Posted in: Disc Reviews by Gino Sassani on December 20th, 2010
He's been called the King Of Late-Night. Today when there are so many talk shows on at pretty much every hour of the day, that might not appear to be such a huge distinction. There were talk shows on before Johnny Carson, but there can be no doubt that he invented the modern late-night show. For 30 years Johnny Carson was like a member of the family for millions of Americans. He was a friendly face at the end of a long, stressful day. He was that dependable routine that you could set your biological clock by. You would lie back in bed and let Johnny bring the world to you. You could count on a wide assortment of entertainment experiences. Johnny would deliver a monolog that often touched on the hot topics of the day. The news programs might be depressing, but Johnny always gave you a reason to crack a smile at the worst of times. There were characters like Aunt Blabby and Carnac who became comfortable old friends. The top names in show business competed for precious minutes on his stage, and if you were very lucky you spent some time on the couch and some face time with Johnny and his faithful sidekick Ed McMahon. Johnny could make or break your career in three minutes. He brought you the best of the new comics and musicians while delivering the big stars just as well. When you made it to The Tonight Show, you really made it.
There will never be a complete season or complete series set for Johnny Carson. There are several problems that present themselves almost immediately. Johnny was on nearly every night for thirty years. Do the math and you'll realize there have been thousands of episodes. The sad fact is that many of these moments are lost forever. Footage has either been lost completely or is in such bad shape as to be almost unwatchable. The was so much variety that having a full season would be a logistic nightmare to find those favorite moments. No, there just isn't ever going to be a complete anything when it comes to Johnny Carson. But Respond2 Entertainment has come about as close as I would have believed possible with the extraordinary release of 4 Decades Of The Tonight Show. Now, I hesitate to even call this a comprehensive collection. Again, I'm just convinced that wouldn't be possible. This comes as close as it gets.
Posted in: Disc Reviews by Gino Sassani on December 20th, 2010
The setting for Gunsmoke was the by-now-famous Dodge City, circa 1870’s. Phrases like “get out of Dodge” would enter the popular lexicon as a result of this resilient series. Marshall Dillon (Arness) was charged with keeping the peace in Dodge City. The only other character to see the entire 20-year run was kindly Doc Adams (Stone). Star Trek’s own Doc, Leonard McCoy, took many of his traits from Doc Adams. He was the humanitarian of the city, always looking to help someone. Like McCoy, he had a taste for bourbon and a soft heart underneath a rather gruff exterior and was always ready with free advice. Dillon’s love interest throughout most of the series was Miss Kitty Russell (Blake). While there were certainly a few romantic undercurrents, the romance never came to fruition. Miss Kitty was a prostitute on the radio and was likely one here as well, but CBS chose to underplay that aspect of her character as a “saloon girl”. Finally Dillon’s faithful sidekick deputy was Chester (Weaver). Chester often found himself in trouble and was the naïve son figure to Dillon.
Gunsmoke is the longest running scripted live action television show in history. The series ran from 1955 to 1975. At first it was a half-hour black-and-white show that evolved into a color hour by 1967. It actually started before the days of television, premiering on radio in 1952. Then it was William Conrad as the tough-as-nails Marshall Matt Dillon. When television came into its own, Gunsmoke made the jump to the bright living room box and made history. Westerns would ride across our small square screens for the next three decades, making it the most successful genre of that time, and it was Gunsmoke that started it all. The television version of Gunsmoke was originally conceived as a vehicle for John Wayne, who opted to remain in movies. Yet it was Wayne himself who suggested James Arness, and it turned out to be a career for the one-time “carrot” monster from The Thing. Gunsmoke started before all of the big westerns and was around when most of them had departed.
Posted in: Disc Reviews by David Annandale on December 20th, 2010
This was Lucille Ball’s follow-up to I Love Lucy. Here Ball is a widowed mother of two, sharing her home with best friend Vivian Vance, who is a divorced mother of one. All the other members of household are, of course, faced with the disasters triggered by Lucy. I screened this set immediately after viewing its close contemporary, Petticoat Junction, and the difference between the two was instructive. There are plenty of hokey gags and situations on The Lucy Show, but there is an enormous difference between the shows, thanks to the comic genius of Lucille Ball. Her energy fills each episode, her timing is spot-on, but there is also her commitment to a type of physical comedy that to this day remains pretty much the exclusive domain of male performers. Not only does she make this style her own, she grounds it in a female reality. There is a reason she was so beloved a performer, and why her work still stands up today.
The third season offers up even more laughs. Some highlights of the season include:
Posted in: Disc Reviews by Gino Sassani on December 20th, 2010
Who doesn’t have a soft spot in their heart, if not their DVD collection, for The Andy Griffith Show? The denizens of Mayberry have been with many of us our entire lives. For most of America, The Andy Griffith Show has become the template for any small rural town. The characters stand as prerequisite citizens in any said town. The town drunk, the local barber, the motherly little old lady, and the corner mechanic all look like Otis, Floyd, Aunt Bee, and Goober to most of us now. Griffith himself brought fine qualities to his role of Sheriff Andy Taylor, but it was Don Knotts as the incompetent but lovable deputy Barney Fife who stole the show. And who was that sweet little boy? He grew up to be a first class filmmaker with plenty of Oscars on the shelf. No question that The Andy Griffith Show started something back in 1960.
Sheriff Taylor (Griffith) is a widower with a young son, Opie (Howard). His extended family includes lovable doting Aunt Bee (Bavier). His deputy, Barney (Knotts) appears to be a few trout short of a stocked creek. They live in the small southern town of Mayberry.
Posted in: Disc Reviews by Archive Authors on December 19th, 2010
Written by Dave Younger
A couple, Alex and Kate (Nicholas Shaw, Zoe Richards), has fallen asleep on the couch watching a movie. Kate wakes up muttering, “Don’t open it.” Someone rings the doorbell. You know they shouldn’t open it. It’s only David (Giles Alderson), a good friend, a little freaked out because he’s just discovered his girlfriend is cheating on him. They agree to let him spend the night. Bad idea. He’s more than a little freaked: he can’t sleep, and he sees monsters. We can’t see the monsters too well, but what we do see is reminiscent of the phantasmagoric creatures on The Outer Limits. We’re mostly aware of them through sound – they make spectacularly creepy and eerie sounds – thumping, banging, screeching, and hissing combine with constantly unsettling music.
Posted in: Disc Reviews by Gino Sassani on December 16th, 2010
John Wayne Gacy was one of Chicago's most infamous killers. He most remembered for the images of him as a clown. He used to entertain at parties in the costume. While it was never really part of his killing life, he was forever known as the Clown Killer. Gacy would entice young men, often gay hookers, into his home where he would drug them and have sex with them. He would also trick them into putting on handcuffs, and he would strangle them to death. He buried the bodies of his victims in a crawlspace beneath his house, where the mass grave's discovery would lead to his arrest and conviction. A bit of a surprising development was that Gacy himself ended up drawing an accurate map of where each of the bodies could be found, because he didn't want them to rip up his floors. Of course, it should have been clear to him by then that he wasn't going to be living there ever again.
We all know the story. There have already been countless films and documentaries as well as books dealing with every aspect of the killer's life and crimes. Apparently, there was another little known story that hadn't gotten quite the same amount of attention. In the 14 years that Gacy was incarcerated awaiting his eventual execution for the murders, he was quite the communicative butterfly, writing to many of the folks who wrote to him in prison. He would attempt to manipulate these people from behind his own prison cell. One of these pen pals was criminology student Jason Moss. Moss would later write a book about his experiences with Gacy called The Last Victim. In the book he described the correspondence that led to him actually visiting with Gacy in the last days leading up to his execution. Obviously, there are going to be some liberties with the film, but it is nonetheless a fascinating character study of a relationship that got terribly out of hand.
Posted in: Disc Reviews by Gino Sassani on December 16th, 2010
“The name's Brogan, Lieutenant Brogan. For 20 years I was with the NYPD. Now? Well ... let's just say I'm transferring to another precinct.”
That Precinct is the 88th, which serves Demeter City from an orbiting station around the planet Altor. Demeter City is one of the toughest cities in the universe. There's tons of slums and every kind of scumbag criminal you could ever expect to find in the worst of Earth's hoods. The planet is primarily populated by three species, although there are literally hundreds of known species that might be found in one of the darkest corners of the city. Humans make up about a third of the dominant population. The Tarns are a species with a third eye that grants them varying degrees of telepathy and telekinesis. The Creons are the dominant species. They look a little like hammerhead sharks with their bulging eyes extended outward on either side of their face. This species is high on ritual and tradition. The three species are well represented in the officers who serve at the 88th.
Posted in: Disc Reviews by Gino Sassani on December 16th, 2010
KISS fans will likely feel like they’re in heaven with this quasi-intimate look at the long-tongued demon of rock. All others might be tempted to stay away, and yet, that might be a mistake. Let me first admit that I’m no fan of reality television or KISS. With that said, you might be expecting me to trash this particular program. Wrong! Honestly, as an outsider I have the unique ability to judge the show without all of the trappings of the band’s fame and history.
I’m not sure if it’s a case of morbid curiosity, but I ended up somewhat liking the show. At about 21 minutes an episode, it’s just the right length. Even if I did find this stuff entertaining, there was only so much of Gene’s family I could take in one sitting. The premise is simple and has been done to death by now. Cameras follow some famous person or family in the hopes of providing compelling drama for millions of viewers. OK, so that’s a bit of an exaggeration, but so is the idea that we’re going to get an intimate inside look at these folks while the cameras are rolling. It’s a lot like wrestling. If you don’t buy into that what you’re seeing is actually real, you can get a few laughs out of the whole thing. I will also admit this show destroyed a lot of the Gene Simmons mystique for me. Let’s face it. Can you ever watch the stage persona in the same light again after watching Gene scoop kitty litter or wash his dog by throwing him in the pool? Let’s not even talk about an attempt to get semen from a bull. Still, Gene turns out to be an interesting character very much removed from the one we’re so used to seeing. While Gene dominates the show, there is plenty of time given to wife Shannon Tweed, from Playboy and soft-porn films.
Posted in: Disc Reviews by William O'Donnell on December 16th, 2010
Thierry Guetta has the habit of filming everything he does in his entire life. This habit did not shake while filming the, technically illegal, work of his cousin 'Invader' who is a street artist that pastes up images from and inspired by the video game Space Invaders. Guetta quickly fell head over heals for this underground movement of creating street art and started documenting some of the most famous street artists in the entire world, including the ever (in)famous 'Banksy.' It was Banksy who questioned Guetta as to what his plans were for all of this footage, which was originally nothing, and encouraged him to make a documentary about street art as it is a temporary medium (since it is considered vandalism, all pieces are removed or destroyed soon after being created) and these pieces deserved to be recorded for history's sake in a formal film. Guetta's attempt at the film was deemed unwatchable and so Banksy took over the film and turned the camera on Guetta so that his personal story would be told along with displaying many artists' work.
Some speculations state that this film is an elaborate prank being pulled by Banksy. Remaining anonymous as he directs this film, who is to say that the art made by Guetta is not in fact created by Banksy as a way of demonstrating that pop art is the last vestige of the under-talented, and yet they can make millions if hyped just right. Indeed, the climax of the documentary is Guetta putting on an epic gallery opening in Los Angeles as his new moniker “Mr Brainwash” (a name that has been seen as evidence towards Bansky's message of how hype can brainwash the masses and disguise lack of depth or meaning). I do not subscribe to this theory, as this film seems more like a jab at those (Mr Brainwash being central) who use marketing and gimmicks to make money from something that should be about expression and not profits.
Posted in: Disc Reviews by David Annandale on December 15th, 2010
Six young men and women head off in two cars for a weekend trip in rural France. Along the way, the car with the three guys runs out of gas, fortunately within pushing distance of a filling station. There, our boys inadvisedly pick up a hitchhiker, who turns out to be an escaped psychopath. But no sooner have they started to worry about their new passenger when a mysterious fog and a ghostly vision send them careening off a cliff. Wounded and lost, they find that not only do they have a killer to contend with, but there is something monstrous and huge under the ground that is hunting all of them.
Clearly shot on a shoestring, but very ambitious in its special effects (an opening prologue featuring a meteor strike in 17th-Century France, giant tentacles reaching of the ground to grasp a helicopter), this is a film that certainly pulls out the stops. The plot is pretty packed, too, what with a ghost, a killer, AND a monster. But for all that, what the film needs is something quite inexpensive: a stronger script. The characters are set up quite well, but nothing much is done with them, and they wind up playing out in fairly conventional ways (the loser is the hero and vice versa, for instance). And for all the elements that are tossed into the mix, much of the running time still involves racing around to little effect in dark woods. Still and all, there is some fun monster work, and the just how much this little movie attempts to pull off, whether it fully manages to or not, is worthy of admiration.
![Dear Mr. Gacy [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/dear-mr-gacy-blu-ray-large.jpg)
