual advisor and mentor. He can be funny and straight all at the same time. Hands down my favorite character here. Sam Jaeger is Matt Dowd, Stone’s office rival. Boston Legal’s Loretta Devine plays Stone’s secretary and provides the comic wisecracks much as she did in the previous show. In fact, isn’t this the same character, Loretta? Honestly this cast might have been better served in a straight courtroom drama with better staying power.
Posted in: Disc Reviews by Gino Sassani on August 13th, 2009
Chris Rock has been one of those comedians that either hits a home run or strikes completely out. I’ve seen quite a bit of his stand-up and found I loved it or hated it. He’s not afraid to play the race card. Hell, Chris plays the whole dang deck at times, and Everybody Hates Chris is no different. The comedy is based, loosely I’m sure, on the young adolescent life of Chris Rock. It’s a black comedy that will bring back memories of those 1970’s shows we all watched as kids. Like Good Times and even Sanford And Son, the show is loaded with stereotypes. All of the white characters are bumbling fools who are often played as racists themselves. Chris’s school teacher, Mrs. Morello (Mazarella), is the most obvious example. She’s constantly trying to talk “hood” with the boys and making politically incorrect observations loaded with outrageous clichés. Of course, it’s all in fun, and if you’re willing to overlook the often sensitive language and plots, you’re in for some laughs along the way. I like that the show never really takes itself seriously and challenges the viewer to simply lighten up. Basically, this ain’t no Cosby Show.
Chris Rock narrates each episode from his current place in life. The interjections are often humorous commentary on the pains of growing up, particularly black. At times Chris is just annoying, and he tries too often to be over the top. Tyler James Williams plays the young Chris. He kind of looks like him enough, and I can see some of Rock’s mannerisms in the boy. Terry Crews is the standout actor, playing Chris Rock’s father, Julius. The big guy always seems to mean well but doesn’t always have his stuff together. He could have been a young Fred Sanford. Tichina Arnold is Mom and the domineering force in the life of our young comedian to be. She’s best known for her excellent turn as Pamela in Martin, another stand-up sit-com vehicle. Chris’s siblings are played by Tequan Richmond and Imani Hakim. Hakim is absolutely hilarious and seems so much older than her age as an actor. She manages the little sister act, while all the while you know there is so much going on there. She’s a constant burst of energy and often exhausting to watch. A very promising young actress. Finally, Vincent Martella plays Greg, the token white dude. He’s Chris’s best bud and is honestly the most stereotypical white kid I’ve seen on television. Together it’s a good ensemble, and the show can be quite clever at its best, simply funny at its worst.
Posted in: Disc Reviews by Gino Sassani on August 13th, 2009
Jack Webb invented the modern television police procedural with the creation of Dragnet, first as a radio play and eventually as a successful television series. The series told the tale of a pair of L.A. detectives. There wasn’t any flair or action sequences. No car chases and no gun fights. When Jack Webb turned his attention to the patrol officer, he realized that some of that formula would have to change. But he wouldn’t tweak it very much. There was the occasional gunfire, but it was rare and was never the focus of any given story. Instead Webb concentrated on the actual procedures and duties of the everyday patrol officers, thus the invention of the procedural drama. It was no small step for television audiences and was likely very much responsible for the shape of the young medium and the shows that would follow up to this very day. Now the episodes might seem quite tame by today’s standards, and I don’t doubt that many of you might even get a chuckle at the no nonsense dialog that has become a Jack Webb trademark. Still, you won’t get a truer look behind the curtain than Adam 12. It was a show very much of its time.
Adam 12 debuted on NBC in 1968 and ran until May of 1975. The show never really changed at all for its 7 seasons. It starred Martin Milner as officer Pete Malloy and science fiction genre veteran Kent McCord as officer Jim Reed. They rolled in the black and white that bore the call letters Adam 12. They were headquarted at L.A.’s Rampart precinct, the same area as Jack Webb’s sister show about firefighters and paramedics, Emergency. The two shows shared a rather odd relationship. They did cross over and appeared to exist in the same universe; however, an episode of Emergency once featured a storyline where the paramedics where trying to watch a nail biter climax on Adam 12 only to be called away at the crucial moment. They spent the rest of the day trying to find out what happened. Yet they would meet the characters as real police officers in their own pilot. The firefighters would also appear on an episode of Adam 12. If that’s all rather a little confusing, blame the complicated world of Jack Webb.
Posted in: Disc Reviews by Gino Sassani on August 7th, 2009
An ancient facility beneath Antarctica becomes the launching platform to the lost city of Atlantis. Atlantis is buried beneath an ocean in another galaxy and can only be reached with an additional symbol on the Stargate. Because of power limitations this trip, at least for the time being, is a one-way adventure. A crew of scientists and military officers from many countries assemble to explore the Pegasus Galaxy from the Atlantis gate. Led by scientist Dr. Weir (Higginson) and Maj. John Sheppard (Flanigan) they take over the Atlantian command center and begin to explore. In their initial investigations they accidentally awaken the area’s top bad guys, The Wraith. These vampire-like beings suck the life-force out of humans.
When Stargate SG-1 was about to enter its ninth year, there was speculation that after season 8 the series would bow out gracefully with the anticipated exit of Richard Dean Anderson. With that plan in mind, the folks at Stargate Command decided it was time to spin off the franchise, and so was born Atlantis. Stargate Atlantis boasts pretty much the same production team as SG-1. The quality of the production and tight storytelling have translated well to this sister series. Stargate Atlantis took a little getting used to. I wasn’t sure the characters had enough chemistry or were even dynamic enough to carry the high expectations for a Stargate series. Those concerns eventually evaporated by the time Atlantis began to live without the SG-1 companion series. These characters really took off, and they’ve developed into nearly as strong a group as SG-1 ever was. Now with the very first Atlantis content available on high definition Blu-ray, you’ll have the chance to explore where the show began and ended. This single disc contains the first and last episodes of the 5 year journey that was Atlantis.
Posted in: Disc Reviews by Gino Sassani on August 6th, 2009
“Nobody has everything they want. It’s a survival pattern. You get what you want, you want something else, something more extreme, something more specific, something perfect….”
A Joss Whedon universe is always a strange and fantastical place to visit. It doesn’t matter if it’s populated by vampires and demons or space cowboys. If Whedon’s name appears anywhere on the credits, you know you’re going to be in for one hell of a ride. It’s been a little while since Whedon’s been back in the saddle. His most recent series, Firefly, was fraught with problems with the network. It was very badly handled, and the show died an undeserved swift death after just a few episodes. Whedon appeared somewhat bitter after all of that and disappeared from the television radar for a few years. They say you can’t keep a good man down, and now Whedon is back with his latest mythology heavy series, Dollhouse.
Posted in: Disc Reviews by David Annandale on August 5th, 2009
I, of all people, should know that one person's cultural detritus is another's fond nostalgia, and what better example of that can there be than this release. A strange mix of athletic contest, pro-wrestling posturing and silly gimmick game show, this series (which has recently been reborn) pitted hard-bodied contestants against the even-more-hard-bodied (at least in appearance) Gladiators of the title. Some contests involve knocking each off a beam, or dodging tennis balls fired from a gun while trying to get in a shot of one's own. Or then there's swinging in on a rope in the attempt to knock the Gladiator off a pedestal. It's all pretty silly, made even more so by the straight-faced colour commentary. If the intent was to satirize sports broadcast generally, then this is quite brilliantly funny, at least at first, but the joke can't sustain itself over multiple seasons. Basically, it is what it is. If you enjoyed the show when it first ran, then perhaps you'll enjoy it again (but is there anything less intended for multiple viewings than a game show?). If you are unfamiliar with the concept, probably best to stay that way. For the benefit of the completists out there, it should be noted that this set begins halfway through Season 1.
Posted in: Disc Reviews by Gino Sassani on August 5th, 2009
“There’s one thing I always wanted to ask Jack back in the old days. I wanted to know about that Doctor of his, the man who appears out of nowhere and saves the world, except sometimes he doesn’t. All those times in history where there was no sign of him, I wanted to know why not. But I don’t need to ask anymore. I know the answer now. Sometimes The Doctor must look at this planet and turn away in shame.”
It all started some decades ago with the BBC’s immensely popular television series, Dr. Who. The show was a national phenomenon in Great Britain, but in the 1970’s PBS stations here in the States started to pick up the show. Tom Baker was the Doctor at the time, and it became a huge hit, particularly across college campuses. Eventually, like all good things, the series wound down and disappeared from the airwaves. But in 2005 the BBC decided to resurrect the Doctor once again, and lightening did indeed strike twice. The show’s new format and style appeared to pick up right where the old show left off.
Posted in: Disc Reviews by Gino Sassani on August 5th, 2009
Imagine waking up one morning to find a newspaper on your front porch. Here in Tampa, the fact that the paper is actually on your front porch is miracle enough. Imagine further that this ordinary looking paper isn’t today’s paper at all, but rather tomorrow’s edition. If you could trust that what you held was the genuine article, so to speak, just think of the possibilities. For most of us our thoughts turn to the myriad ways in which we could enrich ourselves: sports scores, lottery numbers, even stock tips. If, however, you’re less selfish, there is an equally endless number of ways in which you could help your fellow man, or woman as the case may be. You would have advance knowledge of tragic accidents, crimes, and other unfortunate events about to befall your fellow human travelers. That’s the essence of Early Edition.
Gary Hobson (Chandler) is having some bad luck. His wife kicks him out of the house, on their wedding anniversary, no less. He ends up forced to live in a cheap hotel room. One morning he discovers that a mysterious orange tabby has left a gift by his door. Instead of the usual rodent surprise, Gary finds a copy of the local newspaper. This paper happens to be dated tomorrow. At first Gary doesn’t even notice the odd date as he attempts to go about his busy stockbroker life. It isn’t until Gary’s attempt to follow the price of wheat that he is finally alerted to his special edition of the paper. His buddy Chuck (Stevens) wants to use the paper to check out a few sports results. Gary avoids the temptation and refuses to allow his friend to have the paper. Instead he uses the information to assist another friend, Marissa (Davis – Williams), who’s in desperate need of a windfall. Together they become a team. As the event repeats itself, the three work to find ways to help others with their advance knowledge. There’s a little comedic tension, as Chuck is always trying to get his own taste out of the information. Marissa, grateful for the help she received, is far more keen on passing the good deed along.
![Stargate Atlantis: Fans' Choice [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/stargate-atlantis-fans-choice-bl-large.jpg)
![Dollhouse: Season One [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/dollhouse-season-one-blu-ray-large.jpg)
