Posted in: Disc Reviews by Gino Sassani on August 3rd, 2009
It just wouldn’t be summer without The Discovery Channel’s Shark Week extravaganza. What started back in 1988 as a themed week of specials has turned into the longest running annual series of programming on cable. Every year The Discovery Channel gives up its normal collection of educational shows to concentrate on that feared predator of the deep. Man’s always had a rather natural, and healthy, fear of sharks, but it was perhaps the 1975 film Jaws that brought all of those primordial fears bubbling to the surface of our pop culture. Since then sharks have taken an almost mythic position in our culture. They invade our fears, but more importantly they fascinate the heck out of us.
Posted in: Disc Reviews by David Annandale on August 1st, 2009
Running for a single season in 2008, this ABC Family production is a humorous pastiche of superheroics and Avengers-style adventure. Natalie Morales plays Wendy Watson, a struggling artist making ends meet as a temp. When she demonstrates incredible unflappability when a monster is unleashed at her current job, straight-arrow superhero the Middleman (Matt Keeslar) recruits her to join him in the fight against all sorts of bizarre menaces. A sampling of titles gives the flavour of the series: “The Boy-Band Superfan Interrogation,” “The Palindrome Reversal Palindrome,” “The Flying Fish Zombification.”
Posted in: Disc Reviews by David Annandale on July 29th, 2009
This was Lucille Ball's follow-up to I Love Lucy, and the first season is, apparently, the most highly regarded one. Here Ball is a widowed mother of two, sharing her home with best friend Vivian Vance, who is a divorced mother of one. All the other members of household are, of course, faced with the disasters triggered by Lucy. I screened this set immediately after viewing its close contemporary, Petticoat Junction, and the difference between the two was instructive. There are plenty of hoary gags and situations on The Lucy Show, but there is an enormous difference between the shows thanks to the comic genius of Lucille Ball. Her energy fills each episode, her timing is spot-on, but there is also her commitment to a type of physical comedy that to this day remains pretty much the exclusive domain of male performers. Not only does she make this style her own, she grounds it in a female reality. There is a reason she was so beloved a performer, and why her work still stands up today.
Posted in: Disc Reviews by David Annandale on July 28th, 2009
Once upon a time, there was an age of TV where hit shows where women in their 20s played high school students, and an entire episode could revolve around the burning crisis of whether the dog that followed one daughter home could stay. It is from this era that Petticoat Junction hails. This series about a widowed mother and her three daughters tending the Shady Rest Hotel ran for seven years, and begat both Green Acres and The Beverly Hillbillies, in that characters from all three series would interact with each other.
Posted in: Disc Reviews by Gino Sassani on July 22nd, 2009
Since the events of 911 there has been a lot more appreciation, at least publicly, for the real life heroes who populate fire and police stations all over the country. Few jobs offer so little reward for such high risk all in the name of protecting our society from harm. It’s likely no coincidence that while Third Watch began a couple of years before those events, it reached its peak in popularity in the months and years that followed. A better than average procedural drama, Third Watch offered a look at both police officers and firefighters along with their paramedics.
Posted in: Disc Reviews by Gino Sassani on July 22nd, 2009
I grew up on the Peanuts creations of Charles M. Schulz. Most of us have, in some way or another. His newspaper comic strip is one of the longest running and most successful strips of all time. The work has been translated into every language currently spoken on the planet. The images of Charlie Brown, Snoopy, Linus, and the rest of the Peanuts gang have appeared on just about any kind of product imaginable. Our pop culture contains too many references to the strip to mention briefly. For me, it was the television specials starting in the mid 1960’s that brought the gang into my life.
Posted in: Disc Reviews by Gino Sassani on July 22nd, 2009
The third season of Matlock brought more of the same. If you’re a fan, that’s very good news indeed. What is that, you ask? Imagine Sheriff Andy Taylor older and now an attorney, and you pretty much have the setup for Matlock. Forget for a second that both characters were played by Andy Griffith. That’s not all they have in common. Matlock is every bit the “southern gentleman” that Taylor was. He might be a little smarter, but he walks and talks like Andy Taylor.
Posted in: Disc Reviews by David Annandale on July 22nd, 2009
This, the final season of the series, opens with Samantha (Elizabeth Montgomery) and Darrin (Dick Sargent) on a European tour. This means stock shots of various European landmarks before we return to rather unconvincingly dressed-up studio backlots. There are a few two-parters in the mix, including the opening episodes, where Samantha is zapped back to the court of Henry VIII, and a late-season adventure where the time travel goes the other way, and George Washington is brought forward to the present. Special note should be made of Episode 3, where the Loch Ness Monster shows up, in all his googly-eyed, man-in-a-costume glory.
Posted in: Disc Reviews by David Annandale on July 22nd, 2009
As a Henry Mancini score swells with unapologetic cheese, we are swept into the world of the luxurious St. Gregory Hotel in San Francisco. Owned by aging matriarch Bette Davis (replaced, when she had to pull out due to illness, by Anne Baxter, as her sister-in-law), the Hotel's General Manager is James Brolin, who has lots of time to wander around the lobby greeting the various guest stars. In other words, he's Mr. Roarke to the St. Gregory's Fantasy Island. What follows is pure fromage of the Aaron Spelling variety, with every other guest star a fading Familiar Face, no end of improbable crises, painful comic relief, unintentional comedy gold in the dramatic moments, and much of the feel of a 1970s disaster movie minus, sadly, the disaster itself (but you can always re-watch The Towering Inferno to make yourself feel better).
Posted in: Disc Reviews by David Annandale on July 20th, 2009
In 1954, Coco Chanel (Shirley MacLaine) unveils her first collection in 15 years. The reception is disastrous. As she struggles to bounce back from the fiasco, she flashes back over her life. The bulk of the film then follows the young Chanel (Barbora Bobulova) and her love affairs, first with a callow playboy (Sagamore Stévenin), then with the Englishman (Olivier Sitruk) who will be the great love of her life. Along the way, we see a little bit of her development as a fashion designer.
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