Posted in: Disc Reviews by Gino Sassani on January 3rd, 2011
"I love it when a plan comes together."
I love it when a movie comes together that offers you some value for your entertainment dollar and manages to touch a bit on the old nostalgia strings along the way. I'm not going to try to convince you that the new A-Team film is a great movie. It's not even close. But neither was the series a great series. What I am going to try to convince you to do is go out and at least rent a copy of the A-Team movie and allow it to do exactly what it was intended to do ... take you for a little ride while jogging those old memories just enough to bring the occasional smile to your face. Think about it. Could you really ask a movie to do anything more?
Posted in: Disc Reviews by Gino Sassani on January 3rd, 2011
"Luke Skywalker has returned to his home planet of Tatooine in order... But, you know this story..."
Know this story, you do. It's the opening of the third, or actually the 6th in sequence, but it is the 3rd one made, unless you count... Never mind. This is the prologue to Return Of The Jedi. Not so long ago in this Galaxy, Family Guy took a shot across the bow of those Imperial Cruisers with its extremely funny and on the spot spoof of the first Star Wars film, or actually the 4th chapter.... Star Wars: A New Hope. It was only a matter of time before Seth MacFarlane would steer his own ship back into George Lucas's universe a third time. With equal parts faithful adaptation and off-the-wall detours, he's done it again, delivering another very funny tour into the dark side.
Posted in: Disc Reviews by Gino Sassani on January 3rd, 2011
Futurama was the brainchild of Simpson veterans Matt Groening and David X Cohen. With the growing popularity of their iconic cartoon, it was no surprise that Fox would tap the team to bring another show to the network. When Futurama premiered in 1999, it was a combination of The Jetsons and The Simpsons. That would be ironic for those of us who think the Simpsons theme is a direct knock off of The Jetsons. It was 1000 years in the future, and the joke was that no matter how much things changed, they hadn’t really changed at all. The space-age series would use many of the writing and art team from The Simpsons. That meant the character designs, at least the humans, would look exactly like the people in the other show. The writing would include that same subtle wit that implanted tons of references for the adults who were watching. The show never seemed to click with the kids, but it was not really meant to. The subject matter was considerably more adult in nature, and there really weren’t any cuddly characters. All of this likely led to Fox’s decision to cancel the show after four years. It wasn’t a quick and painless demise, either. The show suffered through months of purgatory. It was on, then off again. The final episodes were moved around and often rescheduled. In the end it was an uphill battle, and Futurama lost.
But the cancellation was not to be permanent. The show found new legs on cable and finally with a handful of home video movies. Interest was once again high, and Futurama was back from the grave. Now the episodes can also continue on home video. Here you'll find a collection of 13 episodes on 2 discs.
Posted in: Disc Reviews by Archive Authors on January 3rd, 2011
From beginning to end, the emotional impact of Prayers for Bobby will leave you reaching for a tissue.
The screenplay for Prayers for Bobby is from the biographical novel by Leroy Aarons about the Griffith family. Sigourney Weaver plays her role as the matriarch Mary Griffith perfectly. Mary Griffith (Sigourney Weaver) is a devout Christian who believes that by the power of God and of prayer, all problems have a solution. Mary and her husband, Robert Griffith (Henry Czerny), raise their children under a conservative religious perspective. Their young son, Bobby (Ryan Kelley), believes he is gay. For years, Bobby has dealt with confusion, inner turmoil, and shame. Naturally, he is terrified to tell his family. Bobby knows his secret will change the way his parents and siblings look at him forever.
Posted in: Disc Reviews by David Annandale on January 3rd, 2011
Paul Rudd is desperate for a promotion. Moving from the drudgery of the sixth floor to the executive seventh will, he feels, cement his financial status and convince his girlfriend (Stephanie Szostak) to marry him. Opportunity knocks, but also has a price: he must find an idiot to bring to boss Bruce Greenwood's dinner party, where these unfortunates will be ridiculed. Rudd doesn't like the idea, but then he (literally) runs into Steve Carrell, a man of such transcendent idiocy that Rudd can't resist the siren call he represents. But before they can make it to the dinner, Carrell's well-meaning stupidity threatens to completely derail Rudd's life.
This is a remake of 1998's The Dinner Game (Le diner des cons). Francis Veber's farce clocked in at 80 minutes. Jay Roach's bloated retread is half again as long, and only half as funny. The Paul Rudd character in the original, played by Thierry Lhermitte, was a superior, cruel SOB who deserved to have his life taken apart. Furthermore, the characters never actually make it to the dinner of the title. The remake, of course, finds it necessary to stick literally to its title, and gives us the dinner, thus inviting us to engage in precisely the form of cruel laughter it pretends to condemn. It also tries to make Rudd sympathetic, and having his character be a nice guy runs counter to the very premise of the film. End result: a film that tries much too hard to be funny, laboriously working every last predictable gag until those horses are fit for nothing more than the glue factory. There are some amusing moments, but this is, by and large, a gigantic, time-consuming waste of the talent involved.
Posted in: Disc Reviews by William O'Donnell on January 2nd, 2011
8 corporate hopefuls gather at a mysterious location and are instructed to take one final exam as a final test to see which one will walk away with a prestigious job at a major company. The trouble is their exam papers are blank, and it would seem that there is not even a question to answer. For 80 minutes each must solve the puzzle without being disqualified by breaking one of the few rules, all of which double as a riddle/clue to solving the exam question and answer.
There are no set changes, no flashbacks to see more about the character's past, not a single thing that takes us outside of the tiny exam room. As our young hopefuls are slowly eliminated from the competition, the story becomes all the more engaging. The cryptic, “think WAY outside the box” puzzle solving (along with an interesting science fiction angle to the story that is revealed about midway through) makes this film resemble a film like Cube more than 12 Angry Men. Normally a film like this would hinge on the characters, but the riddles and their manner of deducing then trying to solve them is ample for maintaining the audience's interest. Like how the setting was far more interesting than the characters in Cube, the riddles are more interesting than who is trying to solve them.
Posted in: Disc Reviews by Archive Authors on December 30th, 2010
Written by Dave Younger
This is a prison drama, where the most feared criminal in Combs State Prison is born-to- be-bad Miles “Cain” Skinner (Ving Rhames). His nemesis Redfoot (Robert LaSardo) has just been caught doing his last drug deal and is transferred there. Which tough guy will prevail? Cain is so dangerous he’s in solitary confinement, so that makes it harder to take him out. But he is allowed out one hour a day. He’s handcuffed – sometimes – and security is increased, so it seems like Redfoot has an advantage. But those handcuffs could be nasty weapons…
Posted in: Disc Reviews by Archive Authors on December 27th, 2010
Written by Dave Younger
David (Sam Page) and Georgie (Natassia Malthe) are engaged. They go overseas, to Spain, to get the blessing of David’s father, Robert (Michael Maxwell). Georgie is abducted from a nightclub and becomes a sex slave for a twisted psycho known as the White Arab (David Gant, but because this is an ultra-cheap straight-to-DVD Hostel knockoff, his name is misspelled as Grant on the cover). Georgie’s fiancée discovers a guy whose sister was also kidnapped, and they make plans for a rescue. But there are lots of crazies, drug dealers, and corrupt officials they have to deal with first.
Posted in: Disc Reviews by Gino Sassani on December 27th, 2010
“As an exterminator I'm called upon to curb the destruction by beasts both great and small, be it eliminating a deadly menace or safeguarding a lake from ruin. But sometimes one wrong turn on the job can become a question of life or death."
Billy Bretherton is the owner of Vex Con Pest Control in Shreveport, Louisiana. It's a family run business. Mom is the office manager and takes all of the service calls and then dispatches the technicians to their various jobs. Dad is the office mascot. He's had a heart attack along with a few other medical scares, so he's not really very hands-on. You might say his main job is to worry and complain. Mary is Billy's wife. She quits halfway through the first season, appearing only a couple of brief moments in the second season. Still, she's a part of the opening credits. Ricky is Billy's brother and often his partner on many of his two-man jobs. It's interesting that we're constantly told that Ricky is deathly allergic to wasp stings. One sting and it's an airlift ride to the ER, Billy is always reminding us. But when a wasp call comes in, who do you think Billy takes along to help? Of course, it's Ricky. Mom always reminds us of the allergy and admonishes Billy to be sure his brother doesn't get stung. It's things like this that make this the most frustrating A&E series I've ever watched.
Posted in: Disc Reviews by Gino Sassani on December 27th, 2010
By 1978 the television detective model had been nearly complete and possibly already a cliché. Dan Tanna might have well been the complete model as far as the formula goes. It was almost as if you could go down a checklist and, like Dr. Frankenstein creating a monster, check off the necessary elements. The scripts could then almost write themselves, and you let the show fly on autopilot for three seasons or so until someone decides to look behind the curtain.
So let’s go down that checklist, shall we?
![The A-Team (+ Digital Copy) [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/the-a-team-digital-copy-blu-r-large.jpg)
![Family Guy: It's A Trap! [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/family-guy-its-a-trap-blu-ray-large.jpg)
