Disc Reviews

A monstrous emperor sets out his orcs to find an ancient item that would grant him enormous power. Goblins come out of the woodwork as the side of good assembles a small group of humans, elves and other species to seek out this same item and end the evil emperor's quest for domination. Sound familiar? It should, after all, this is the Fellowship of the...err...Knights of Bloodsteel.

Using what must have been the leftovers at the Lord of the Rings yard sale, the effects people have slapped on pointed ears and noises onto as many extras and actors they could find in an attempt to resurrect the enormous majesty of Middle-Earth (of course it goes by some other magical sounding, gibberish name here). Everyone babbles endlessly about elves this and goblins that to make the fantasy realm become more believable, but it becomes terribly inane tiresome by about the 18th time something “fantasy” is brought up in the first 5 minutes.

My history with romantic comedies is not a good one. Okay, I cried at the Notebook. *Looks nervously at the man card floating in his wallet*. So, what I cried at Rocky and Bloodsport too. I feel better now. But normally, I look at romantic comedies and want nothing to do with them. But every once in a while, along comes a romantic comedy with a decent cast and a somewhat different story. Even though I can see the ending coming a mile away, hopefully the journey there is interesting and thoughtful.

Andrew Paxton (played by Ryan Reynolds) is the best assistant in the world. He gets to work on time, he always has the right latte for his boss, and his shirt always looks perfect (even if it is borrowed from a co-worker). He works at Colden Books, a publishing company and his dream is to become an editor, especially after three years of being an assistant. He is an assistant to the executive editor-in-chief Margaret Tate (played by Sandra Bullock).

Medium made a jump in its 5th season. NBC axed the show, but the folks at CBS decided to pick it up and continue the series. It’s not a huge leap, actually. CBS was already showing the similar and better Ghost Whisperer, and the series was produced by the CBS parent company, Paramount. That means that the production team pretty much stays intact and the show doesn’t really suffer any kind of transition. The same can be said for the release. The packaging and production values are pretty much identical to the previous four years.

Medium was based on a real person with alleged psychic powers who apparently has helped out various law enforcement agencies in some actual cases. If you’ve seen the series, you might find that hard to believe, and the episodes are obviously fictional adventures and not based on the real Allison Dubois’s experiences. At first glance it might be easy to lump Medium in with Ghost Whisperer or The Dead Zone. Actually there are almost no similarities to any of those shows. Allison does not gain any understanding through touching, and while she does see ghosts at times, that aspect of the show has been made to play in only a small percentage of the episodes. Allison accesses her powers through dreams. These nightmares are usually vague and often provide additional clues with each recurring dream. The formula for the show is that she must interpret these images and signs in time to do whatever it is she needs to do. Now that her secret is out, she’s not able to continue her work at the DA’s office. Joe’s career is also in jeopardy, so the show is going through some changes here. The strike likely did some damage, so we may never know exactly what was in store.

The Strawberry Shortcake Movie: Sky’s the Limit definitely surprised me. As I turned this 96-minute movie on I expected to be bombarded with female stereotypes: flowers, butterflies, and the color pink. Though Strawberry didn’t fail to deliver these dainty, feminine elements, it also offered six very strong and independent female characters.

After watching the intro on car seat safety, sponsored by AAA and unable to be skipped, the movie begins. The opening scene shows the town of Berry Bitty City where all the girls live; Strawberry, Orange, Plum, Blueberry, Lemon and Raspberry. The Berrykins (who pick the berries to keep the berry juice flowing which is what powers the entire city) dance while picking berries and singing a song about their “very nice life.” Orange, the craftiest of the girls, has created a juice fountain and is showing it off to all her friends, while Strawberry works on a new smoothie recipe. We are introduced to the only character different from Strawberry and friends, Mr. Longface. He is the lovable caterpillar who seems to offer the girls’ guidance while reading his family’s stories from an “old family journal.”

Horror fans have suffered through a severe case of déjà vu of late. All of the major titles of the 80’s and 90’s slasher cycle have now been either remade or are currently in production. There isn’t a big title remaining. Now it appears anything is fair game. Are we really that desolate of originality in this modern age? Today no cult classic or bomb is safe from being regurgitated back to us in either a theatrical release. Or, more likely, a direct to DVD project. In some cases, I’ve welcomed the occasional re-release, if the new film has something new to offer while remaining true to the source material. I actually liked the Mummy films. They don’t really look anything like the Universal classics, but they were kind of a nice ride, so my sensibilities weren’t all that shaken up. I’m looking forward to the Wolf Man film coming soon from Universal. It appears that the movie will be quite an homage to the original, yet satisfy the more modern needs of today’s filmgoers. But for every film that deserves a second look, there are countless movies that had already played out their string. It’s Alive is one of those.

Larry Cohen ended up with an unexpected cult success on his hands when he delivered the low budget original film back in 1974. He wrote and directed the effort, and it was a pretty good hit. It told the story of an unsuspecting mother who gives birth to a carnivorous mutant with an unending hunger for fresh meat. It was a sweet Halloween treat back then. But Cohen decided to milk that baby for all that he could. In 1978 he churned out It Lives Again and finally in in 1987 he delivered his third and final baby with It’s Alive II: The Island Of The Alive. Each entry scored lower than the last, and finally It was dead. But that’s just not how Hollywood rolls these days.

Of the many films based on books by prolific writer Stephen King, Misery ranks near the top. Falling somewhere between the horror and thriller genres, this film about a twisted obsession is frightening because the premise seems very real.

Directed by Rob Reiner (A Few Good Men), who first visited King territory with his 1986 film Stand By Me, Misery tells the story of romance writer Paul Sheldon (James Caan, Elf) and the fan who rescues him after a car accident.

“Magic Mirror on the wall, who is the fairest one of all?”

Years ago a news magazine, I don’t remember which, conducted a survey. They discovered that more adults knew the names of the 7 Dwarfs than could name 7 figures in the federal government, including President, Vice-President, Senate, House of Representatives, and The Supreme Court. They say our educations begin very young. Well, since 1937 our youths have been entertained by Snow White and the Seven Dwarfs.

“For more than 150 million years dinosaurs roamed every corner of the planet. Only a very few left evidence of their existence, their fossilized bones. And, those bones have never ceased to fascinate us.”

The box art to the new IMAX Blu-ray release of Dinosaurs Alive is more than a little bit misleading. The package elicits an image of thundering prehistoric beasts engaged in all sorts of primeval activities. And why not? It’s the stuff of our youth’s imaginations. Has there ever been a more fascinating true story than dinosaurs? But, if you’re expecting, or worse hoping, to get a high definition experience somewhat akin to the Walking With Dinosaurs specials, you’re apt to be more than a little bit disappointed. And that’s actually a bit of a shame, because there are wonders to behold here, just not that kind. Instead the documentary takes you to the places where these stories once unfolded so many millions of years ago. There you’ll encounter these beasts, though not in the flesh, but in the bone. Paleontologists invite you along to some of the most fruitful dinosaur graveyards. There the past is uncovered one brushstroke at a time. And while incredibly fascinating in itself, it’s not exactly the high drama I was expecting.

This season finds the protagonists well beyond high school, now having adventures in the adult world. So writer Lucas, in the midst of promoting his book, proposes to Peyton. Brooke fights to save her clothing business from the clutches of her mother From Hell. Piece of work Dan is flattened by a car and then finds himself in the hospital, helpless, badly injured, and at the mercy of a sadistic nurse out for revenge. Basketball player Nathan doesn't know that his mother is having an affair with one of his friends. And on we go, and I haven't even mentioned the episode that's a fantasy construction of Lucas', relocating the entire cast and setting to the 1940s.

“You know those shows that say don’t try this at home? This is one of those.”

Scare Tactics is really nothing new. In 1948 one of the very first television shows to air on network television was a converted radio program originally called Candid Microphone and renamed Candid Camera for television. It was the brain child of Allen Funt, who began the idea while in the armed services, secretly recording fellow servicemen in awkward positions for his Armed Forces Radio program. The idea was a hit and was television’s first hit program. Funt would hide his 16mm cameras and put people in awkward situations with the intent to make them feel and appear foolish. The stunts in those days were pretty simple. A talking mail box or strange acting workers. It was all in good fun and everybody got a laugh.