Disc Reviews

"The machines rose from the ashes of a nuclear fire. Their war to exterminate mankind had raged for decades, but the final battle would not be fought in the future. It would be fought here in our present ... tonight."

The idea for The Terminator came to James Cameron in a feverish dream as he was struggling and about to get fired from Piranha II: The Spawning. He was overworked and stressed and ended up in bed. He immediately wrote a treatment with then-wife Gale Ann Hurd, and they approached Arnold Schwarzenegger quickly to make sure they retained control over the property. Eventually he lost it anyway, and that's why so many franchise films that were out of his control.

“The juice is loose.”

Michael Keaton is on quite the reunion tour of reprising his old roles, and for most actors, stepping back into the role isn’t always easy. However, for Keaton, it is as if no time has passed whatsoever. Over thirty years since portraying this iconic role, Keaton returns as Beetlejuice, the trickster spirit who attempted to manipulate a marriage to Winona Ryder’s Lydia Deetz in order to gain a permanent foothold in the living world. Keaton isn’t the only one who returns in this well-done addition to the ongoing trend of continuation series; Ryder returns as Lydia Deetz, Catherine O’Hara is back as Delia Deetz, Lydia’s stepmom, and most notably Tim Burton is back in the director’s seat for the sequel. Burton’s return is most pivotal addition in my opinion, as the first film was full of his unique style that would be impossible for another director to emulate. Also joining the franchise are Justin Theroux, Monica Bellucci, Danny DeVito, albeit too briefly, and most appreciatively, Jenna Ortega, who previously and actively collaborates with Burton on the Netflix Series Wednesday, whose upcoming season I am anxiously awaiting.

"My, what big teeth you have."

Werewolf stories go back to Little Red Riding Hood, and likely even farther than that. Lon Chaney, Jr.'s performance as Larry Talbot, the haunted soul who bears the burden of The Wolfman, is the version that still remains the standard. Before that Werewolf Of London in 1935 started Universal's dip into the Lycanthrope waters, and there have been a few classic retellings of the plights of these men plagued by the sight of the full moon. John Landis was the first to use modern technology to give us a most horrifying transformation in his iconic An American Werewolf In London back in 1981. The Underworld films have been my most recent favorites, and the Universal film is about to hit the box office with a remake of The Wolfman from the team that brought us the clever reimagining of The Invisible Man. Warren Zevon sang about them, and soon you'll be able to ride a Wolfman roller-coaster at Universal's new Orlando theme park, Epic Universe, with an entire universe land dedicated to the classic monsters. In the meantime, Mark Polonia has decided to mash-up the werewolf legends with the recent outbreak of "junkie" creatures. It's not just the Wall Street wolves and the elite soccer moms getting high on cocaine anymore. Forget your trendy addict rock stars. Lately everything from bears to sharks have been tooting the white powder, and the results have been ... well ... more amusing than horrifying. Now we have a Cocaine Werewolf, and it's all downhill from there. Downhill, yes, but somewhat amusing all the same.

"Nuns, guns and gasoline." 

Mike Mendez released his first film in 1997. Killers was also just released on Blu-ray from Synapse films. The better of this Synapse double release is The Convent. For me this was the peak of Mendez's low-budget horror films. Synapse must agree with that assessment, because they decided to give The Convent a UHD Blu-ray release in 4K, and that ended up being somewhat of a trick-or-treat combination, with The Convent absolutely being the treat here. Made in 2000, the film took a long time to make it to anyone's screens. There was a distribution deal in place, and it fell through at the last minute. It's the kind of luck Mendez has dealt with his entire career. His friend and co-writer on Killers lost his house when it was mortgaged to pay for that ' creation. He debuted the film at Sundance, and he had hoped for a wider release, at least on home video, but it took 2 years to finally happen.

"The holiest of holiest days. Merry Christmas, Dad. Boom! Stocking stuffers, Mom? Boom! Inspired. The flicker of yuletide lights, off-green artificial tree, carolers, the patter of eight tiny reindeer and the small jingle bells. Oh, what a silent night; that is, of course, unless you  wanna count the 27 double-buck rounds which are blasted pounding and ripping into both you and your better half..."

There's an ongoing argument about the classic Bruce Willis film, Die Hard. Is it a Christmas movie, or merely a movie that happens at Christmas time? If you think that's a tough one, wait until you get your hands on the latest release from Synapse Films. It's Mike Mendez's first time as a director, and the film is Killers. It's 1997, and Mendez still has a few small-budget gems in Christmas yet to come, Big Ass Spider and The Convent being two of his best. Mendez would get his first large attention project with the television series Masters Of Horror. But it all started here with one of the craziest films you will ever see. So is it a Christmas movie, or a movie that happens at Christmas? Boom!

"The following film contains graphic sexual content. Due to its extreme erotic nature this program is NOT SUITABLE FOR CHILDREN!"

Duh. I suspect that when we are all dead and gone, there will be two things we can count on continuing beyond the end of human civilization. The cockroaches will inherit the world, and they will all be watching South Park, the only television show still running. It's already been 22 years, and doesn't it feel like 50? I don't mean that in a mean way. I love South Park, but I'm starting to find it hard to remember what life was like without it. I'm convinced it will survive us all, and AI versions of Parker and Stone will be producing it until the planet is finally vaporized ... and I'm not sure even that will stop this show.

" I think their whole family's like some weird medical experiment. I think they're, like, circus people."

Be honest, who hears the theme music when anyone even mentions The Addams Family? I know I do, and then I have to resist the urge to do the finger snaps. Just in time for 31 Nights of Terror as well as the release of the animated version comes the of The Addams Family: Family Values on UHD (4K), featuring Raul Julia and Angelica Huston as Gomez and Morticia Gomez, and let’s not forget Christopher Lloyd and Christina Ricci as Fester and Wednesday Gomez respectively. Based on the wildly popular cartoons that appeared in the New Yorker that went on to find success as television series, the The Addamses are a satirical inversion of the ideal 20th-century American family: an odd, wealthy, aristocratic clan who delight in the macabre and are seemingly unaware, or do not care, that other people find them bizarre or frightening. For me, these movies were my introduction to this family, as the TV series was bit before my time, but a gothic family unaware of their difference from other people.

"One … two… Freddy’s coming for you, three… four… better lock the door, five… six… grab your crucifix..."

Freddy might have been born in the mind of Wes Craven, but he grew and developed in the knife-wielding hands of Robert Englund. Granted, not all of these films are equal in quality, but the first was everything you could ask for in a horror/slasher film of the era. Freddy himself is by far the most colorful and animated of the slashers. His burned face, fedora, striped sweater, and knife-blade glove were all integral parts of the wise-cracking maniac. You know the story already, so I'll stick the main idea. Freddy was a child molester and killer before the parents of Elm Street decided to burn him to the ground in a boiler room. Good homestyle justice goes wrong when Freddy reappears in the nightmares of the children of Elm Street. He has become a demon of sleep where he is able to manipulate the world into the most terrifying images possible for his victims trapped by their own slumber.

"How much do you know about the family business?"

Well, for over 20 years, the family business over at CBS has been the NCIS franchise, and another decade longer if you consider it was a spin-off of JAG, which lasted 10 years on its own. It's been a busy 20 years, I can tell you that. About seven years into the original show's run, we got our first NCIS spin-off with NCIS: Los Angeles. That show focused more on action and a lot of explosions. The show just finished its final year after 14 seasons. Then there was NCIS: New Orleans that brought the focus to the unique culture and tastes of The Big Easy. It lasted seven years, and there's an upcoming NCIS: Sydney which is about to take us down under to grab that shrimp on the barbie. Things continue to expand, and now we have NCIS: Hawai'i, which expands the franchise and solves a situation at CBS. For decades they have kept a Hawaiian studio on the islands. First it was a remake of Hawaii Five-O, and then a remake of Magnum P.I. recreated history just as it happened in the 1970's. Now Magnum is gone once again, and so CBS slid a new NCIS show right into those production facilities. What we have is another unique location and another NCIS crew out there solving Navy crimes.

"Everything is always about Sheldon."

Warner Brothers is very familiar with superheroes. That goes double for the character of Sheldon, played by Jim Parsons on The Big Bang Theory. A common thread in the superhero business, of course, is the origin story. With the popularity of The Big Bang Theory, and the Sheldon character particularly, it isn't all that surprising that we would eventually be treated to Sheldon's origin story. But instead of flashbacks on the series, the decision was made that Sheldon's childhood was territory that could be mined for years. Thus is born Young Sheldon. For fans of the original show and character, it couldn't have come at a better time. Parsons just turned down an offer of $50 million for two more years of Big Bang. I can't imagine how it must feel to be able to turn down that kind of money. But faced with doing the series without him, the smart decision was to shut it down. This will be the final season of The Big Bang Theory, but apparently Sheldon with live on as a kid for years to come. Not sure what Parsons' paycheck is here, but it requires only his narration.