Disc Reviews

"If you carry a 00 number it means you're licensed to kill ... not get killed."

1961 was a pretty big year for many of us. In the NFL one of the new teams entering the league was one in Minnesota called the Vikings, and they would draft a quarterback named Fran Tarkenton as one of their first acts. I was born that June, and a couple of weeks later one of the most important deals ever made in Hollywood was consummated. EON Productions had just been formed as the partnership between Albert R. "Cubby" Broccoli and Harry Saltzman, and their partnership started off with a bang when they acquired the film rights to Ian Fleming's British secret agent, James Bond. Fleming's first choice to play his spy was Roger Moore, who later did take over the role, but long after Fleming had died. Sean Connery would fill that role nicely, and within a short period of time Fleming was on board with Connery in the title role.

"In the beginning there was blood."

Dexter Morgan is a forensic lab rat for the Miami-Dade Police. He really knows blood splatter. He should, because he moonlights as a killer. It seems that poor old Dex just can’t help himself. His parents were criminals, and he witnessed his mother’s brutal slashing by a chainsaw gang when he was just a young boy. He was adopted by Harry Morgan, a police officer. Harry saw the killer instinct in Dexter and taught him how to channel the urges for the sake of good. Dexter adopted Harry’s Code, which means he only kills others that he’s able to prove were killers themselves. Working for the police with his officer sister, Debra, Dexter is constantly just on the verge of getting caught. He has to adapt and evolve to avoid capture. Many of us bore witness to the show's 8-year run. It looked like it was all over until Dexter was reawakened in 2021 with a revival series Dexter: New Blood.

"141 years ago, my father was told of this valley, and here's where we stayed. Seven generations. My father was told they would come for this land, and he promised to return it. Nowhere was this promise written. It faded with my father's death but somehow lived in the spirit of this place. Man cannot truly own wild land. To own land you must blanket it in concrete, cover it with buildings, stack it with houses so thick people can smell each other's supper. You must rape it to sell it. Raw land. Wild land. Free land can never be owned. But some men will pay dearly for the privilege of its stewardship. They will suffer and sacrifice to live off it and live with it and hopefully teach the next generation to do the same. And if they falter, find another way to keep the promise." 

Yellowstone began with a lot of that there promise five years ago. Taylor Sheridan pretty much built his television empire on the foundation that was Yellowstone. It was a grand design, but something happened along the way.

"The oil and gas industry makes $3 billion a day in pure profit, generates over $4.3 trillion a year in revenue. It's the fourth largest industry in the world, ranked ahead of food production, automobile production, and at $1.4 trillion the pharmaceutical industry doesn't even crash the top 10. The industries ranked ahead of oil production are all completely dependent on oil and gas. The more they grow, the more we grow. That's the scale. That's the size of this thing, and it's only getting bigger..." 

If Taylor Sheridan does not own a big chunk of stock at Paramount+, then he should be a major shareholder, because he's bringing in more bucks than everything else combined except for Star Trek. I've enjoyed every one of his shows to date some more than others. I think that Landman has to be the best of them yet. Yellowstone has been the great amber-captured jewel of the kingdom for over five years, but his split with Costner brings all of that to an early end, with the exception of spin-offs. I think I've found the new champ, and it's Landman. Landman is absolutely as good as television gets or has ever gotten. Paramount has released this first season on Blu-ray now, and if you're not planning on adding it to your collection, then you need to get back up, move that rock you hit your head on, and order it now. Or wait for the paramedics and hope for the best. Up to you.

Good evening, everybody! My name is Robbie Williams. This is my band, and for the next two hours, YOUR ASS IS MINE!” 

I was really intrigued with the film’s concept. After all, every year musical biopics are released, and they can sometimes seem like they are all following the same blueprint, which, needless to say, makes it rather difficult for them to stand out. Better Man bucks that trend by instead of opting for an actor with a passing resemblance to the subject, rather depicting the subject as a chimpanzee, which was inspired by Robbie Williams’ own perception of himself as a "performing monkey". If that doesn’t make this film stand out, I don’t know what will. This also has the added benefit of allowing Williams to voice the character himself, which in my opinion adds a layer of authenticity to this biopic. After all, who better to tell their life story than the person themself?

"I'm not feeling motivated to be valuable to anyone but myself."

When Alex Kurtzman took over the television side of Star Trek, he started with Star Trek: Discovery.  Michelle Yeoh played one of the better characters on the series. She started as a ship's captain and was soon killed off. But then the ship heads into the Mirror Universe, where Yeoh's character of Philippa Georgiou wasn't a Starfleet officer. She was the emperor of the Terran Empire. She ended up on our side of the looking glass and had some rather interesting stories. It turns out that almost from the beginning Yeoh had some ideas of a spin-off she hoped to do. That series was Section 31, which involved a black-ops agency within the Federation, and she thought our kind of evil emperor might be a perfect fit. Section 31 was first explored on Deep Space Nine during the Dominion Wars and was left alone for decades. Now it's back in the form of a Star Trek feature film instead of the series. Why the drastic change, you may ask? A lot of things happened since the idea was first proposed.

"The thing I love about Valentine's Day is the expectation of the unexpected. That something magical could happen, and maybe that special someone will come back into your life and change its course for the better."

Valentine's Day is one of those Hallmark holidays that leave us with a warm and fuzzy feeling inside. Unless, of course, you happen to be alone, or a member of the Bugs Moran gang in Chicago in 1929. So it really means a lot of things to a lot of people, but I really do question the use of that particular day for the setting for first-time director Jonathan Eusebio's action film Love Hurts. The Valentine's Day angle is pretty weak, and a think gimmick for what is basically a comic martial arts film that gives Vietnamese actor Ke Huy Quan his first starring role. The gimmick pretty much failed, and the film tanked after just a short time at the box office, bringing in a measly $15 million with a budget of over $18 million. Universal decided to give the movie a short turnaround, and it's now making its debut on UHD Blu-ray. If the film is going to pick up some extra cash, this is where it's going to happen, and arguably direct-to-video and streaming is likely where the film belonged all along.

"What my associate is trying say is our new brake pads are really cool. You're not even gonna believe it. Like, let's say you're driving along the road with your family. You're drivin' along, la-de-da, woo. All of a sudden there's a truck tire in the middle of the road. And you hit the brakes. Eeee. Whoa, that was close. Ha-ha. Now let's see what happens when you're driving with the "other guy's" brake pads. You're drivin' along,  the kids start shouting from the back seat, "I gotta go to the bathroom, Daddy!" "Not now, damn it!" Truck tire. I can't stop! There's a cliff. Aaahh! And your family's screaming, oh my God, we're burning alive!" "No! I can't feel my legs!" Here comes the meat wagon. And the medic gets out and says, "Oh my God." New guy's around the corner puking his guts out. All because you want to save a couple extra pennies."

There are a ton of parallels between the Chris Farley/David Spade comedy team and that of John Belushi/Dan Aykroyd. Both teams began in the Saturday Night Live arena. It was that physical big/little guy combination that has its roots with Laurel and Hardy, and Abbott and Costello. Both teams were at the height of their careers when a drug overdose would claim the wilder member of the team. Both of the deceased comedians left behind at least one successful brother to carry on the name in show business. Tommy Boy was by far the best of the films this duo made before Farley’s tragic overdose in 1997. It's now the 30th anniversary for the film, and Paramount has released a nice steelbook UHD Blu-ray (4K) version of the film to celebrate.

"Space... the funniest frontier?"

Star Trek: The Animated Series first aired in September of 1973, four years after the three seasons of what is now referred to Star Trek: The Original Series. It was a straight sequel that continued the five-year mission of the starship Enterprise. All of the original cast lent their voices to the characters they played in the live-action series, with the notable exception of Walter Koenig. Chekov was replaced with an alien that had three arms and legs named Arex, who was voiced by James Doohan, as were many of the other guest characters throughout the two years the series ran. There were episodes that served as direct sequels, and so we were treated to the likes of Harry Mudd, tribbles, and the Guardian of Forever once again.  Now Paramount and CBS have brought us a second animated series, and the first season of 10 episodes arrives on DVD straight from its run on the network's streaming service.

"Ever since I was a young boy, I played the silver ball, From Soho down to Brighton, I must have played them all, But I ain't seen nothin' like him, In any amusement hall, That deaf, dumb and blind kid, Sure plays a mean pinball." 

I was first introduced to The Who through the original Tommy album. It was one of my mother's favorites when I was young, and she had actually written out by hand her interpretation of the story the rock opera appeared to tell. I can't remember those scribblings, and I'm not even sure if they're still tucked away in that Decca album I have around here somewhere. But the music always stayed with me. Now, I didn't ever become a huge fan of the band. I always liked them and collected a couple of their albums over the years. I did play a lot of pinball, however. I fell more in with the likes of Elton John. So you can imagine how excited I was in the summer of 1975 when my favorite musician was cast to play the Pinball Wizard in a movie from the music that had been stuck in my head for years. And while the soundtrack version has been the version I've often found stuck in my head, the original album was never far away either. Apparently that's also the case with Pete Townsend and Roger Daltrey. They would reunite and perform the rock opera live celebrating the release's 50th anniversary. Now the film is also celebrating 50 years. I sure feel old. But watching Tommy again sure brought a childhood of memories flooding back in. Shout Factory delivered.