Posted in: Disc Reviews by William O'Donnell on December 12th, 2010
Bryce and Juli first meet in the second grade. Juli is convinced that Bryce is walking around with her first kiss, while Bryce is not returning any sense of being similarly infatuated with Juli. As the years pass by, Bryce manages to keep her at bay, until things “flip” (as it were) and it is Juli who may be veering away from Bryce.
This will-they won't-they (probably will) romance is told by trading the point-of-view and narrator between Bryce and Juli. This tactic makes the story more interesting to take in, despite the potential tedium of having the entire story essentially being told twice. The audience is privy to the continuous compare and contrast happening between Bryce and Juli's thoughts and feelings and so we get a more immediate understand of who they are, and what they are motivated by.
Posted in: Disc Reviews by David Annandale on December 10th, 2010
A suave Tom Cruise and a flustered Cameron Diaz (wow, what a stretch for both actors) bump into each other at Wichita airport, and a few minutes later do so again. Diaz thinks she might be on to something with the charming hunk, but she is more accurately into something, and in far out of her depth, as the plain flight turns into a gun battle and forced landing. Before she knows it, she doesn't know where to turn and whom to trust: the various menacing government officials (headed up by a sinister Peter Sarsgaard), or the cheery but possibly psychotic rogue Cruise. There will be many a narrow escape and an international location visited before she knows the answer.
Tom Cruise's return to action-adventure films was almost more notable for the off-screen backstory than the on-screen action. This, of course, was the film he chose to do when he backed out of the darker-edged Salt, where he was replaced by the rather more convincing Angelina Jolie, and which proceeded to beat Knight and Day at the domestic box office. (In fairness, neither film was a giant hit, and the overall worldwide business of both was pretty close.)
Posted in: Disc Reviews by Gino Sassani on December 9th, 2010
"The war between sorcerers was fought in the shadows of history, and the fate of mankind rested with the just and powerful Merlin. He taught his secrets to three trusted apprentices, Balthazar, Veronica and Horvath. He should have trusted only two."
It was one of the most memorable Walt Disney moments in the long history of animation. The Sorcerer's Apprentice segment in Fantasia would become the most recognizable piece of the film. It would be released many times over the years since 1940, so that even people who had never even heard of Fantasia recognized Mickey Mouse as the sorcerer's apprentice who abused the power he had learned to bring a broom to life and do his chores while he slept. The magic got out of his control and mayhem ensued. The images linger still. Now the combination of Jerry Bruckheimer, Jon Turteltaub, and The Walt Disney Studios has teamed up for a new adventure film very loosely based on that original material. This is the same team that brought us the National Treasure films and part of the team that continues to bring us the Pirates Of The Caribbean films. If you liked those franchise films, you can expect more of the same in The Sorcerer's Apprentice.
Posted in: Disc Reviews by Gino Sassani on December 9th, 2010
"Nobody thinks of it from the whale's point of you."
I think this is the very first film I've ever seen that was made in Iceland. Of course, Iceland isn't one of those movie-making meccas known throughout the world for their movie magic. The truth is, there haven't been too many films set in Iceland and even fewer shot on location there. Now that Harpoon has come along, I don't expect that is going to change any time soon.
Posted in: Disc Reviews by Gino Sassani on December 9th, 2010
In December of 1980, John Lennon was gunned down by a crazy man who was trying to get the attention of yet another celebrity. In 2010, the BBC assassinated the man's character in this dreadful television film called Lennon Naked. I had such high hopes for the film. I rather like star Christopher Eccleston. I enjoyed his take on The Doctor from Doctor Who. He was also quite good in the zombie thriller 28 Days Later with a run as a man who can become invisible on Heroes. What made such a fine actor stoop so low as to take a gig like this is beyond my understanding. If it was the temptation to maybe play an idol from his childhood, I would have hoped he would have stopped short once he'd read the script. As the aforementioned warning tells us, this film is actually a hodgepodge of speculation that doesn't fail to kick the singer at every point.
I'm not a huge John Lennon fan. In fact, I only have mild feelings about The Beatles in general. I respect what they have done but have leaned more toward Paul and George in their years after the super-band. I have no illusions that Lennon was anything but a spoiled brat, particularly at the height of his career. His famous, "We're bigger than Jesus Christ" statement said a lot about his immaturity at the time. It should be expected. The "lads" were mere teens when their music caught fire. Before they had a chance to start shaving, women were throwing themselves practically faint at the band, and money was coming in as if it were the most common thing in the world. It's really no wonder that the band members had a feeling of entitlement and were a bit rough around the edges. There is certainly a bit of fairness to some of this portrayal.
Posted in: Disc Reviews by Gino Sassani on December 8th, 2010
And the George Lucas Award for the filmmaker who has mined the most out of his movie this year....the envelope please. It's James Cameron for releasing not one, not two, not three, but four different versions of Avatar in less than a year. But I'll have to give him a pass, just this once. This 3-disc collection offers enough goodies that it will tempt you to trade in your still-new version for this complete collection. Better yet ... put it at the top of your Christmas list. The film comes in three versions. One with 8 minutes added. Another with 16. What's the point of having the new version if not to see the most extensive edit?
Posted in: Disc Reviews by Gino Sassani on December 8th, 2010
I grew up on the Peanuts creations of Charles M. Schulz. Most of us have, in some way or another. His newspaper comic strip is one of the longest running and most successful strips of all time. The work has been translated into every language currently spoken on the planet. The images of Charlie Brown, Snoopy, Linus, and the rest of the Peanuts gang have appeared on just about any kind of product imaginable. Our pop culture contains too many references to the strip to mention briefly. For me, it was the television specials starting in the mid 1960’s that brought the gang into my life. The classics are running annually, still after nearly 50 years. A Charlie Brown Christmas, A Charlie Brown Thanksgiving and It’s The Great Pumpkin, Charlie Brown are the most mentioned and certainly beloved by generations of children and adults. I thought I never missed an airing.
A Charlie Brown Christmas
Posted in: Disc Reviews by Gino Sassani on December 8th, 2010
"September 19th. Dear Diary, as I sit here thinking about picking up the pieces of what used to be my life, I realized something. Every room in this house holds a painful memory for me. Even though he's suffering, something somewhere in me wants him to suffer more. A few months and a divorce can take you through just as many emotions as 18 years in a marriage. And I'm starting to feel all of them at once. But the one that is clear is rage. Signed, a Mad Black Woman."
Lately I've had an opportunity to watch a ton of Madea on Blu-ray. Lionsgate is bringing out all of the Tyler Perry collection on high-definition Blu-ray of late. It makes sense that this wave of releases would also include Diary Of A Mad Black Woman. This is where Madea's cinematic life began. Watching these films has been a bit of a blessing and a curse. The blessing part comes from some of the pure hilarity that can be Madea. The curse comes in the form of Perry's Jekyll and Hyde style of presenting these absolutely classic comedy moments with tales of faith and redemption. Again, both styles are admirable and good on their own. I just have trouble with the mix. However, Diary Of A Mad Black Woman is better than most of his efforts in that department. Because Madea relates more integrally with the other story, it doesn't come across near as awkward as some of the others. This was probably the best of this recent wave of Tyler Perry movies. And so it seems I saved the best for last.
Posted in: Disc Reviews by Archive Authors on December 7th, 2010
Written by Diane Tillis
The world of Avatar has been a part of James Cameron’s dreams for over a decade. When he initially approached studios to pitch the concept, they denied him the opportunity, citing the huge budget that would be necessary to create the film. Thus Cameron had to wait for technology to catch up with his vision. Flash forward a decade with the advancements in capture-motion cameras and 3D technology; Cameron finally saw his opportunity. With an amazing crew of visionaries, Cameron broke several boundaries in the film industry and created a cultural phenomenon. In early April 2010, the theatrical version of Avatar was released on DVD with only the feature film and no special features. Now in November 2010, the extended collector’s edition of Avatar is released with tons of goodies. The collection includes three versions of the film: the original theatrical version, the re-release version with eight minutes of deleted scenes, and the extended collector’s version with sixteen minutes of deleted scenes. The collection is divided into three discs. The first and second discs have the three versions of Avatar, each split in half. Thus, when you watch one version, an hour and a half later you will have to switch to the second disc to continue the movie. The third discs has all the deleted scenes from the films collected for instant viewing, forty-five minutes of never-before-seen deleted scenes in various stages of production, and a ninety-eight minute behind-the-scenes featurette.
Posted in: Disc Reviews by Gino Sassani on December 7th, 2010
"Compulsive hoarding is a mental disorder marked by an obsessive need to acquire and keep things, even if the items are worthless, hazardous, or unsanitary. More than three million people are compulsive hoarders. These are two of their stories."
The reality television craze has entered its second generation. In the beginning, shows merely found folks who were willing to put themselves in odd circumstances for the chance to earn some big payday. That first wave included such shows as Big Brother, Fear Factor, and Survivor. These shows quickly evolved, or devolved, depending on your point of view, into the relationship game. Instead of cash, these contestants went looking to marry, most often a millionaire. It turns out that Chuck Barris actually invented the reality show in 1965 with The Dating Game and later with The Gong Show. He discovered, way ahead of his time, that we wanted to see real people make complete fools of themselves for love or money. When the writers’ strike hit, these shows became a gold mine to network executives looking to fill prime-time slots. That's when everyone noticed just how cheap these shows were to make.
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