Disc Reviews

What do you get when you mix Jackass with stunt master Evil Knievel?  Well, you end up with the Nitro Circus.  This group of guys (and one girl) is made up from a variety of extreme sports athletes and guys that simply enjoy pushing the limits of safety and sanity all for the sake of the ultimate adrenaline rush.  Is this something that really needed to be a movie?  Does anyone really want to see grown men (and one woman) doing bike jumps 400 feet in the air?  Hell yeah we do!

I’m no stranger to these types of films.  One of my all time favorite movies to kick back and have a couple of drinks with is Stunt RockStunt Rock is the holy grail of stunt movies with a mix of glam rock.  What Grant Page (Stunt Rock) and Knievel did was pave the way for Johnny Knoxville, Bam Margera, and Travis Pastrana.

Think 28 days later set in 1945 with Nazis, or at least that was my first interpretation of Outpost: Black Sun. Considering how relatable it seems to that film, and being a huge fan of the Danny Boyle series, I really wanted to like Outpost. In reality, however, it took multiple viewings of the beginning for me to grasp the plot of the movie. Now I believe myself to by a fairly intelligent guy, so the idea of having to watch the beginning of a film more than once to comprehend the plot is enough to make me write a movie off. However, once I made it out of my cloud of confusion, something happened…it got interesting.

The story starts off with the introduction of Lena (Catherine Steadman, The Tudors), daughter of holocaust survivors who after the death of her father, picks up his mantle of hunting down Nazi war criminals, specifically the ones who ran the concentration camp her parents were housed in. After tracking down the second to last war criminal on her list, she learns that not only is her final target well hidden, but he has created something that has the potential to help the Third Reich accomplish world domination.

“Killing is easy. High school is hard.”

Granted that it’s generally not really a good idea to endorse a series that advertises the idea of high school assassin (especially something that uses the quote seen above), but when it is done as well as Aim High, you sort of have to roll with it. A web series equipped with comedy, stunts, and a little bit of teenage melodrama, Aim High does in a fraction of the time what so many television shows failed to do…entertain.

 “Every man’s got his dark side”

This is the most fitting quote to describe the exploration of Fire with Fire. My intrigue began with the film’s title, I just love that title. Nowadays most film titles have been reduced to using the name of one of the characters or including “the” in the title; it’s refreshing to have a title that encompasses the overall plot of the film. TV director and reputable stunt coordinator David Barrett takes the director seat for his first feature film (a quick IMDB search would tell you that this step was long overdue), and given the all-star cast he managed to put together, he couldn’t have picked a better film to start with.

After watching Tyler Perry’s Awkward Attempt at Action Stardom less than a month ago, it was oddly comforting to see the multi-media superstar back in his wheelhouse. Don’t get me wrong: I like to see a performer expand his horizons. It’s just that Perry looks infinitely more comfortable in his signature character’s wig and muumuu than tracking down a serial killer and grimly saying things like “I will meet his soul at the gates of hell before I let him take a person that I love from me.”

So it’s no surprise to see the actor/writer/director’s latest in-house production truly comes to life whenever Perry throws on heavy makeup or an outrageous costume. Unfortunately, the rest of Tyler Perry’s Madea’s Witness Protection isn't very good.

My favorite genre of music to make fun of is Metal (even though I like listening to it). As an example, This is Spinal Tap, the best musical mockumentary ever, we learn that metal can be freaking hilarious. That’s why when my webmaster offered me Metalocalypse Season Four on Blu-Ray, I eagerly said yes even though I had only seen the cartoon once or twice. However, once I opened it up, I realized before me was perhaps one of the funniest dark comedic cartoons I have ever seen.

This site has not really touched this series since Season One, so I will go ahead and go over the basics. Metalocalypse is about a band, possibly the world’s greatest death metal band, Dethklok. This band has become so successful that they are considered the seventh largest economy in the world. Dethklok consists of five members: Nathan Explosion (lead singer), Skwisgaar Skwigelf(lead guitar), Toki Wartooth (rhythm guitarist), Pickles (drummer) and William Murderface (bassist).

“Hold up! Wait a minute! Let me put some Brown in it.”

With this DVD I learned a valuable lesson (several actually), about not judging a book by its cover. Around the time it was announced that this show would premiere on TBS, I was in the middle of watching Tyler Perry’s first series on TBS, House of Payne. Assuming that Meet the Browns would nothing more than a variation on what House of Payne was, I ignored this show. However you know what they say happens when you assume, and that’s just what happened to me.

Please put down the torches. The mediocre rating you see attached to this review is in no way an indictment of Queen, one of rock history’s most iconic bands fronted by, arguably, the best male vocalist of all time. No, this mediocre rating is specific to this two-disc DVD collection of Freddy Mercury and Co’s music video oeuvre.

Queen: Greatest Video Hits features 33 clips starting with the band’s mid-1970s breakthrough, continuing through their reign as the kings of stadium rock in the early and mid-1980s, and concluding right at the dawn of the 1990s. (Mercury died in 1991 of bronchopneumonia resulting from AIDS.) For the most part, the music videos — especially the earlier clips on Disc 1 — seem relatively primitive by today’s standards, but they serve as a great time capsule of the burgeoning art form. Plus, the music is undeniably terrific.

Is it “absence makes the heart grow fonder” or “out of sight, out of mind”? That is the principle question of Tyler’s Perry’s newest stage creation, I Don’t Want To Do Wrong. As usual Tyler Perry continues to demonstrate his mastery of wearing multiple hats, acting as writer, director, and producer. It only requires watching this play a quarter of the way through before realizing that in the world of stage work, Perry has no equal. Balancing comedy, spirituality, and an important message, there’s no wonder why Tyler Perry has become the king of playwrights.

I Don’t Want To Do Wrong is written in Perry’s traditional format for an ensemble play, parallel stories running simultaneously. The main story follows Yolanda (Kislyck Halsey), a medical student and young wife of Jamal (Tony Hightower), a soldier away fighting in Iraq. Due to financial strains, Yolanda is forced to move back in with her mother and father, Rev. Wallace and Hattie (Brilliantly portrayed by House of Payne alum Palmer Williams Jr. and Madea’s Christmas’s Patrice Lovely). In her husband’s absence, Yolanda succumbs to desire and begins having an affair with fellow student Marty (Andre Pitre). Things spiral out of Yolanda’s control when Marty falls in love with her and wants her to leave her husband for him. That coupled with Jamal’s sudden and unannounced return from Iraq spells disaster for Yolanda, who learns the hard way that there’s a cost when you try to have your cake and eat it too.

For those who do not know, I am half polish. My mother was born in Poland during the 1950’s after the second World War. Often through my youth I would ask my mother for stories of World War II from her father. However, this was met with much resistance as my grandfather was rather tight lipped about anything that happened in that time period. It was understandable, but I still wanted to learn. In fact, today we visit World War II and more specifically the Nazi Collaborators in our dvd review.

This documentary set includes thirteen hour long episodes spread over four discs. All of these deal with a different section of Europe including Poland, France, Belgium, and Finland. The specials also deal from right within Germany itself as it examines delicate subjects like Jews inside Germany and the Killer Police. This is six hundred and fifty minutes that covers virtually everything about leaders and people who would later be labeled as collaborators. Here are a few examples.